{"id":292,"date":"2026-03-19T09:06:45","date_gmt":"2026-03-19T13:06:45","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/burt\/content-removed\/"},"modified":"2026-03-19T09:06:46","modified_gmt":"2026-03-19T13:06:46","slug":"content-removed","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/burt\/content-removed\/","title":{"rendered":"Notice"},"content":{"rendered":"\n

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82 document links across 3 pages were redirected on March 19, 2026. Hover over a filename to see its original URL.<\/p>\n\n\n\n

Source Page<\/th>Link Text<\/th>Document<\/th>Type<\/th><\/tr><\/thead>
Page: "Don Quixote"<\/a><\/td>An open letter<\/td>Next-Steps-on-Protests-and-Free-Speech.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>An open letter<\/td>Next-Steps-on-Protests-and-Free-Speech.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Popular Instagram A I Fraud<\/td>PopularInstagramAIFraud.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Absolutely on Music: Conversations<\/td>absolutelyonmusic.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>\u00a0(2016), pp. 67-70; 98-101; 233-238; 285-322<\/td>absolutelyonmusic.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Martin Heidegger, "The Thing"<\/td>heidegger_the_thing.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Bayardtalkaboutbooksyouhavenotreadprefacechapterone.pdf<\/td>Bayardtalkaboutbooksyouhavenotreadprefacechapterone.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>bayard-how_to_talk_about.pdf<\/td>bayard-how_to_talk_about.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>pdf<\/td>DeepStateofDementia.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>, "On the Gradual Production of Thoughts Whilst Speaking"<\/td>Kleist.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Missing UF Faculty<\/td>missingfaculty.docx<\/span><\/td>DOCX<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Alain Badiou,\u00a0The True Life<\/td>Badioutruelife.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Nietzsche, Friedrich. 1872 Anti-Education\u00a0Harper's Magazine<\/td>NietzscheantieducationHarpersMagazine.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Alexandre Kojeve,\u00a0<\/td>IntroductionReadingHegelPhenomenologySpiritAlexandreKojeve.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>"Chapter 2 Summary of the First Six Chapters of the Phenomenology of Spirit" in\u00a0Introduction to the Reading of Hegel\u00a0<\/td>IntroductionReadingHegelPhenomenologySpiritAlexandreKojeve.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>A<\/td>Feyerabend_Paul_Against_Method.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>gainst Method<\/td>Feyerabend_Paul_Against_Method.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>: Outline of an Anarchistic Theory of Knowledge<\/td>Feyerabend_Paul_Against_Method.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>Scrips and Scribbles<\/td>3251938.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>After Method<\/td>john_law_after_method_mess_in_social_science_research_international_library_of_sociology__2004.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Don Quixote"<\/a><\/td>: Mess in Social Science Research<\/td>john_law_after_method_mess_in_social_science_research_international_library_of_sociology__2004.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"What the Dead Said: Posthumography and the Public Sphere"\u00a0<\/td>Freedom_11x17.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"MacDeth"<\/td>DeadShaxFlyer.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>the British Museum (2008)<\/td>BT@BM.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Putting Your Papers in Order: The Matter of Kierkegaard's Writing Desk, Goethe's Files, and Derrida's Typewriter, or the Philology and Philosophy of Publishing After Death"<\/td>Rhizomes20RichardBurt.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"DIE-JESTING stURNe\u2019s BURIALLs: Publication, Plagiarism, Pseudonymity, Pseudography, Cenography, Palimpsestuosity, Posthumography, and the Propriety or Pathos of Posterity,\u201d\u200b\u00a0<\/td>BurtSturne.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Duly Noted or Off the Record? Sovereignty and the Secrecy of the Law in Cinema"\u00a0<\/td>secretsoflawDulyNotedorOfftheRecordSovereigntySecrecyLawBurtRichard.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>Hamlet\u00a0<\/td>BurtCartmellHamlet.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>'s Hauntographology: Film Philology, Textual Faux-rensics, and Facsimiles<\/td>BurtCartmellHamlet.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>A Companion to Literature, Film, and Adaptation<\/td>CompaniontoLiterareFilmandAdaptation.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Backing Up the Virtual Bayeux Tapestries: Facsimiles as Attachment Disorders, or Turning Over the Other Side of the Underneath" (pdf of uncorrected proofs).\u00a0<\/td>\/\/\/RBURT\/BurtBT2010.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>\u00a0For the errata sheet, click here.<\/td>\/\/\/RBURT\/BurtBTcorrections.doc<\/span><\/td>DOC<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Being your slave": Not Citing\u00a0Sonnets\u00a057 and 58 and the TraUmisSion of Race in the United States."\u00a0<\/td>\/\/\/RBURT\/BurtSonnetsGlobal2010.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Backstage Pass(ing):\u00a0Stage Beauty,\u00a0Othello, and the Makeup of Race."<\/td>burtstagebeauty.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"'Degenerate "Art"': Public Aesthetics and the Simulation of Censorship in Postliberal Los Angeles and Berlin," in\u00a0The Administration of Aesthetics: Censorship, Political Criticism and the Public Sphere. Ed. Richard Burt (Minneapolis: U of Minnesota P, 1994), pp. 216-59.\u00a0<\/td>Burtdegenerateart.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>Welles Worth Seeing? Teorie dell\u2019attribuzione, titoli di film falsi e diffusione simultanea via Netflix di\u00a0The Other Side of the Wind\u00a0e\u00a0They\u2019ll Love Me When I\u2019m Dead"<\/td>BURTcabiria2019.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>Reading Madness in the Archive: Shakespeare's Unread Letters,"\u00a0<\/td>BLBurt.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>\u00a0(proofs)<\/td>BLBurt.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"What is Called Thinking with ShaXXXspeares and Walter Benjamin? Managing De\/Kon\/struction, Toying with Letters in\u00a0The\u00a0Lego Movie,<\/td>ThinkingwithShaXXXspearesandWalterBenjamin.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>Proofs are here<\/td>JEMCS16.31stproof-BURT.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>Shelf-Life: Biopolitics, the New Media Archive, and 'Paperless' Persons<\/td>Shelflife.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>click here<\/td>CuttingandRunning.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Getting Schmedieval: Of Manuscript and Film Parodies, Prologues, and Paratexts,"\u00a0<\/td>GettingSchmedieval.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Re-embroidering the Bayeux Tapestry in Film and Media: the Flip Side of History in Opening and End Title Sequences,"<\/td>ReembroideringBayeuxTapestryFilmMedia.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>For scans in pdf, click here.<\/td>stupidshit.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"What's the Worst Thing You Can Do to Shak\/x\/espeare?" co-authored with Julian Yates,\u00a0Renaissance Drama, n.s. 40 2012, 71-89.<\/td>RD2012.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Publications"<\/a><\/td>"Knowing Better: Sex, Cultural Criticism, and the Pedagogical Imperative in the 1990s,"\u00a0<\/td>KnowingBetterSexCulturalCriticismandthePedagogicalImperativeinthe1990s.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>An open letter<\/td>Next-Steps-on-Protests-and-Free-Speech.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>An open letter<\/td>Next-Steps-on-Protests-and-Free-Speech.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>http:\/\/www.jessicasladechms.weebly.com\/uploads\/5\/1\/7\/4\/51740093\/sir_gawain_complete_large_text.pdf<\/td>sir_gawain_complete_large_text.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Popular Instagram A I Fraud<\/td>PopularInstagramAIFraud.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Petit Bottin des lettres et des arts<\/td>petitbottindesl00fngoog.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Inside the Academic-Freedom Crisis That Roiled Florida\u2019s Flagship<\/td>AcademicFreedomCrisisThatRoiledFlorida.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>The Sex Bureaucracy Jacob Gersen & Jeannie Suk*<\/td>Gersen-and-Suk-37-FINAL.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Beyond the Pleasure Principle<\/td>beyondthepleasureprinciplestandardedition.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Edgar Allen Poe, "The Purloined Letter"<\/td>PoePurloined.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>"A Note upon the Mystic Writing Pad"<\/td>freudnotemysticwritingpad.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Jacques Derrida, "Differance"<\/td>DerridaDifferance.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Jacques Derrida, "The Parergon<\/td>JacquesDerridaTheParergon.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Jacques Lacan, "Seminar on the Purloined Letter"<\/td>JacquesLacanSeminarPurloinedLetter.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Sigmund Freud, "The Uncanny"<\/td>uncanny.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>"The Uncanny"<\/td>Jentschuncanny.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>"Marginalia to "Geschlecht III": Derrida on Heidegger on Trakl"\u00a0<\/td>41949555.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>The Frame of Reference: Poe, Lacan, Derrida<\/td>2930445.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Secrecy and the Press. Remarks by.\u00a0Katharine Graham.\u00a0<\/td>CIA-RDP99-00777R000302440003-9.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>These Scholars Denounced the Police<\/td>ScholarsDenouncedPolice.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>The Humanities After Covid-19<\/td>TheHumanitiesAfterCovid19.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Martin Heidegger, "The Thing"<\/td>heidegger_the_thing.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Scholars Denounced the Police<\/td>ScholarsDenouncedPolice.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>The Humanities After Covid-19<\/td>TheHumanitiesAfterCovid19.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>, "On the Gradual Production of Thoughts Whilst Speaking"<\/td>Kleist.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Missing UF Faculty<\/td>missingfaculty.docx<\/span><\/td>DOCX<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>A<\/td>Feyerabend_Paul_Against_Method.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>gainst Method<\/td>Feyerabend_Paul_Against_Method.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>: Outline of an Anarchistic Theory of Knowledge<\/td>Feyerabend_Paul_Against_Method.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Scrips and Scribbles<\/td>3251938.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>After Method<\/td>john_law_after_method_mess_in_social_science_research_international_library_of_sociology__2004.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>: Mess in Social Science Research<\/td>john_law_after_method_mess_in_social_science_research_international_library_of_sociology__2004.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Alain Badiou,\u00a0The True Life<\/td>Badioutruelife.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Nietzsche, Friedrich. 1872 Anti-Education\u00a0Harper's Magazine<\/td>NietzscheantieducationHarpersMagazine.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>Alexandre Kojeve,\u00a0<\/td>IntroductionReadingHegelPhenomenologySpiritAlexandreKojeve.pdf<\/span><\/td>PDF<\/td><\/tr>
Page: "Forgery, Painting, Film"<\/a><\/td>"Chapter 2 Summary of the First Six Chapters of the Phenomenology of Spirit" in\u00a0Introduction to the Reading of Hegel\u00a0<\/td>IntroductionReadingHegelPhenomenologySpiritAlexandreKojeve.pdf<\/span><\/td>PDF<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

This content has been removed until it can be made compliant with Electronic Information Technology and Communication Accessibility. Redirected Documents 82 document links across 3 pages were redirected on March 19, 2026. Hover over a filename to see its original URL. Source Page Link Text Document Type Page: "Don Quixote" An open letter Next-Steps-on-Protests-and-Free-Speech.pdf PDF […]<\/p>\n","protected":false},"author":1249,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-292","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/pages\/292","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/users\/1249"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/comments?post=292"}],"version-history":[{"count":1,"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/pages\/292\/revisions"}],"predecessor-version":[{"id":296,"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/pages\/292\/revisions\/296"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/burt\/wp-json\/wp\/v2\/media?parent=292"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}