{"id":19,"date":"2012-09-05T11:22:25","date_gmt":"2012-09-05T15:22:25","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/template\/?page_id=19"},"modified":"2026-03-19T08:26:19","modified_gmt":"2026-03-19T12:26:19","slug":"publications","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/ehind\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\r\n
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\"Dr.<\/a><\/figure>\n\n\n\n

Books:<\/strong><\/p>\n\n\n\n\n\n

Literatura infantil y juvenil mexicana, 2020.<\/em><\/p>\n\n\n\n\n\n

Dude Lit: Mexican Men Writing and Performing Competence, 1955-2012<\/em>. Forthcoming with the University of Arizona Press.<\/p>\n\n\n\n\n\n

Translated by Carl Good: Macholiteratura: Hombres mexicanos escribiendo y actuando la competencia, 1955-2012<\/em>. <\/strong>Bonilla Artigas, 2025.<\/strong><\/p>\n\n\n\n\n\n

La generaci\u00f3n XXX: Entrevistas con veinte escritores mexicanos nacidos en los 70. De Abenshushan a Xoconostle<\/em>. M\u00e9xico: E\u00f3n, 2013.<\/p>\n\n\n\n\n\n

Femmenism and the Mexican Woman Intellectual from Sor Juana to Poniatowska: Boob Lit<\/em>. New York: Palgrave Macmillan, 2010.<\/p>\n\n\n\n\n\n

Entrevistas con quince autoras mexicanas<\/em>. Madrid: Iberoamericana\/ Frankfurt am Main: Vervuert, 2003.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n

Journal Articles:<\/strong><\/p>\n\n\n\n\n\n

Interview with Amaury Colmenares. \u201cEntrevista a Amaury Colmenares.\u201d A Contracorriente: Uma revista de estudios latino-americanos<\/em>, Vol. 23, No. 2 (2026), pp. 215-231.<\/p>\n\n\n\n\n\n

\u201cEl veget-alfabetismo en Supernaturalia <\/em>de Norma Mu\u00f1oz Ledo, Restauraci\u00f3n <\/em>de Ave Barrera y Desierto sonoro <\/em>de Valeria Luiselli.\u201d Balaj\u00fa: Revista de Cultura y Comunicaci\u00f3n de la Universidad Veracruzana<\/em>. No. 22 (2025), pp. 66-96.<\/p>\n\n\n\n\n\n

with Jorge Quintana Navarrete. Introducci\u00f3n. \u201cLos estudios cr\u00edticos de las plantas: Aproximaciones desde las culturas de M\u00e9xico y Centroam\u00e9rica.\u201d Balaj\u00fa: Revista de Cultura y Comunicaci\u00f3n de la Universidad Veracruzana<\/em>. No. 22 (2025), pp. 4-16.<\/p>\n\n\n\n\n\n

Interview with Jazmina Barrera. Hispam\u00e9rica<\/em>, Vol. 51, No. 153 (2022), pp. 77-83.<\/p>\n\n\n\n\n\n

Interview with Brigitte Broch. \u201cLas plantas en el cine mexicano: \u00bfdesastre ecol\u00f3gico o remedio visual? Conversaci\u00f3n con la dise\u00f1adora de arte Brigitte Broch sobre Solo con tu pareja <\/em>(1991), Sexo, pudor y l\u00e1grimas <\/em>(1999) y Amores perros <\/em>(2000).\u201d Balaj\u00fa: Revista de Cultura y Comunicaci\u00f3n de la Universidad Veracruzana<\/em>. No. 17 (2022), pp. 99-110.<\/p>\n\n\n\n\n\n

Interview with Ave Barrera. \u201cAve Barrera al precipicio de la introducci\u00f3n al mundo angl\u00f3fono.\u201d A Contracorriente<\/em>. Vol. 19, No. 3 (2022), pp. 327-344.<\/p>\n\n\n\n\n\n

\u201cLiterary Fiction Under Coloniality and the Relief of Meditation in Guadalupe Nettel\u2019s Desup\u00e9s del invierno<\/em>, Carla Faesler\u2019s Formol <\/em>and La\u00eda Jufresa\u2019s \u2018La pierna era nuestro altar.\u2019\u201d Special Issue edited by Roberto Sirvent and Amy Reed-Sandoval, Disability and the Global South<\/em>, Vol. 6, No. 1 (2019), pp. 1677-1694.<\/p>\n\n\n\n\n\n

\u201cContemplation as Resistance to Ageism, and Its Historical Context: Mexican Writers Carmen Boullosa, Guadalupe Nettel, and Mar\u00eda Rivera.\u201d Special number of Life Writing<\/em>, Vol 16, No. 1 (2019), edited by Margaret O\u2019Neill and Michaela Schrage-Fr\u00fch.**<\/p>\n\n\n\n\n\n

**Republished as a book: Women and Ageing: Private Meaning, Social Lives<\/em>. Routledge, 2021.<\/p>\n\n\n\n\n\n

\u201cIntroversi\u00f3n, grasa, bullying<\/em> y lo cool<\/em> en la literatura mexicana para ni\u00f1os (y j\u00f3venes): Aguilera, Brozon, Chacek, Dehesa, Hinojosa, Montiel Figueiras y Villoro.\u201d Revista de Literatura <\/em>Contempor\u00e1nea Mexicana<\/em> 67.22 (2016): 9-24.<\/p>\n\n\n\n\n\n

Interview with Guillermo Fadanelli. \u201cEntrevista a Guillermo Fadanelli.\u201d A Contracorriente <\/em>14.1 (2016): 306-330.<\/p>\n\n\n\n\n\n

Interview with Luis Felipe Lomel\u00ed. \u201cEl b\u00e1rbaro doctorado del Norte: Entrevista con Luis Felipe Lomel\u00ed.\u201d Confluencia <\/em>32.1 (2016): 208-223.<\/p>\n\n\n\n\n\n

\u201cAgeism, the Environment, and the Specter: The Broad Predicament in Carlos Fuentes\u2019s Aura <\/em>and Carmen Boullosa\u2019s Antes<\/em>.\u201d Chasqui <\/em>44.2 (2015): 164-174.<\/p>\n\n\n\n\n\n

\u201cStarring Pirates: Metaphors for Understanding Recent Popular Mexican Film.\u201d The Journal of Popular Film and Television.<\/em> 41.4 (2013): 196-207.<\/p>\n\n\n\n\n\n

\u201cEstado de excepci\u00f3n y feminicidio: El Traspatio\/ Backyard <\/em>(2009) de Carlos Carrera y Sabina Berman,\u201d The Colorado Review of Hispanic Studies<\/em>, 8 (2010): 27\u201342.<\/p>\n\n\n\n\n\n

\u201cSports, Horror, and Justice: 21st<\/sup>-Century Fiction by Garc\u00eda Galiano, Murgu\u00eda, Roncagliolo, Serv\u00edn,\u201d Cuaderno Internacional de Estudios Human\u00edsticos y Literatura<\/em> 14 (2010): 66-78.<\/p>\n\n\n\n\n\n

\u201cPita Amor, Sabina Berman, and Antonio Serrano Camp in DF,\u201d HIOL Hispanic Issues Online <\/em>3 (2008): 136-162.<\/p>\n\n\n\n\n\n

\u201cCinesperanza: Entre pantalla y p\u00e1gina en Los ni\u00f1os de paja <\/em>de Bernardo Esquinca,\u201d Explicaci\u00f3n de Textos Literarios<\/em> 36.1-2 (2008): 120-137.<\/p>\n\n\n\n\n\n

\u201cUn \u00a1Ojo! tecnol\u00f3gico: La mirada con y sin las m\u00e1quinas en la novela y el cine mexicanos.\u201d Revista Iberoamericana<\/em> 63.221 (2007): 813-826.<\/p>\n\n\n\n\n\n

\u201cHablando hist\u00e9ricamente: La ciencia de la locura en Feliz Nuevo Siglo Doktor Freud<\/em> de Sabina Berman y Nadie me ver\u00e1 llorar<\/em> de Cristina Rivera Garza,\u201d Literatura Mexicana<\/em>, 17.2 (2006): 147-168.<\/p>\n\n\n\n\n\n

\u201cBeing Jean Franco: Mastering Reading and Plotting Women<\/em>.\u201d Letras femeninas<\/em>, 32.1 (2006): 329-350.<\/p>\n\n\n\n\n\n

\u201cDe Rosario Castellanos al Hombre Ilustre, o, Entre dicho y hecho, hay un problem\u00e1tico pecho,\u201d Letras Femeninas<\/em>. First-Place Essay Contest Winner, Feministas Unidas. 31.2 (2005): 27-46.<\/p>\n\n\n\n\n\n

\u201cEl consumo textual y La cresta de Ili\u00f3n<\/em> de Cristina Rivera Garza,\u201d Revista de Filolog\u00eda, Ling\u00fc\u00edstica y Literatura de la Universidad de Costa Rica<\/em>, 31.1 (2005): 35-50.<\/p>\n\n\n\n\n\n

Interview with Mario Bellatin. Confluencia<\/em> 20.1 (2004): 197-204.<\/p>\n\n\n\n\n\n

\u201cProvincia<\/em> in Recent Mexican Cinema, 1989-2004.\u201d Discourse<\/em> 26.1-2 (2004): 26-45.<\/p>\n\n\n\n\n\n

\u00a0<\/strong>\u201cThree Short Stories, Two Films, and One Crazy Commitment: Jos\u00e9 Emilio Pacheco.\u201d La Torre <\/em>9.33 (2004): 381-389.<\/p>\n\n\n\n\n\n

\u201cPost-NAFTA Mexican Cinema 1998-2002.\u201d Studies in Latin American Popular Culture<\/em> 23 (2004): 95-111.<\/p>\n\n\n\n\n\n

\u201cProvincia<\/em> in Recent Mexican Cinema, 1989-2004.\u201d Discourse<\/em> 26.1-2 (2004): 26-45.<\/p>\n\n\n\n\n\n

\u00a0<\/strong>\u201cThe Sor Juana Archetype in Recent Works by Mexican Women Writers.\u201d Hispan\u00f3fila<\/em> 47.3 (2004): 89-103.<\/p>\n\n\n\n\n\n

Interview with H\u00e9ctor Aguilar Cam\u00edn. Hispam\u00e9rica<\/em> 32.95 (2003): 67-74.<\/p>\n\n\n\n\n\n

\u201cLa musa masculina en las novelas de Silvia Molina.\u201d AlterTexto<\/em> 1.1 (2003): 57-72.<\/p>\n\n\n\n\n\n

\u201cNovel Globalization: Mario Bellat\u00edn\u2019s El jard\u00edn de la se\u00f1ora Murakami<\/em>.\u201d Hispanic Journal <\/em>23.1 (2002): 21-34.<\/p>\n\n\n\n\n\n

\u201cLa historia como conducto a la espiritualidad en la escritura mexicana femenina.\u201d Hispanorama<\/em> 96 (2002): 53-55.<\/p>\n\n\n\n\n\n

\u201cMaking History: Carlos Salinas vs. Mexican Women Writers.\u201d Discourse<\/em> 23.2 (2001): 82-101.<\/p>\n\n\n\n\n\n

Interview with Carmen Boullosa. Hispam\u00e9rica<\/em> 90 (2001): 49-60.<\/p>\n\n\n\n\n\n

Interview with Sabina Berman. Latin American Theatre Review<\/em> 33.2 (2000): 133-139.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n

Chapters in Books:<\/strong><\/p>\n\n\n\n\n\n

\u201c\u00c1rbol Ram\u00f3n, the Axolotl\/Ajolote, and LEGOs: Mexico City\u2019s El Papalote<\/em> Children\u2019s Museum\u201d for Imagining a New Natural<\/em> History: Latin American Cultural Production in the Anthropocene<\/em>, edited by Lucas Mertehikian and Nicol\u00e1s Campisi. U of Florida P, 2026. pp. 43-64.<\/p>\n\n\n\n\n\n

\u201cCarmen Boullosa, Driver\u2019s License, and the Energy Gratitude Test\u201d in Carmen Boullosa: In Between Brooklyn and Coyoac\u00e1n<\/em>. Edited by Mar\u00eda R. Matz and Mar\u00eda del Mar L\u00f3pez Cabrales. Vernon P, 2024, pp. 19-37.<\/p>\n\n\n\n\n\n

\u201cThe Art of the Hack: Poets Carla Faesler and M\u00f3nica Nepote, and Booktuber F\u00e1tima Orozco,\u201d in The Multimedia Works of Contemporary Spanish American Women Artists and Writers<\/em>, edited by Jane E. Lavery and Sarah Bowskill, Boydell & Brewer, 2023, pp. 165-183.<\/p>\n\n\n\n\n\n

\u201cThe Slowed-Down Showdown: Energopower in Valeria Luiselli\u2019s Lost Children Archive <\/em>(2019) and \u00c1lvaro Enrigue\u2019s Ahora me rindo y eso es todo<\/em> (2018).\u201d In The Literary Western in the Global Imagination<\/em> edited by Christopher Conway, Marek Paryz, and David Rio. Brill, 2022, pp. 90-109.<\/p>\n\n\n\n\n\n

\u201cWeight, Writing and Privilege: Carmen Boullosa, Elena Poniatowska, and Rosario Castellanos.\u201d Teaching <\/em>Mexicana and Chicana Writers of the Twentieth Century<\/em>, edited by Elizabeth C. Mart\u00ednez. Modern Language Association of America, 2021, pp. 254-62.**\u00a0 **Teaching Literature Book Award 2023, Honorable Mention, Idaho State University.<\/p>\n\n\n\n\n\n

\u201cLa petrocultura y Frida Kahlo: De la biopol\u00edtica al energopoder, in Las dos Fridas <\/em>y Demerol sin fecha de caducidad <\/em>de Mario Bellatin,\u201d in Mario Bellatin y las formas de la escritura<\/em>, edited by H\u00e9ctor Jaimes. Editorial A Contracorriente<\/em>, distributed by the University of North Carolina Press, 2020. pp. 257-282.<\/p>\n\n\n\n\n\n

\u201c\u00bfCar\u00e1cter o personalidad? El pensamiento transicional de Asunci\u00f3n Izquierdo Albi\u00f1ana.\u201d In Luz rebelde: Mujeres y producci\u00f3n cultural en el M\u00e9xico posrevolucionario<\/em>. Coord. Elissa Rashkin and Esther Hern\u00e1ndez Palacios. Xalapa: Universidad Veracruzana, 2020. pp.\u00a0157-196.<\/p>\n\n\n\n\n\n

\u201cOn Pirates and Tourists: Ambivalent Approaches to El Blog del Narco<\/em>.\u201d Online Activism in <\/em>Latin America<\/em>. Ed. Hilda Chac\u00f3n. Routledge, 2017. 113-127.<\/p>\n\n\n\n\n\n

\u201cClassism. Gente Decente<\/em> and Civil Rights: From Suffrage to Divorce and Privileges in Between.\u201d Modern Mexican Culture<\/em>. Ed Stuart Day. Tucson: U of Arizona P, 2017. 184-202.<\/p>\n\n\n\n\n\n

\u201cContemporary Mexican Sor Juanas: Artistic, Popular, and Scholarly.\u201d In The Routledge Research <\/em>Companion to the Works of Sor Juana In\u00e9s de la Cruz<\/em>. Eds. Emilie L. Bergmann and Stacey Schlau. London and New York: Routledge, 2017. 107-117.<\/p>\n\n\n\n\n\n

\u201cLa liturgia en Emilio, los chistes y la muerte<\/em> de Fabio Mor\u00e1bito.\u201d In Los oficios de la n\u00f3mada: <\/em>Fabio Mor\u00e1bito ante la cr\u00edtica<\/em>. Eds. Sarah Pollack and Tamara R. Williams. M\u00e9xico: UNAM, 2015. 269-294.<\/p>\n\n\n\n\n\n

\u201cThe Disability Twist in Stranger Novels by Mario Bellatin and Carmen Boullosa.\u201d Libre <\/em>Acceso: Latin American Literature and Film through Disability Studies<\/em>. Eds. Susan Antebi and Beth J\u00f6rgensen. Albany NY: SUNY Press, 2016. 229-243.<\/p>\n\n\n\n\n\n

\u201cThe Rise of Reading Campaigns in Post-Nafta Mexico.\u201d In The Middle Class in Emerging Societies: <\/em>Consumers, Lifestyles, and Markets<\/em>. Eds. Leslie L. Marsh and Hongmei Li. New York: Routledge, Taylor & Francis, 2016. 33-57.<\/p>\n\n\n\n\n\n

\u201cContra lo prosaico: la novela corta como ideolog\u00eda en Antes<\/em> de Carmen Boullosa.\u201d In En breve: <\/em>la novela corta en M\u00e9xico<\/em>. Coordinado por Anadeli Bencomo y Cecilia Eudave. Guadalajara: Centro Universitario de Ciencias Sociales y Humanidades, Universidad de Guadalajara, 2014. 239-254.<\/p>\n\n\n\n\n\n

\u201cChildren\u2019s Literature on the Colonia<\/em>: la Nao de China, the Inquisition, Sor Juana.\u201d In Colonial <\/em>Returns in Contemporary Mexico<\/em>. Eds. Oswaldo Estrada and Anna Nogar. Arizona UP, 2014. 211-229.<\/p>\n\n\n\n\n\n

\u201cGuadalupe Loaeza\u2019s Blonded Ambition: Lip-Synching, Plagiarism, and Power Poses.\u201d In Mexican Public Intellectuals<\/em>. Eds. Debra A. Castillo and Stuart A. Day. New York: Palgrave Macmillan, 2014. 95-116.<\/p>\n\n\n\n\n\n

\u201cVivian Abenshushan y Fabio Mor\u00e1bito: Ensayar, esfumar\u201d In Ensayando el ensayo: Artilugios del g\u00e9nero en la literatura mexicana contempor\u00e1nea<\/em>. Eds. Mayra Fortes and Ana Sabau. M\u00e9xico: E\u00f3n P, 2012. 25-47.<\/p>\n\n\n\n\n\n

\u201cLa novela corta ensayada: Biograf\u00eda ilustrada de Mishima<\/em> y La cresta de Ili\u00f3n<\/em>.\u201dIn Una selva tan infinita. <\/em>La novela corta en M\u00e9xico (1872-2011)<\/em>, Vol. II, Ed. Gustavo Jim\u00e9nez Aguirre, M\u00e9xico: Fundaci\u00f3n para las Letras Mexicanas, 2011. 277-291.<\/p>\n\n\n\n\n\n

\u201cSix Authors on the Conservative Side of the Boom Femenino<\/em>, 1985-2003: Boullosa, Esquivel, Loaeza, Mastretta, Niss\u00e1n, Sefchovich.\u201d In The Boom femenino in Mexico: Reading Contemporary Women\u2019s Writing<\/em>, Eds. Nuala Finnegan and Jane Lavery, Cambridge Scholars Publishing, 2010. 48-72.<\/p>\n\n\n\n\n\n

\u201cLo anterior o el tiempo literario de La muerte me da<\/em>.\u201d In Cristina Rivera Garza: Ning\u00fan <\/em>cr\u00edtico cuenta esto\u2026<\/em>, Ed.Oswaldo Estrada, Chapel Hill: U of North Carolina, 2010. 313-338.<\/p>\n\n\n\n\n\n

\u00a0<\/strong>\u201cMexican\u2019 Novels on the Lesser United States: Works by Andr\u00e9s Acosta, Juvenal Acosta, Boullosa, Puga, Serv\u00edn, and Xoconostle.\u201d In Reading the US from Mexico<\/em>, Eds. Mary Long and Linda Egan, Nashville: Vanderbilt UP, 2009. 198-218.<\/p>\n\n\n\n\n\n

\u201cLa identidad menos mexicana en la novela sin g\u00e9nero,\u201d In Negociando identidades,traspasando fronteras: tendencias en la literatura y el cine mexicano en torno del milenio<\/em>, Eds. Susanne Igler and Thomas Stauder, Madrid: Iberoamericana and Frankfurt: Vervuert, 2008. 111-121.<\/p>\n\n\n\n\n\n

\u201cSor Juana, an Official Habit.\u201d In Approaches to Teaching the Works of Sor Juana In\u00e9s de laCruz<\/em>, Eds. Emilie Bergmann and Stacey Schlau, New York: MLA, 2007. 247-255.<\/p>\n\n\n\n\n\n

\u201cConsuming Cosmopolitanism in Mexico City Advertising.\u201d In Language and Culture Out of Bounds: Discipline-Blurred Perspectives on the Foreign Language Classroom<\/em>, Eds. Vicki Galloway and Bettina Cothran, Mason, OH: Thomson, 2006. 171-189.<\/p>\n\n\n\n\n\n

\u201cPaganismo o la literatura como fetiche en Y si yo fuera Susana San Juan . . .<\/em>,\u201d In De m\u00e1rgenes y adiciones: novelistas latinoamericanas de los 90<\/em>. Eds. Jorge Chen Sham and Isela Chiu. San Jos\u00e9: Perro Azul, 2004. 227-313.<\/p>\n\n\n\n\n\n

Selected reviews:<\/strong><\/p>\n\n\n\n\n\n

Review of Oswaldo Estrada\u2019s (editor) Fronteras de violencia en M\u00e9xico y Estados Unidos<\/em>. Revista de Estudios Hisp\u00e1nicos<\/em>, Vol. 58, No. 1 (2024), pp. 305-307.<\/p>\n\n\n\n\n\n

Review of Olivia Cosentino and Brian Price\u2019s (editors) The Lost Cinema of Mexico<\/em>. Hispanic Research Journal<\/em>, Vol. 23, No. 1 (2023), pp. 142-144.<\/p>\n\n\n\n\n\n

Review of Irmgard Emmelhainz\u2019s Toxic Loves, Impossible Futures: Feminist Living as Resistance<\/em>. Mistral: Journal of Latin American Women\u2019s Intellectual & Cultural History<\/em>, Vol. 2, No. 1 (2022): 104-105.<\/p>\n\n\n\n\n\n

Gloss of my book of interviews on Mexican children\u2019s literature. \u201cLas voces de la LIJ mexicana.\u201d Lazarillo: Revista de la Asociaci\u00f3n de Amigos del Libro infantil y juvenil<\/em>. No. 46 (2022), pp. 30-33.<\/p>\n\n\n\n\n\n

Review of Pineda Franco, Adela. The Mexican Revolution on the World Stage: Intellectuals and film in the Twentieth Century<\/em>. Revista Iberoamericana<\/em>. Vol. 86, No. 272 (2020): pp. 995-1006.<\/p>\n\n\n\n\n\n

Review of Ignacio S\u00e1nchez Prado\u2019s (editor) Mexican Literature in Theory<\/em>. Hispan\u00f3fila<\/em> 187 (2019): 178-180.<\/p>\n\n\n\n\n\n

Review of Ignacio S\u00e1nchez Prado\u2019s Strategic Occidentalism: On Mexican Fiction, the Neoliberal Book Market and the Question of World Literature<\/em>. Revista Iberoamericana<\/em>. 85.269 (2019): 1347-1350.<\/p>\n\n\n\n\n\n

Review of Carolina Rocha and Georgia Seminet\u2019s Screening Minors in Latin American Cinema<\/em>.\u00a0Revista de Estudios Hisp\u00e1nicos<\/em> (March 2017). Revista de Estudios Hisp\u00e1nicos<\/em> 51.1 (2017) 561-563.<\/p>\n\n\n\n\n\n

\u201cFrom Pancho\u2019s Hankie to Pablo\u2019s Hippo: An Interdisciplinary Tour.\u201d Review of Geoffrey Kantaris and Rory O\u2019Bryen\u2019s (Eds.) Latin American Popular Culture: Politics, Media, Affect. <\/em>Confluencia<\/em> 30.1 (2014): 206-208.<\/p>\n\n\n\n\n\n

Review of Jos\u00e9 Ram\u00f3n Ruis\u00e1nchez Serra\u2019s Historias que regresan: Topolog\u00eda y renarraci\u00f3n en la segunda mitad del siglo XX mexicano<\/em>. Revista de Estudios Hisp\u00e1nicos<\/em> 48.1 (2014): 248-250.<\/p>\n\n\n\n\n\n

Review of Brian Price\u2019s Cult of Defeat in Mexico\u2019s Historical Fiction<\/em>. Revista de Estudios Hisp\u00e1nicos<\/em> 47.3 (2013): 25-27.<\/p>\n\n\n\n\n\n

Review of Freud\u2019s Mexico: Into the Wilds of Psychoanalysis<\/em> by Rub\u00e9n Gallo. Modernist Cultures<\/em>, 7.1 (2012): 132\u2013135.<\/p>\n\n\n\n\n\n

Review of Artful Assassins: Murder as Art in Modern Mexico<\/em> by Fernando Fabio S\u00e1nchez.<\/p>\n\n\n\n\n\n

Revista de Estudios Hisp\u00e1nicos<\/em> 45.3 (2011): 730-731.\u201cLiteratura mexicana: Un men\u00fa para todos los gustos,\u201d Nexos<\/em> 35.411 (2012): 63-65.\u201cDesde el Gran M\u00e9xico y los Estados Unidos Menores,\u201d Nexos<\/em>, 29.355 (2007): 55-58.<\/p>\n\n\n\n\n\n

Review of The Cambridge Companion to the Latin American Novel <\/em>edited by Efra\u00edn Kristal. Revista de Estudios Hisp\u00e1nicos<\/em> 40.2 (2006): 431.<\/p>\n\n\n\n\n\n

\u201cEl cruce de rieles,\u201d Review of El tren pasa primero<\/em> by Elena Poniatowska, Nexos<\/em>, 28.338 (2006): 82-84.<\/p>\n\n\n\n\n\n

\u201cConciencia hist\u00f3rica infernal.\u201d Review of Abril rojo<\/em> by Santiago Roncagliolo, Nexos<\/em>, 28.344 (2006): 94-95.<\/p>\n\n\n\n\n\n

\u201cLa que mat\u00f3 el parabrisas distra\u00eddo.\u201d Salto de mantarraya (y otras dos)<\/em> de Carmen Boullosa. Nexos<\/em> 27.331 (2005): 83-86.<\/p>\n\n\n\n\n\n

\u201cJugar a la mosca,\u201d Review of El turno del escriba<\/em> by Graciela Montes and Ema Wolf. Nexos <\/em>27.333 (2005): 91-92.<\/p>\n\n\n\n\n\n

\u201cEl consumo cultural en Estados Unidos. Cultura y vida \/ Estados Unidos: Cultura y Elecciones,\u201d Nexos<\/em> 26.323 (2004): 95-99.<\/p>\n\n\n\n\n\n

\u201cEl sol \u00bfdora o no dora las espadas?\u201d\u00a0 Las armas del alba<\/em> de Carlos Montemayor.\u00a0 Nexos\u00a0 <\/em>26.313 [Jan.] (2004):\u00a0 77-79.<\/p>\n\n\n\n\n\n

\u201cAlgunas flautas florales.\u201d El ta\u00f1ido de una flauta<\/em> y Juegos florales<\/em> de Sergio Pitol. Nexos <\/em>26.313 [Feb.] (2004):\u00a0\u00a0 76-78.<\/p>\n\n\n\n\n\n

\u201cLos tres Migueles.\u201d El taller del tiempo<\/em> de \u00c1lvaro Uribe. Nexos<\/em> 26.316 (2004): 93-95.<\/p>\n\n\n\n\n\n

\u201cLa vida fuera del centro.\u201d Nueve madrugadas y media<\/em> de Mar\u00eda Luisa Puga. Nexos<\/em> 26.317 (2004): 98-100.<\/p>\n\n\n\n\n\n

\u201cLa locura dilucidada.\u201d Delirio<\/em> de Laura Restrepo. Nexos<\/em> 26.320 (2004): 88-89.<\/p>\n\n\n\n\n\n

\u201cUna reina lejana.\u201d La reina del sur<\/em> de Arturo P\u00e9rez-Reverte.\u00a0\u00a0 Nexos<\/em> 25.310 (2003): 85-87.<\/p>\n\n\n\n\n\n

\u201cCada quien su alcachofa.\u201d Tlapaler\u00eda<\/em> de Elena Poniatowska. Nexos<\/em> 25.311 (2003): 100-102.<\/p>\n\n\n\n\n\n

\u201cEn la tierra de la grafofobia.\u201d Perros h\u00e9roes<\/em> de Mario Bellat\u00edn. Nexos<\/em> 25.312 (2003): 91, 93-94.<\/p>\n\n\n\n\n\n

Selected Encyclopedia Entries:<\/strong><\/p>\n\n\n\n\n\n

\u201cCarmen Boullosa.\u201d The Contemporary Spanish-American Novel: Bola\u00f1o and After<\/em>. Eds. Will H.<\/p>\n\n\n\n\n\n

Corral, Nicholas Birns, and Juan E. De Castro. New York and London: Bloomsbury, 2013. 32-40.<\/p>\n\n\n\n\n\n

Guadalupe \u201cPita\u201d Amor (25-27), Rosina Conde (121-123), Elsa Cross (129-131), Amparo D\u00e1vila (139-140), Man\u00fa Dornbierer (151-153), Guadalupe Loaeza (285-286), Mar\u00eda Luisa Mendoza (320-322), Antonieta Rivas Mercado (447-449), Martha Robles (449-451), Esther Seligson (477-479). In Latin American Women Writers: An Encyclopedia<\/em>. (Eds. Mar\u00eda Claudia Andr\u00e9 and Eva Paulino Bueno), New York and London: Routledge, 2008.<\/p>\n\n\n\n\n\n

Reviews of Hind\u2019s Books<\/strong><\/p>\n\n\n\n\n\n

Moreno Morales, Magda Ivette. Rese\u00f1a del libro Literatura infantil y juvenil. Entrevistas<\/em>. Balaj\u00fa: Revista de Cultura y Comunicaci\u00f3n de la Universidad Veracruzana<\/em>. No. 20, 2024, pp. 117-119.<\/p>\n\n\n\n\n\n

S\u00e1nchez Mej\u00eda, Cristina. Review of Literatura infantil y juvenil. Entrevistas<\/em>. Literatura Mexicana<\/em>, Vol. 33, No. 2, 2022, pp. 271-276.<\/p>\n\n\n\n\n\n

Bayerque, Mar\u00eda Ayel\u00e9n. \u201cRese\u00f1a bibliogr\u00e1fica: Emily Hind, Literatura infantil y juvenil mexicana. Entrevistas<\/em>.\u201d Estudios de la Teor\u00eda Literaria. Revista digital: artes, letras y humanidades<\/em>, julio de 2022, Vol. 11, No. 25, pp. 173-177.<\/p>\n\n\n\n\n\n

Weber, Jochen. Review of Literatura infantil y juvenil. Entrevistas<\/em>. Bookbird: A Journal of International Children\u2019s Literature<\/em>. Translated by Nikola von Merveldt. Johns Hopkins UP. Vol 60, No. 1 (2022), pp. 121-123. 10.1353\/bkb.2022.0016<\/a><\/p>\n\n\n\n\n\n

Bowskill, Sarah.\u00a0Review of Dude Lit<\/em>. Bulletin of Latin American Research<\/em>,\u00a0<\/em>vol. 40<\/em>, no. 3, 2021, pp. 472-473.\u00a0https:\/\/doi.org\/10.1111\/blar.13279<\/a><\/p>\n\n\n\n\n\n

Dennstedt, Francesca. Review of Dude Lit. <\/em>Journal of Mexican Studies\/Estudios Mexicanos<\/em>, vol. 37, no. 3, 2021, pp. 481-484.<\/p>\n\n\n\n\n\n

Sierra-Rivera, Judith. Review of Dude Lit: Mexican Men Writing and Performing Competence, 1955-2012<\/em>. Transmodernity: Journal of Peripheral Cultural Production of the Luso-Hispanic World<\/em>, vol. 9, no. 5, 2020. escholarship.org\/uc\/item\/13q413tx<\/p>\n\n\n\n\n\n

Foster, David William. \u201cInnovative Interpretations: Three Recent Studies by Latin American Women Scholars.\u201d Mistral: Journal of Latin American Women\u2019s Intellectual & Cultural History<\/em>, vol. 1, no. 1 (2021), pp. 132-140, https:\/\/doi.org\/10.21827\/mistral.1.37512<\/p>\n\n\n\n\n\n

Patterson, Courtney. Review of Dude Lit<\/em>. CBQ Booknotes<\/em>. Vol. 51, No. 1-2 (2019), pp. 50-51.<\/p>\n\n\n\n\n\n

Marquez, Alejandra. Review of La generaci\u00f3n XXX: Entrevistas con veinte escritores mexicanos nacidos en los 70. <\/em>De Abenshushan a Xoconostle<\/em>. Romance Notes<\/em>, vol. 54, 2014, pp. 161-163. DOI:10.1353\/rmc.2014.0053<\/a><\/p>\n\n\n\n\n\n

J\u00f6rgensen, Beth E. Review of Boob Lit: Femmenism and the Mexican Woman Intellectual from Sor Juana to Poniatowska<\/em>. Hispan\u00f3fila<\/em>, vol. 168, 2013, pp. 170-172. muse.jhu.edu\/article\/510981\/summary<\/p>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":494,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/users\/494"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":11,"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":527,"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/pages\/19\/revisions\/527"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/ehind\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}