{"id":19,"date":"2012-09-05T11:22:25","date_gmt":"2012-09-05T15:22:25","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/template\/?page_id=19"},"modified":"2026-03-19T09:06:50","modified_gmt":"2026-03-19T13:06:50","slug":"publications","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/glue\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">Publications<\/h1>\n\n\n\n<h3 class=\"wp-block-heading\">Books<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Konsult: Theopraxesis, Parlor Press, Electracy and Transmedia Studies, 2019<\/li>\n<li>Electracy: Gregory L. Ulmer&#8217;s Textshop Experiments, The Davies Group, Publishers, 2015, 352pp<\/li>\n<li>Avatar Emergency, Parlor Press, New Media Theory Series, 2012, 293pp<\/li>\n<li>Miami Virtue: Choragraphy of the Virtual City, e-book + archive (with John Craig Freeman, Barbara Jo Revelle, William Tilson) Community-University Research Alliance, Small Cities Imprint Vol 3 No 2 2012 332pp<br>\nhttp:\/\/smallcities.tru.ca\/index.php\/cura\/issue\/view\/5<\/li>\n<li>Electronic Monuments, University of Minnesota Press, Electronic Mediations Series, 2005, 273pp<\/li>\n<li>Internet Invention: From Literacy to Electracy, Longman Publishers, Boston, MA, Writing and Technology Series, 2003, 335pp<\/li>\n<li>Heuretics: The Logic of Invention, Johns Hopins University Press, 1994, 267pp.<\/li>\n<li>Teletheory: Grammatology in the Age of Video, Routledge, 1989, 246pp. 2nd Revised Ed., Atropos Press, 2004<\/li>\n<li>Applied Grammatology: Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys Johns Hopkins University Press, 1985, 334pp. 3rd Printing, 1992.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Monographs<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Sounding the Unconscious,&#8221; in Glassary, Ed. John P. Leavey, Jr. University of Nebraska, 1986: pp 23-129.<\/li>\n<li>The Legend of Herostratus: Existential Envy in Rousseau and Unamuno, University of Florida Presses, 1977, 79pp.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Textbooks<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Text Book: An Introduction to Literary Language, New York, St. Martin&#8217;s Press, 1988. 2nd edition, 1994. 3rd edition, 2002 (Text Book: Writing Through Literature) 340pp. Co-Author, with Robert Scholes and Nancy Comley.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Chapters<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Foreword: The Apparatus of Attraction,&#8221; in Jason Helms, Rhizcomics: Rhetoric, Technology, and New Media Composition. Digital Rhetoric Collaborative, 2017.<br>\nhttp:\/\/www.digitalrhetoriccollaborative.org\/rhizcomics\/foreword.html<\/li>\n<li>&#8220;Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being,&#8221; in Augmented Reality Art, Vladimir Geroimenko, Springer, 2014<\/li>\n<li>&#8220;Post-Criticism: Conceptual Takes,&#8221; in The Routledge Companion to Experimental Literature, Ed. Joe Bray, Alison gibbons, Brian McHale, New York Routledge, 2012<\/li>\n<li>&#8220;Quale Morphics: Strategic Wisdom,&#8221; in Ecology, Writing Theory, and New Media, Ed Sidney I. Dobrin, Routledge, 2012.<\/li>\n<li>&#8220;Electrate Becoming,&#8221; Foreword, in Jan Rune Holmevik, Inter\/vention, MIT Press, 2012.<\/li>\n<li>&#8220;L&#8217;Objet du Post-Criticisme,&#8221; translation of &#8220;The Object of Post-Criticism,&#8221; in Images et (Re)Presentations: Les Annees 1980, Seconde Partie (bilingual ed.), Magasin: Centre National d&#8217;Art Contemporain de Grenoble, France (2008): 12-46.<\/li>\n<li>&#8220;Florida Out of Sorts,&#8221; in New Media\/New Methods, Eds. Jeff Rice and Marcel O&#8217;Gorman, Parlor Press, 2008: 21-46.<\/li>\n<li>&#8220;Choral Consulting,&#8221; in Verstehen und Verstandigung: Interkulturelles Lehren und Lernen, Eds. Petra Bosenius, Andreas Rohde, Martina Wolff, Trier: Wissenschaftlicher Verlag, 2008: 209-24.<\/li>\n<li>&#8220;Image Heuretics,&#8221; in Contemporary Poetics (Avant-Garde &amp; Modernism Studies), Ed. Louis Armand, Northwestern University Press (2007): 233-55.<\/li>\n<li>&#8220;Performance: Joseph Beuys,&#8221; in Joseph Beuys: The Reader, Eds. Claudia Mesch and Viola Michely, MIT Press (2007): 233-49 (reprinted from Applied Grammatology).<\/li>\n<li>&#8220;Choramancy: A User&#8217;s Guide,&#8221; in Mind Factory, Ed. Louis Armand, Prague, Czech Republic: Litteraria Pragensia (2005): 200-259.<\/li>\n<li>&#8220;Grammatology of the Future,&#8221; in Deconstructing Derrida, Eds, Peter Trifonas, Michael A. Peters, New York: Palgrave (2005): 137-164.<\/li>\n<li>&#8220;A-Mail (Differential Imaging),&#8221; in Thinking Difference: Critics in Conversation, Ed. Julian Wolfreys, Fordham U.P., (2004) 124-146.<\/li>\n<li>&#8220;Chora,&#8221; in Glossalalia: An Alphabet of Critical Keywords, Ed. Julian Wolfreys, Edinburgh University Press (2003) 35-49.<\/li>\n<li>&#8220;The Internet and its Double: Voice in Electracy,&#8221; in Theoretical and Conceptual Innovation in Digital Domains, Eds. Gunnar Liestol, et al MIT Press (2003): 91-113.<\/li>\n<li>&#8220;Reality Tables: Virtual Furniture,&#8221; in Prefiguring Cyberculture, Eds. Darren Tofts et al MIT Press, co-publish with The Power Institute, Sydney, Australia (2002): 110-129<\/li>\n<li>&#8220;Traffic of the Spheres,&#8221; in Car Crash Culture, Ed. Mikita Brottman, New York: Palgrave, 2002: 327-343 (French trans. forthcoming).<\/li>\n<li>&#8220;Text Culture Grammatology,&#8221; in Reimagining Textuality: Textual Studies in the Late Age of Print,&#8221; Eds. Elizabeth Bergmann Loizeaux and Neil Fraistat, Madison: Wisconsin, 2002: 241-250.<\/li>\n<li>&#8220;The Upsilon Project: A Post-Tragic Testimonial,&#8221; in Psychoanalysis and Performance, Eds. Adrian Kear and Patrick Campbell, Routledge, 2001: 203-217.<\/li>\n<li>&#8220;Foreword\/Forward (Into Electracy),&#8221; in Literacy Theory in the Age of the Internet, Eds. Todd Taylor and Irene Ward, New York: Columbia, 1998: ix-xiii<\/li>\n<li>&#8220;Kubla Honky-Tonk,&#8221; in Language Machines, Eds Vickers et al, Routledge, 1997: 252-71<\/li>\n<li>&#8220;Deconstructing the Family Album,&#8221; in Class Issues: Pedagogy, Cultural Studies, and the Public Sphere, Ed. Amitava Kumar, New York University, 1997: 276-289.<\/li>\n<li>&#8220;Electracy: Designing Cyber-Pidgin,&#8221; in Interface 3: Labile Ordnungen, Ed. Klaus Peter Dencker, Hamburg: Hans-Bredow-Institut, 1997: 280-290.<\/li>\n<li>&#8220;The Heuretics of Odyssey,&#8221; in Pedagogy, Praxis, Ulysses, Ed. Robert Newman, U of Michigan, 1995.<\/li>\n<li>&#8220;The Miranda Warnings,&#8221; in Hypertext and Theory, Ed. George Landow, Johns Hopkins, 1995: 345-377.<\/li>\n<li>&#8220;One Video Theory (some assembly required),&#8221; in Critical Issues in Electronic Media, Ed. Simon Penny, Albany: SUNY, 1995: 253-274<\/li>\n<li>&#8220;The Heuretics of Deconstruction,&#8221;in Deconstruction and the Visual Arts, Eds. Peter Brunette, David Wills. Cambridge U Press, 1994: 80-95.<\/li>\n<li>&#8220;Grammatology (in the Stacks) of Hypermedia,&#8221; in Literature Online: the Promise and Peril of Reading and Writing with Computers, Ed. Myron C. Tuman, Pittsburgh, 1992: 139-163.<\/li>\n<li>&#8220;The Spirit Hand: On the Index,&#8221; in Theory\/Pedagogy\/Politics, Eds. Donald Morton, Mas&#8217;ud Zavarazdeh (Illinois, 1991):136-151.<\/li>\n<li>&#8220;Textshop for an Experimental Humanities,&#8221; in Reorientations: Critical Theories &amp; Pedagogies, Eds. Bruce Henricksen, Thais E. Morgan (Illinois, 1990): 113-132.<\/li>\n<li>&#8220;The Puncept in Grammatology,&#8221; in On Puns: The Foundation of Letters, ed. Jonathan Culler, Basil Blackwell, 1988: 164-189.<\/li>\n<li>&#8220;Mystory: The Law of Idiom in Applied Grammatology,&#8221; in The Future of Theory, Ed. Ralph Cohen, Methuen, 1989.<\/li>\n<li>&#8220;Teletheory: A Mystory,&#8221; in The Current in Criticism, eds.Clayton Koelb,Virgil Lokke, Purdue University Press, 1987: 339-371.<\/li>\n<li>&#8220;Textshop for Postepedagogy,&#8221; in Writing and Reading Differently: Deconstruction and the Teaching of Composition, Eds. G. Douglas Atkins and Michael Johnson, Kansas University Press, 1985: 38-64.<\/li>\n<li>&#8220;Op Writing: Derrida&#8217;s Solicitation of Theoria&#8221; in Displacement, ed. Mark Krupnick, Indiana University Press, 1983: 29-58.<\/li>\n<li>&#8220;The Object of Post-Criticism,&#8221; in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster, Bay Press, 1983: 83-110. Reprinted in Collage: A Reconsideration, Ed. Katherine Hoffman, UMI Research Press, 1989. French translation in: Des Arts, Hiver 86-87, No 5: 77-84.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Articles<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;The Un\/Official World,&#8221; American Book Review, 38:2, 2017<\/li>\n<li>&#8220;Advising the Tyrant of Syracuse: Notes on the Recommendations on the Future of MIT Education,&#8221; with Mark Goulthorpe, MIT Faculty Newsletter Vol. XXVII No. 3, 2015<\/li>\n<li>&#8220;Flash Reason,&#8221; in CyberText Yearbook, Guest Editors: Cynthia Haynes &amp; Jan Rune Holmevik, University of Jyvaskyla 2013<br>\nhttp:\/\/cybertext.hum.jyu.fi\/index.php?browsebook=9<\/li>\n<li>&#8220;Electracy: The Internet as Fifth Estate,&#8221; in Journal of Pedagogic Development, (U of Bedfordshire) Vol 3, July 2013<br>\nhttp:\/\/www.beds.ac.uk\/learning\/support\/jpd<\/li>\n<li>&#8220;Florida Measure (Chora),&#8221; in Journal of Florida Studies, Vol 1 (2011)<br>\nhttp:\/\/journaloffloridastudies.org\/<\/li>\n<li>&#8220;Walden Choragraphy: Frog Maintenance,&#8221; in Discourse 31 (2009) 72-85.<\/li>\n<li>&#8220;Heuretic Mythography,&#8221; in Pre\/Text 19 (2009): 53-71.<\/li>\n<li>&#8220;The Chora Collaborations,&#8221; in Rhizomes 18 (2008)<br>\nhttp:\/\/www.rhizomes.net\/issue18\/index.html<\/li>\n<li>&#8220;Derrida in Miami (Miautre),&#8221; in The European Legacy, special issue edited by Eric White, Volume 12 Issue 4, July 2007<\/li>\n<li>&#8220;Text\/Hypertext,&#8221; in Blackwell Encyclopedia of Sociology, Ed. George Ritzer (2007), Vol X: 4971-4.<\/li>\n<li>&#8220;Archive Derrida,&#8221; POIESIS 7 (2005): 58-63.<\/li>\n<li>&#8220;The Genealogy of Ascetic Ideals: A Remake,&#8221; Space and Culture 6 (Fall, 2000): 102-114.<\/li>\n<li>&#8220;After the Fact: Learning Trauma,&#8221; PARALLAX 19 (1999): 62-74<\/li>\n<li>&#8220;I Had No Idea: The Origin of the Asterisk,&#8221; BROADSHEET 27 (1998) (Contempoary Art Centre of Southern Australia)<\/li>\n<li>&#8220;The Grammatology Of Distance Learning,&#8221; Text Technology 7 (1997):5-20.<\/li>\n<li>&#8220;A Response to Michael Joyce&#8217;s &#8217;12 Blue&#8217; Postmodern Culture (September, 1997).<\/li>\n<li>&#8220;I Untied the Camera of Tastes (Who Am I?): The Riddle of Chool,&#8221; New Literary History 28 (1997): 569-594.<\/li>\n<li>&#8220;The Unheimlich Manuever,&#8221; Lusitania 8 (1996): 134-141.<\/li>\n<li>&#8220;Exhibit X: Hoopla Dreams,&#8221; Journal X, 1 (1996): 145-158.<\/li>\n<li>&#8220;Abject Monumentality,&#8221; Lusitania 1 (1993): 9-15.<\/li>\n<li>&#8220;Sacrificing Music: Electronic Monumentality,&#8221; and &#8220;Wreck-Work,&#8221; in Semiotexte\/Architecture, (1992): 34-41.<\/li>\n<li>&#8220;Electronic Monumentality,&#8221; NOMAD (1992).<\/li>\n<li>&#8220;Theory Hobby Handbook: Lesson Ten,&#8221; Exposure 28 (1991): 85-90 (Society for Photographic Education).<\/li>\n<li>&#8220;Grammatology Hypermedia,&#8221; Postmodern Culture 1.2 (1991)<\/li>\n<li>&#8220;The Euretics of Alice&#8217;s Valise,&#8221; Journal of Architectural Education 45 (1991): 3-10.<\/li>\n<li>&#8220;Confrontation: For a New Consultancy,&#8221; Oxford Literary Review 12 (1990): 155-171.<\/li>\n<li>&#8220;Theory Hobby: how-to-theory,&#8221; Art &amp; Text 37 (1990): 96-101.<\/li>\n<li>&#8220;Interview: The Making of &#8220;Derrida at the Little Bighorn,&#8221; Strategies 2 (1989): 9-23. Reprinted in R. L. Rutsky and Bradley J. MacDonald, Eds.,Strategies for Theory (Albany: SUNY, 2003): 145-157<\/li>\n<li>&#8220;Handbook for a Theory Hobby,&#8221; Visible Language 22 (1988): 399-422.<\/li>\n<li>&#8220;Textshop for Psychoanalysis: On De-Programming the Student Platonist,&#8221; College English 49 (1987): 756-769 (special issue, ed. Robert Con Davis).<\/li>\n<li>&#8220;Roland Barthes and the Marx Brothers,&#8221; Yale French Studies 73 (1987): 38-59.<\/li>\n<li>&#8220;Of a Parodic Tone Recently Adopted in Criticism,&#8221; New Literary History 13 (1982): 543-560.<\/li>\n<li>&#8220;Barthes&#8217;s Body of Knowledge,&#8221; Studies in Twentieth-Century Literature 5 (1981): 219-235.<\/li>\n<li>&#8220;The Post-Age,&#8221; Diacritics 11 (1981): 39-56.<\/li>\n<li>&#8220;The Discourse of the Imaginary,&#8221; Diacritics 10 (1980): 61-75.<\/li>\n<li>&#8220;Jacques Derrida and Paul de Man on\/in Rousseau&#8217;s Faults,&#8221; The Eighteenth Century 20 (1979): 164-181.<\/li>\n<li>&#8220;Fetishism in Roland Barthes&#8217;s Nietzschean Phase, Papers on Language and Literature 14 (1978): 334-355.<\/li>\n<li>&#8220;Borges and Conceptual Art,&#8221; Boundary2 5 (1977): 845-861.<\/li>\n<li>&#8220;Sociocriticism,&#8221; Novel 11 (1977): 70-76.<\/li>\n<li>&#8220;Roland Barthes and the Phenomenology of Reading,&#8221; French Literature Series 4 (1977): 107-116.<\/li>\n<li>&#8220;D. H. Lawrence, Wilhelm Worringer, and the Aesthetics of Modernism,&#8221; The D.H. Lawrence Review 10 (1977): 165-181.<\/li>\n<li>&#8220;Rousseau and D.H. Lawrence: &#8216;Philosophes&#8217; of the &#8216;Gelded&#8217; Age,&#8221; Canadian Review of Comparative Literature 4 (1977): 68-80.<\/li>\n<li>&#8220;Crime, Violence, and the Popular Arts,&#8221; Southern Humanities Review 9 (1975): 277-288.<\/li>\n<li>&#8220;Clarissa and La Nouvelle Heloise&#8221; Comparative Literature 24 (1972): 289-308.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Net Media<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Avatar Emergency,&#8221; Digital Humanities Quarterly, special issue<br>\nhttp:\/\/67.207.129.15:8080\/dhq\/vol\/5\/3\/000100\/000100.html<\/li>\n<li>&#8220;Electracy as Apparatus,&#8221; Constructions of the Future, Conference, Heidelberg, Germany, July 16, 2011, Skype presentation.<\/li>\n<li>&#8220;Class Portrait with Daimon, a Remix,&#8221; in Remixthebook, Mark Amerika University of Minnesota Press, 2011<br>\nhttp:\/\/www.remixthebook.com\/the-remixes<\/li>\n<li>&#8220;The Learning Screen,&#8221; Networked Book (Turbulence.org) 2009<br>\nhttp:\/\/ulmer.networkedbook.org\/the-learning-screen-introduction-electracy\/<\/li>\n<li>&#8220;Design Education and Electracy,&#8221; in DESIGN PHILOSOPHY PAPERS 5 (2003)<br>\nwww.desphilosophy.com<\/li>\n<li>&#8220;Ackeracy in Reporting&#8221; and &#8220;After Method: The Remake&#8221; in CULTUREMACHINE 5 (2003),<br>\nculturemachine.tees.ac.uk\/frm_f1.htm<\/li>\n<li>&#8220;The Art of the Future,&#8221; in THE ANTHOLOGY OF ART: JOCHEN GERZ, Braunschweig School of Art, www.anthology-of-art.net\/ Dec.15-Dec.31, 2001.<\/li>\n<li>&#8220;Cyberpidgin,&#8221; CU-SeeMe presentation for VERVE: THE OTHER WRITING, Ngapartji Multimedia Centre, Artists Week, Telstra Adelaide Festival 2000, March 9 (2000),<br>\nhttp:\/\/vervewriting.org\/<\/li>\n<li>Invited &#8220;Speaker,&#8221; Electronic Writing Research Ensemble, In collaboration with Parallel Gallery (Adelaide, Australia) online symposium (web and email), June, 1998:<br>\nensemble.va.com.au\/enslogic\/<\/li>\n<li>&#8220;Hot List,&#8221; Artforum 37 (1998): 22<\/li>\n<li>&#8220;Wishing Y,&#8221; with Linda Marie Walker, ALT-X ONLINE PUBLISHING NETWORK,<br>\nwww.altx.com\/au2\/lmw.html<\/li>\n<li>Host, Online Symposium: Artistic Practice in the Network, Eyebeam Atelier and the X Art Foundation, Feb 1-April 30, 1998, a sample published in Eds. Amy Scholder with Jordan Crandall, INTERACTION: ARTISTIC PRACTICE IN THE NETWORK, (New York: Eyebeam, 2001).<\/li>\n<li>Co-Director, 14th Computers &amp; Writing Conference, U of Florida, May 28-31, 1998<\/li>\n<li>Moderator, INVENT-L email listserv (sub: listserv@lists.ufl.edu, Archive<br>\nwww.lists.ufl.edu\/archives\/invent-l.html)<\/li>\n<li>Blog: http:\/\/heuretics.wordpress.com<\/li>\n<li>Blog: http:\/\/routine.electracy.com<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Television\/Video<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Panelist, &#8220;Media Race,&#8221; satellite teleconference, Scanticon Center, Penn State U, 9\/29\/94.<\/li>\n<li>Faculty Advisor and on-camera critic (9 of 26 programs), Literary Visions, Produced by the Southern California Consortium, sponsored by the Annenberg Foundation (first broadcast, PBS, fall, 1992).<\/li>\n<li>Writer, Director, Greg Ulmer on Telerevisioning Literacy (video, 28m), produced and distributed by Paper Tiger Television, New York www.papertiger.org, #160, 1989.<\/li>\n<li>&#8220;The Mr. Mentality Show&#8221; (video, 7m) in Apocalypse and Utopia (video, produced by the Critical Art Ensemble), Drift Distribution, New York City.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Florida Research Ensemble<\/h3>\n\n\n\n<h4 class=\"wp-block-heading\">(with B. Revelle, J. C. Freeman, Jack Stenner, Will Pappenheimer)<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;School Shootings eMorial,&#8221; Augmented Reality installation, exhibition with Manifest: AR, Corcoran Gallery of Art, Washington, D.C., 8-14-13 to 9-1-13<\/li>\n<li>&#8220;Murphy&#8217;s Well-Being,&#8221; Installation, Computer Art Congress 3, PostDigital Art, Nov 26-29, Paris, France http:\/\/postdigital.eu\/program 2012<\/li>\n<li>&#8220;Murphy&#8217;s Well-Being,&#8221; Interactive Konsult installation, in &#8220;Region 4: Transformation Through Imagination,&#8221; Exhibition, Thomas Center for the Arts, March 2-April 28, 2012 (Revelle, Stenner, Ulmer)<\/li>\n<li>&#8220;Imaging Beijing,&#8221; (Freeman, Ulmer)<br>\nhttp:\/\/turbulence.org\/Works\/ImagingBeijing\/blog.html<\/li>\n<li>&#8220;Imaging Kaliningrad,&#8221; (Freeman, with Ulmer), in Art Guide: Koenigsberg\/Kaliningrad Now, Ed. Elena Tsvetaeva, National Centre for Contemporary Arts, Kaliningrad, Russia, 2005: 96-99.<\/li>\n<li>Synthesis and Distribution: Experiments in Collaboration, exhibit curated by Will Pappenheimer, Ron Janowich, Merlin Van Der Heijden Pace University Art Galleries, New York, Nov 15-Dec 16, 2005 (Pappenheimer and Ulmer)<\/li>\n<li>&#8220;Imaging Place: Boston,&#8221; Boston Cyberarts Festival, (Freeman with Ulmer), Installation, 4\/27 &#8211; 5\/8, 2005<br>\nwww.bostoncyberarts.org\/<\/li>\n<li>&#8220;Imaging Place: the Broken Bridge,&#8221; (Freeman, with Ulmer) DVD-data, 2004.<\/li>\n<li>&#8220;Soft Wishing Y (for 9\/11),&#8221; artUS 1:1 (Nov-Dec 2003): 34-35.<\/li>\n<li>&#8220;Miami Miautre: Mapping the Virtual City,&#8221; PLR (Prague Literary Review) 1:2 July 2003: 17<\/li>\n<li>&#8220;Image Emergency,&#8221; Artists&#8217; Statements, LEONARDO 36:3 (2003): 197-98.<\/li>\n<li>&#8220;Miami Miautre: Mapping the Virtual City&#8211;A Preview,&#8221; in Journal of Visual Culture, 1:3 (2002).<\/li>\n<li>&#8220;Soft Wishing Why Monument&#8221; (Pappenheimer, with Ulmer), Free Biennial, New York City, April, 2002,<br>\nwww.freewords.org\/biennial\/artist\/wishwhy.html;<br>\nwww.willpap-projects.com\/<\/li>\n<li>&#8220;Miami Choragraphy,&#8221; Lecture, Colloquium, Seminar, with William Tilson, sponsored by the Design Division, Division of Rhetoric and Composition, and the Humanities Institute, University of Texas, Austin, February 25-26, 2002.<\/li>\n<li>&#8220;Imaging America,&#8221; (Freeman, with Ulmer) in Paradise in Search of a Future January 25, 2002-March 23, 2002, Curated by Lisa Fischman Atlanta Contemporary Art Center<br>\nwww.nexusart.org\/ (originated by Center for Exploratory and Perceptual Art, Buffalo, NY)<\/li>\n<li>&#8220;Imaging Niagara,&#8221; (Freeman, with Ulmer) in Paradise in Search of a Future, September 21 &#8211; December 22, 2001, CEPA Gallery. Buffalo, NY.<\/li>\n<li>&#8220;Mapping the Virtual City,&#8221; Souths: Global and Local: An Interdisciplinary Conference, University of Florida, April 5, 2001<\/li>\n<li>&#8220;MIAMI MIAUTRE: A Trailer,&#8221; LEONARDO (ISAST), Artist Statement Leonardo Electronic Almanac Vol 9 No 3 (2001).<br>\nhttp:\/\/leoalmanac.org\/journal\/Vol_9\/lea_v9_n03.txt<\/li>\n<li>&#8220;Virtual Florida,&#8221; John Craig Freeman, with Ulmer, Revelle, Tilson, CD-Rom for MIAMI MIAUTRE.<\/li>\n<li>&#8220;MIAMI\/MIAUTRE: A Choragraphy of the Miami River, FL,&#8221; Revelle and Pappenheimer, with the FRE (video, 26min), included in POLYLOGUE: A VIDEO ASSEMBLAGE, Yury Gibman and Michele Shauf, Digital Arts and Culture Conference 1999, Oct 28-30, 1999, Atlanta, GA.<\/li>\n<li>&#8220;Imaging Florida,&#8221; EXPOSURE 32 (1999): 35-43 (Society for Photographic Education)<\/li>\n<li>&#8220;The New Consultancy,&#8221; 14th Annual Computers and Writing Conference, Gainesville, FL, May, 1998<\/li>\n<li>Jacksonville Museum of Contemporary Art, Lecture-Demonstration, In conjunction with the exhibition &#8220;Between,&#8221; April 9 and 16, 1998.<\/li>\n<li>&#8220;Florida Psychogeography: Halbinselneid (Peninsula Envy),&#8221; Installation, in exhibition, Florida Landscape: Revisited, Polk Museum, Lakeland, FL, 1992<\/li>\n<li>Online Projects, web.nwe.ufl.edu\/~gulmer<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Interviews<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Theopraxesis and the Future of H&#8217;MMM in the University: An Interview with Gregory L. Ulmer,&#8221; Sergio C. Figueiredo, in Journal for Culture and Religious Theory, 16:1, 2017<br>\nhttp:\/\/www.jcrt.org\/archives\/16.1\/InterviewUlmer.pdf<\/li>\n<li>&#8220;Teaching in the Margins,&#8221; Interview by Jesse Miller, <a href=\"http:\/\/www.full-stop.net\/2012\/10\/04\/features\/the-editors\/teaching-in-the-margins-gregory-l-ulmer\/\" target=\"_blank\" rel=\"noopener\">Full Stop<\/a><\/li>\n<li>&#8220;Electronic Humanities and the FRE,&#8221; interview by Chris Carter, Electronic Book Review 11-11-03 www.electronicbookreview.com\/v3<\/li>\n<li>&#8220;The Future of the Humanities,&#8221; interview and Korean translation by Sung-Do KIM, in Dong-Ah Ilbo, Seoul, South Korea, 4\/18\/03: A18. Complete interview in CRITICA 11 (2003): 114-157<\/li>\n<li>&#8220;Toward Electracy: A Conversation with Gregory Ulmer,&#8221; by Talan Memmott, BEEHIVE HYPERMEDIA LITERARY JOURNAL 3 Dec. 2000<br>\nhttp:\/\/beehive.temporalimage.com\/<\/li>\n<li>&#8220;Imaging emerAgency: A Conversation with Gregory Ulmer,&#8221; by Joel Weishaus, POSTMODERN CULTURE 9 (1998)<br>\nhttp:\/\/jefferson.village.virginia.edu\/pmc<\/li>\n<li>&#8220;The Art of Gluing: An Electronic Interview with Gregory Ulmer,&#8221; by Joseph Tabbi, Weber Studies 14 (1997): 44-55.<\/li>\n<li>&#8220;Theory On TV: Gadget Goes to Florida,&#8221; by Laurence A. Rickels, Artforum, January, 1996: 68-71.<\/li>\n<li>Knight-Ridder Newspapers, article by Jack Wheat, 9\/94<\/li>\n<li>&#8220;Crossing Tracks,&#8221; by Anne Morgan, in Hybrid 2 (UK) April\/May 1993: 6-7.<\/li>\n<li>&#8220;A Few Moments with Greg Ulmer,&#8221; by Charles Fishman, Florida Magazine (Orlando Sentinel, July 8, 1990.<\/li>\n<li>&#8220;Interview: Greg Ulmer,&#8221; by Critical Art Ensemble, Artpapers 14 (1990): 17-22.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Catalogues\/Exhibitions<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Discourse of the Imaginary,&#8221; reprint, translation in German, in Exile of the Imaginary: Politics, Aesthetics, Love, Ed. Juli Carson, Generali Foundation, Wien, 2007.<\/li>\n<li>&#8220;Swamp Value,&#8221; in SWAMP: ON THE EDGE OF EDEN, Harn Museum, Gainesville, Florida 9\/17\/00-1\/7\/01<\/li>\n<li>&#8220;An Ordinary Evening in Adelaide,&#8221; in WARM FILTERS\/PAINTINGS FOR BUILDINGS, Curators, Linda Marie Walker and Anton Hart, Contemporary Art Centre of South Australia, Adelaide, 1999 (Adelaide Festival 2000, March 3-19).<\/li>\n<li>&#8220;Patch,&#8221; in THE NOON QUILT, Eds. Teri Hoskin and Sue Thomas, Nottingham Trent University, UK, 1999.<\/li>\n<li>&#8220;Ackeracy in Reporting (The Last Supper in Santa Barbara by Paolo Veronese),&#8221; TERMINALS, Eds. Connie Samaras and Victoria Vesna (Univ of California, Los Angeles, 1999).<\/li>\n<li>&#8220;THEORYHOBBY (A Shorebird of Mood),&#8221; Lux: Notes for an Electronic Writing, Contemporary Art Centre of South Australia, Fall, 1999<\/li>\n<li>&#8220;The X Tables: Dialogues with the Prosthetic Unconscious,&#8221; in ISEA &#8217;94, the Fifth International Symposium on Electronic Art, Helsinki, Finland, 1994.<\/li>\n<li>&#8220;Comments on Cage,&#8221; in &#8220;Not Wanting to Say Anything About John&#8221;: Hommage a John Cage,1912-1992. Ecole Regionale des Beaux-Arts de Rouen, Rouen, France, 1993.<\/li>\n<li>&#8220;Metaphoric Rocks: A Psychogeography of Tourism and Monumentality,&#8221; The Florida Landscape: Revisited, Ed. Christoph Gerozissis. Lakeland: Polk Museum, 1992. Online version in POSTMODERN CULTURE Vol 4. no 3, May 1994<br>\nwww.iath.virginia.edu\/pmc\/<\/li>\n<li>Respondent, &#8220;A Psychological Test: Kandinsky&#8217;s Questionaire,&#8221; in The Bauhaus and Design Theory, Eds. Ellen Lupton &amp; J. Abbot Miller, Cooper Union, New York: 1991.<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Lectures<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>&#8220;Visceral Design,&#8221; Seminar on Design and Technology, MIT, 11\/7-9\/2016.<\/li>\n<li>&#8220;Electracy: The Digital Apparatus,&#8221; Poetics of the Algorithm: Narrative, the Digital, and &#8220;Unidentified&#8221; Media, ACME Comics Research Group, University of Li\u00e8ge , Belgium, June 17 2016.<\/li>\n<li>&#8220;Apparatus Love,&#8221; Electronic Poetry Center, SUNY at Buffalo, April, 2015<\/li>\n<li>&#8220;H&#8217;MMM + STEM in the Electrate University,&#8221; CCCC Risk and Reward, Tampa FL March 20, 2015<\/li>\n<li>&#8220;Electracy,&#8221; Texts and Technology Program, University of Central Florida January 26, 2015<\/li>\n<li>&#8220;The Design Technology Fit,&#8221; SMArchS Colloquium, MIT Architecture, Cambridge MA, Oct 10, 2014<\/li>\n<li>&#8220;Keynote,&#8221; Next Generation Learning Workshop, Clemson University, Academic Technology Council, Clemson, SC Nov 8, 2013<\/li>\n<li>&#8220;Enlightened Environments (Apophatic Design),&#8221; SMArchS Colloquium, MIT Architecture, Cambridge, MA, Oct 18, 2013<\/li>\n<li>&#8220;EmerAgency\/Electracy,&#8221; SMArchS Colloquium, MIT Architecture, Cambridge, MA, Oct 5, 2012<\/li>\n<li>&#8220;Electracy,&#8221; Emerson College, Boston, MA, Oct. 4, 2012.<\/li>\n<li>&#8220;EmerAgency Consulting,&#8221; First-Year Composition Speakers Series, University of South Florida, Tampa, March 25, 2011.<\/li>\n<li>&#8220;Heuretics of Avatar,&#8221; Futures of Digital Studies, University of Florida, Gainesville, Feb 26, 2010.<\/li>\n<li>&#8220;Writing to Avatar,&#8221; Computers and Writing Research Lab, University<br>\nof Texas, Austin, October 30, 2008.<\/li>\n<li>&#8220;Electracy,&#8221; Georgetown University, Washington, D.C., March 11, 2008<\/li>\n<li>&#8220;Heuretic Consulting,&#8221; Keynote, Invent-L Conference, Imaging Place, Gainesville, FL, 2\/23\/07<\/li>\n<li>&#8220;Derrida&#8217;s Passage into Electracy,&#8221; Derrida Who? or What? Conference, Gainesville, Florida, 10-10-06<\/li>\n<li>&#8220;Flash Reason Against the Internet Accident,&#8221; Conceptual Studies Lecture Series, University of Wisconsin, Milwaukee, Sept. 30, 2005.<\/li>\n<li>&#8220;Multimodalities in Literacy and &#8216;Electracy&#8217;: A Conversation with Gregory Ulmer,&#8221; featured session, Conference on College Composition and Communication, San Francisco, March 17, 2005.<\/li>\n<li>&#8220;Inventing Electracy,&#8221; Keynote address, Merging Word and Image, LSU English Mardi Gras Conference, Feb. 4, 2005, Baton Rouge, LA.<\/li>\n<li>&#8220;Electracy: Encounters,&#8221; Transforming Encounters: Children&#8217;s Libraries Unbound, University of Florida, Gainesville, 4\/2\/04<\/li>\n<li>&#8220;Image Metaphysics in Electracy,&#8221; European Graduate School, Saas-Fee, Switzerland, June 9, 2004<\/li>\n<li>&#8220;The Inference Gift,&#8221; Beyond\/After the Screen: the Impact of Documenta X, XI on Contemporary Film and Video Practices, The Harn Museum, Gainesville, FL 4\/10\/03<\/li>\n<li>&#8220;Beyond Black Mountain College: Innovative Approaches to Education,&#8221; panel at Under the Influence: Celebrating the Legacy of Black Mountain College, Asheville, NC, Sept. 21, 2002,<\/li>\n<li>&#8220;Conduction: The Fourth Inference,&#8221; European Graduate School, Saas-Fee, Switzerland, 8\/15\/01<\/li>\n<li>&#8220;Grammatology of Memory,&#8221; special session on Literacy and Media, Modern Language Association national meeting, Washington, D.C., 12\/28\/00<\/li>\n<li>&#8220;Internet Heuretics,&#8221; Keynote address, Incubation, TrAce International Conference on Writing and the Internet, Nottingham Trent University, Nottingham UK<br>\ntrace.ntu.ac.uk\/incubation\/, 7\/11\/00.<\/li>\n<li>&#8220;What Is Electracy?&#8221; Vassar College, Poughkeepsie, NY, 5\/31\/00<\/li>\n<li>&#8220;Critical Divination Studies,&#8221; New Literacies Project, Minneapolis, University of Minnesota, 4\/28\/00<\/li>\n<li>&#8220;Introduction to Electracy,&#8221; Tulane University, New Orleans, 4\/3\/00<\/li>\n<li>&#8220;The Trojan Cow of Media Studies,&#8221; Plenary Panel, Society for Cinema Studies national meeting, West Palm Beach, Florida, 4\/15\/99<\/li>\n<li>&#8220;Electronic Monumentality,&#8221; The NSCAD Lecture Series, Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada 3\/19\/99<\/li>\n<li>&#8220;The New Consultancy,&#8221; Carol Soucek King Lectureship, Woodbury University, Pacific Design Center, Los Angeles, CA 2\/26\/98<\/li>\n<li>&#8220;Heuretics of Design,&#8221; Architecture College, Iowa State University, Ames IA 11\/97<\/li>\n<li>&#8220;Virtual Modality,&#8221; From Energy to Information, University of Texas, Austin TX 4\/4\/97<\/li>\n<li>&#8220;Scholarship Online,&#8221; Getty Forum, American Society for 18th-Century Studies, National Meeting, Nashville, TN 4\/10\/97<\/li>\n<li>&#8220;Computers and the Creative Mind,&#8221; School of Arts and Sciences, University of Pennsylvania (Celebration, ENIAC Anniversary), 3\/19\/96<\/li>\n<li>&#8220;Designing in Cyber-Pidgin,&#8221; Interface 3: Labile Ordnungen, Symposium on Art and Technology, Hamburg, Germany, 11\/3\/95<\/li>\n<li>&#8220;Kubla Honky Tonk,&#8221; Language Machines, The English Institute, Harvard University, Cambridge MA, 8\/27\/95<\/li>\n<li>&#8220;Choragraphy and the Internet,&#8221; Power Institute of Fine Arts, University of Sydney, New South Wales, Australia, 8\/15\/95<\/li>\n<li>&#8220;Pedagogical Policies,&#8221; Plenary Panel, International Symposium on Electronic Art, University of Art and Design, Helsinki, Finland, 8\/21\/94<\/li>\n<li>&#8220;Technology and Postmodern Culture,&#8221; Wexner Center, Ohio State University, 11\/3\/93<\/li>\n<li>Critical Forum Address, South Atlantic Modern Language Association, Knoxville, TN 11\/92<\/li>\n<li>&#8220;An Evening with Gregory Ulmer,&#8221; Image Film and Video Center, Atlanta, GA, 1\/17\/92<\/li>\n<li>&#8220;The Southwest and Film,&#8221; Southwest Texas State University, San Marcos, TX, 7\/6\/91<\/li>\n<li>&#8220;Teletheory,&#8221; University of Southern California, 4\/6\/91<\/li>\n<li>&#8220;How to Teletheory,&#8221; Carnegie Mellon University, Pittsburgh, PA 3\/15\/91<\/li>\n<li>&#8220;Video Grammatology,&#8221; Modern Language Association, Chicago, IL 12\/28\/90<\/li>\n<li>&#8220;Electronic Taboo,&#8221; Performance Studies, Tisch School of the Arts, New York University, New York, NY 10\/5\/90<\/li>\n<li>&#8220;The Wexner Center in Context,&#8221; Wexner Center for the Visual Arts, Ohio State University, Columbus, Ohio 10\/22\/90<\/li>\n<li>&#8220;Libraries in the Age of Electronics,&#8221; Volusia County Public Library, Daytona Beach, FL 8\/23\/90<\/li>\n<li>&#8220;Design Heuretics,&#8221; Department of Architecture, Cornell University, Ithaca, NY 4\/26\/90<\/li>\n<li>&#8220;After Teletheory,&#8221; English Department, State University of New York, Buffalo, NY 4\/24\/90<\/li>\n<li>&#8220;Inventing Heuretics,&#8221; Department of English, Emory University, Atlanta, GA 11\/16 89<\/li>\n<li>&#8220;The Blissense of Mystory,&#8221; Whitney Museum of American Art, New York, NY 11\/12\/89.<\/li>\n<li>&#8220;The Grammatology of Interactivity,&#8221; 16th Annual Alabama Symposium on English and American Literature, LITERACY ONLINE, Tusacaloosa,AL 10\/29\/89<\/li>\n<li>&#8220;The Textual Invention of Institutions,&#8221; Religion and Contemporary Interpretations, University of Southern Mississippi, 3\/20\/89<\/li>\n<li>&#8220;Architecture, Public Space and Modernity,&#8221; First Annual North Florida Architectural Conference, University of North Florida 4\/28\/89<\/li>\n<li>&#8220;Theory Art,&#8221; School of Art, East Carolina University, Greenville NC 2\/6\/89.<\/li>\n<li>&#8220;Grammatology,&#8221; Graduate Seminar on Theory and Pedagogy, Johns Hopkins University, 3\/10\/89<\/li>\n<li>&#8220;What, How, and Why a Community Communicates: A Public Forum,&#8221; Hippodrome State Theater, Gainesville FL (Florida Endowment for the Arts), 1\/15\/89.<\/li>\n<li>&#8220;Institutional Invention,&#8221; Institutions, Normalization, and Power, Greater Philadelphia Philosophy Consortium, Villanova University 11\/1\/88<\/li>\n<li>&#8220;The Semiotics of Representation,&#8221; Tenth International Summer Institute for Semiotic and Structural Studies, University of British Columbia, 8\/7\/88<\/li>\n<li>&#8220;A Heuretics of Institutions,&#8221; Interpretive Studies Colloquium, University of California, Santa Barbara, 11\/18\/88<\/li>\n<li>&#8220;Educational Television and the Academic Apparatus,&#8221; The Right to Literacy, Ohio State University, 9\/18\/88<\/li>\n<li>&#8220;Academic Discourse in the Age of Television,&#8221; Modern Language Association national meeting, San Francisco, 12\/27\/87<\/li>\n<li>&#8220;Contemporary Theory and the Curriculum,&#8221; Association of Departments of English, University of California, Berkeley, 6\/7\/87<\/li>\n<li>&#8220;Media and Culture,&#8221; Colloquium, English Department, University of Washington, Seattle, 5\/2\/87<\/li>\n<li>&#8220;Reading Mystorically,&#8221; Asolo Colloquium, New College, Sarasota FL, 1\/24\/87.<\/li>\n<li>&#8220;Textshop for Poststructuralism,&#8221; University of South Florida, Tampa, FL, 3\/6\/87<\/li>\n<li>&#8220;A Conversation with Michael Graves,&#8221; College of Architecture, University of Florida, Gainesville, 2\/26\/87<\/li>\n<li>&#8220;The Three Ps: Pedagogy, Popularization, Propaganda, Postmodernism,&#8221; Modern Language Association national meeting, New York, 12\/28\/86<\/li>\n<li>&#8220;Theory,&#8221; Faculty Symposium, Saint John&#8217;s University, Collegeville, MN, 8\/29\/86.<\/li>\n<li>&#8220;On Being Pro Gram: Electronic Education,&#8221; Derrida Symposium, Cornell University, Ithaca NY 9\/14\/85<\/li><\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Work in Progress<\/h3>\n\n\n\n<ul class=\"wp-block-list\"><li>Konsult Experiment (heuretics of online learning)<br>\n<a href=\"http:\/\/konsultexperiment.com\" target=\"_blank\" rel=\"noopener\">http:\/\/konsultexperiment.com<\/a><\/li><\/ul>\n\n\n\n\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-19","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/pages\/19","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/comments?post=19"}],"version-history":[{"count":11,"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/pages\/19\/revisions"}],"predecessor-version":[{"id":348,"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/pages\/19\/revisions\/348"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/glue\/wp-json\/wp\/v2\/media?parent=19"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}