{"id":978,"date":"2014-09-02T15:35:35","date_gmt":"2014-09-02T19:35:35","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/jshoaf\/?page_id=978"},"modified":"2026-03-19T08:02:49","modified_gmt":"2026-03-19T12:02:49","slug":"shiokumi-2","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/jshoaf\/japanese-dolls\/floating-world\/shiokumi-2\/","title":{"rendered":"Shiokumi"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">Shiokumi<\/h1>\n\n\n\n\n\n\n\n\n\n<p class=\"wp-block-paragraph\">A simple but mysterious subject: a young woman, very richly dressed, wearing a tall gold eboshi hat which ought to belong to a man, and carrying a pair of pails, painted with waves, on a yoke across her back. She is <em>Shiokumi<\/em>, a &#8220;salt-scooper&#8221; who carries seawater for the purpose of making salt. But why is she so elaborately dressed? Acccording to <em>Sakura Dolls of Japan<\/em> (Abston &amp; Uchioke, 1963), she represents the daughter of a legendary lord of an inland region, who carried the salt in wartime.<\/p>\n\n\n\n\n\n<p class=\"wp-block-paragraph\">Another story is the one about the 9th-century sisters, two shiokumi, who had been loved by the poet-politician Arihara Yukihara during his exile in Suma but were left with only his cloak, his hat, and a poem when he returned to the capital. This romantic story is the subject of the 14th-century Noh play <em>Matsukaze <\/em> (Pine Wind) which can be read online. In the next century this became a Kabuki play, and the dance of the shiokumi was a popular set-piece, which might be performed on its own. See <a href=\"http:\/\/viewingjapaneseprints.net\/texts\/ukiyoetexts\/ukiyoe_pages\/shunzan3.html\">John Fiorillo&#8217;s commentary on a print represented below.<\/a><\/p>\n\n\n\n\n\n<table id=\"tablepress-1\" class=\"tablepress tablepress-id-1\">\n<thead>\n<tr class=\"row-1\">\n\t<th class=\"column-1\"><figure id=\"attachment_979\" aria-describedby=\"caption-attachment-979\" style=\"width: 274px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiok.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiok.jpg\" alt=\"\" width=\"274\" height=\"423\" class=\"size-full wp-image-979\" srcset=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiok.jpg 274w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiok-194x300.jpg 194w\" sizes=\"auto, (max-width: 274px) 100vw, 274px\" \/><\/a><figcaption id=\"caption-attachment-979\" class=\"wp-caption-text\">This sweet young lady evokes a child, not an actor in a role.<\/figcaption><\/figure><\/th><th class=\"column-2\"><figure id=\"attachment_982\" aria-describedby=\"caption-attachment-982\" style=\"width: 267px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/people.clas.ufl.edu\/jshoaf\/files\/saltgirl.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/jshoaf\/files\/saltgirl.jpg\" alt=\"\" width=\"267\" height=\"395\" class=\"size-full wp-image-982\" srcset=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/saltgirl.jpg 267w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/saltgirl-202x300.jpg 202w\" sizes=\"auto, (max-width: 267px) 100vw, 267px\" \/><\/a><figcaption id=\"caption-attachment-982\" class=\"wp-caption-text\">A small 20th-c. woodblock illustration strongly resembling the doll at right; does it represent a doll, a girl, or an actor...?<\/figcaption><\/figure><\/th>\n<\/tr>\n<\/thead>\n<tbody class=\"row-striping row-hover\">\n<\/tbody>\n<\/table>\n\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"494\" height=\"598\" src=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matzuscarf.jpg\" alt=\"A silk furoshiki depicting the Noh play Matzukaze.\" class=\"wp-image-984\" srcset=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matzuscarf.jpg 494w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matzuscarf-247x300.jpg 247w\" sizes=\"auto, (max-width: 494px) 100vw, 494px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matzuscarf.jpg&#8221;&gt;&lt;\/a&gt; A silk furoshiki depicting the Noh play Matzukaze.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"208\" height=\"514\" src=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matsuhag.jpg\" alt='A hagoita (made using oshi-e or \"padded painting\") showing the salt-scooper.' class=\"wp-image-983\" srcset=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matsuhag.jpg 208w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matsuhag-121x300.jpg 121w\" sizes=\"auto, (max-width: 208px) 100vw, 208px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/jshoaf\/files\/matsuhag.jpg&#8221;&gt;&lt;\/a&gt; A hagoita (made using oshi-e or &#8220;padded painting&#8221; showing the salt-scooper.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"423\" height=\"430\" src=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiokumx2.jpg\" alt=\"Two salt-scooper dolls. The pottery doll suggests a kabuki or dance performance of matsukaze; the woman's robe is decorated with pine-tree motifs. The bamboo doll would not seem to represent a story at all--just a common worker--were it not for the golden cap, which reminds us of the heroines. \" class=\"wp-image-981\" srcset=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiokumx2.jpg 423w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiokumx2-295x300.jpg 295w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiokumx2-67x67.jpg 67w\" sizes=\"auto, (max-width: 423px) 100vw, 423px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/jshoaf\/files\/shiokumx2.jpg&#8221;&gt;&lt;\/a&gt; Two dolls representing this story. The pottery doll, who is missing her buckets, suggests a Kabuki or dance performance of &lt;em&gt;Matsukaze&lt;\/em&gt;. The bamboo doll is simpler, but wears the gold cap recalling the story.<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"378\" height=\"547\" src=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/Shunzan600h.jpg\" alt=\"18th-century woodblock of a performance of the role by a woman.\" class=\"wp-image-986\" srcset=\"https:\/\/people.clas.ufl.edu\/jshoaf\/files\/Shunzan600h.jpg 378w, https:\/\/people.clas.ufl.edu\/jshoaf\/files\/Shunzan600h-207x300.jpg 207w\" sizes=\"auto, (max-width: 378px) 100vw, 378px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/jshoaf\/files\/Shunzan600h.jpg&#8221;&gt;&lt;\/a&gt; In this 18th-century woodblock by Shunzan, it is a woman playing the role of Matsukaze, an amateur actress, an oiran (Yoshiwara courtesan) named Asa. The performance is a collaboration between kabuki actors and courtesans for the Niwaka Festival.(Image with permission of John Fiorillo.)<\/figcaption><\/figure>\n\n\n\n\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":53,"featured_media":0,"parent":857,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-978","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/pages\/978","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/comments?post=978"}],"version-history":[{"count":10,"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/pages\/978\/revisions"}],"predecessor-version":[{"id":1579,"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/pages\/978\/revisions\/1579"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/pages\/857"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/jshoaf\/wp-json\/wp\/v2\/media?parent=978"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}