{"id":25,"date":"2012-09-05T11:22:45","date_gmt":"2012-09-05T15:22:45","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/template\/?page_id=25"},"modified":"2026-06-16T08:53:25","modified_gmt":"2026-06-16T12:53:25","slug":"curriculum-vitae","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/mbryant\/curriculum-vitae\/","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"\n<section class=\"fullwidth-text-block\"><div class=\"container px-0\"><div class=\"row align-items-start\"><div class=\"col-12\">\n<h1 class=\"wp-block-heading\">Curriculum Vitae<\/h1>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/Marsha-Iconic_Final_sig-300x225.png\" alt=\"\" class=\"wp-image-3445\" style=\"width:253px;height:auto\" srcset=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/Marsha-Iconic_Final_sig-300x225.png 300w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/Marsha-Iconic_Final_sig-768x576.png 768w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/Marsha-Iconic_Final_sig.png 1024w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/Marsha-Iconic_Final_sig-280x210.png 280w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure>\n<\/div>\n\n\n<h2 class=\"wp-block-heading\"><strong>Marsha Bryant<\/strong><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Professor of English &amp; Distinguished Teaching Scholar<br>\n<\/strong><strong>University of Florida<br>\n<\/strong><strong> mbryant@ufl.edu<\/strong><\/h3>\n\n\n\n<a style=\"vertical-align: top\" href=\"https:\/\/orcid.org\/0000-0001-6838-8134\" target=\"orcid.widget\" rel=\"me noopener noreferrer\"><img decoding=\"async\" class=\"alignleft\" style=\"width: 1em;margin-right: .5em\" src=\"https:\/\/orcid.org\/sites\/default\/files\/images\/orcid_16x16.png\" alt=\"ORCID iD icon\">https:\/\/orcid.org\/0000-0001-6838-8134<\/a>\n\n\n\n<h2 class=\"wp-block-heading\">Education<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>University of Illinois, Urbana-Champaign, Ph.D. in English, 1984-89.<\/li>\n\n\n\n<li><span class=\"Apple-style-span\" style=\"line-height: 16px\">University of Tennessee, Knoxville<br><br><\/span><span class=\"Apple-style-span\" style=\"line-height: 16px\">M.A. in English, 1982-84.<br><br><\/span><span class=\"Apple-style-span\" style=\"line-height: 16px\">B.A. with High Honors in English, 1978-82.<\/span><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Employment<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Professor of English &amp; Distinguished Teaching Scholar, University of Florida, 2013 &#8211; .<\/li>\n\n\n\n<li>Director of Graduate Student Teaching &amp; General Education, Department of English, 2016 &#8211; 2019.<\/li>\n\n\n\n<li>Associate Professor of English, University of Florida, 1997 &#8211; 2013.<\/li>\n\n\n\n<li>Assistant Professor of English, University of Florida, 1989 &#8211; 1997.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Research and Teaching Areas<\/h2>\n\n\n\n<p>Post-1900 literature and culture (American &amp; British), modernist studies, poetry &amp; visual culture, women\u2019s writing, pedagogy<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Academic Honors &amp; Awards<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Editorial and Advisory Boards<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Associate Editor, <em>Contemporary Women&#8217;s Writing<\/em> (2013-2022).<\/li>\n\n\n\n<li>Advisory Board, <em>The Space Between: Literature and Culture<\/em>, <em>1914-1945<\/em> (2011-2014).<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Research and Teaching<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Doctoral Dissertation Advisor\/Mentoring Award. University of Florida. 2017-18.<\/li>\n\n\n\n<li>UF Term Professor, 2016-2019.<\/li>\n\n\n\n<li>Academy of Distinguished Teaching Scholars. University of Florida, 2014-.<\/li>\n\n\n\n<li>Fellowship, National Endowment for the Humanities, 2007-08.<\/li>\n\n\n\n<li>Pedagogy workshop co-leader for Impact of Materials on Society project (Materials Research Society meeting, Boston), funded by National Science Foundation, 2014.<\/li>\n\n\n\n<li>Interdisciplinary Team-Teaching Grant with Mary Ann Eaverly (Classics), Center for the Humanities and the Public Sphere, University of Florida 2015.<\/li>\n\n\n\n<li>Creative Campus Catalyst Grant (team member), University of Florida, 2013-14.<\/li>\n\n\n\n<li>Sabbatical, College of Liberal Arts and Sciences, University of Florida, 2014, 2002.<\/li>\n\n\n\n<li>Humanities Scholarship Enhancement Grant, University of Florida, 2013, 2007, 2000.<\/li>\n\n\n\n<li>College of Liberal Arts &amp; Sciences Award for Outstanding Undergraduate Teaching, University of Florida, 2005, 2002, 1991.<\/li>\n\n\n\n<li>Mentor, UF Scholars Program, 1999.<\/li>\n\n\n\n<li>Teaching Incentive Program (TIP) Award, University of Florida, 1996, 1993.<\/li>\n\n\n\n<li>Research Development Award, University of Florida, 1992, 1990.<\/li>\n\n\n\n<li>Phi Beta Kappa, 1982.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Academic Writing<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Books (Humanities)<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.palgrave.com\/us\/book\/9780230609419\"><em><strong>Women&#8217;s Poetry and Pop<\/strong><\/em><strong><em>u<\/em><\/strong><em><strong>lar Culture<\/strong><\/em><\/a>. Modern and Contemporary Poetry and Poetics Series. 2011. New York: Palgrave Macmillan, 2013.<\/p>\n\n\n\n<p>Reviews:<em>Twentieth-Century Literature<\/em> (Fall 2013), <em><a href=\"http:\/\/www.tandfonline.com\/doi\/abs\/10.1080\/00497878.2013.830539#.UqX9WNJDuSo\">Women\u2019s Studies: An Interdisciplinary Journal<\/a> (<\/em>October 2013): 1030\u201332,&nbsp;<span class=\"Apple-style-span\" style=\"line-height: 16px\"><em>Choice<\/em> (March 2012),&nbsp;<\/span><a href=\"http:\/\/mikechasar.blogspot.com\/2012\/01\/p-book-review-womens-poetry-and-popular.html\">Poetry &amp; Popular Culture<\/a> (Jan. 2012),<span class=\"Apple-style-span\" style=\"line-height: 16px\"><em>Tulsa Studies in Women&#8217;s Literature<\/em> (Fall 2011).<\/span><\/p>\n\n\n\n<p><strong><em> Auden and Documentary in the 1930s<\/em><\/strong>. Charlottesville: University Press of Virginia, 1997.<\/p>\n\n\n\n<p>Reviews:&nbsp;<em>International Review of Modernism<\/em> 2.1 (Fall\/Winter 1998),&nbsp;<span class=\"Apple-style-span\"><em>Visual Anthropology<\/em>&nbsp; (Spring\/Summer 1999).<\/span><\/p>\n\n\n\n<p>Reprints &amp; Excerpts: <em style=\"line-height: 1.4em;background-color: transparent\">The Isherwood Century<\/em><span style=\"line-height: 1.4em;background-color: transparent\">, ed. James Berg and Chris Freeman,&nbsp; (U. Wisconsin Press (Lambda Literary Award for Gay Studies, 2001),&nbsp;<\/span><em style=\"font-style: italic\">Caverns of Night: Coal Mines in Art, Literature, and Film, <\/em>ed. William B. Thesing (2000).<\/p>\n\n\n\n<p><strong><em>Photo-Textualities: Reading Photographs and Literature<\/em><\/strong>, ed. Marsha Bryant. Newark: University of Delaware Press, 1996.<\/p>\n\n\n\n<p>Reviewed in <em>Modern Language Review<\/em> 93.2 (1998)..<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Journal Essays and Book Chapters (Humanities)<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;It Ain&#8217;t Me, Babe,&#8221; <em>The Poetry of Bob Dylan<\/em>, ed. Mike Chasar. Bloomsbury Academic Press, September 2025.<\/li>\n\n\n\n<li>\u201cPunk Pedagogy as Creative Reuse: DIY with Trash,&#8221; <em>Creativity in the Classroom, <\/em>forthcoming, Indiana U. Press, forthcoming April 2026.<\/li>\n\n\n\n<li>&#8220;How Plath Invented the Nursing Home Poem (and Why It Matters to GenZ,&#8221; <em>The Routledge Companion to Sylvia Plath<\/em> ed. Janet Badia, Julie Goodspeed-Chadwick and Emily Van Duyne, forthcoming.<\/li>\n\n\n\n<li>&#8220;The Midcentury Modernist Long Poem,&#8221; <em>The Cambridge Companion to Late Modernism,\u00a0<\/em>ed. Claire Seiler, forthcoming.<\/li>\n\n\n\n<li>&#8220;<a href=\"https:\/\/ejournals.lib.auth.gr\/ExCentric\/article\/view\/9537\/9168\">Hellenic by Design: H.D., Architecture, and Future Modernism<\/a>,&#8221; co-authored with Charlie Hailey. <em>Ex-Centric Narratives. Journal of Anglophone Literature, Culture, and Media<\/em>. No. 7 (2023).<\/li>\n\n\n\n<li>&#8220;Beelines: Reading Plath through Edith Sitwell and Carol Ann Duffy.&#8221; <a href=\"https:\/\/www.bloomsburycollections.com\/book\/the-bloomsbury-handbook-to-sylvia-plath\/?fbclid=IwAR2NhF-_BkBumLvrwt6zEP-HZd6GRzebufr_sUemjJIosNYUirXqUD5ucaI\"><em>The Bloomsbury Handbook to Sylvia Plath<\/em><\/a>, ed. Anita Helle, Amanda Golden, and Maeve O&#8217;Brien. 199-210. (2022). Paperback edition 2023.<\/li>\n\n\n\n<li>&#8220;<a href=\"https:\/\/www.mdpi.com\/2076-0787\/11\/1\/19\">Thirteen Tactics for Teaching Poetry as Architecture<\/a>,&#8221; co-authored with Charlie Hailey. For the essay series Modernist Poetry and Visual Culture,\u00a0 ed. Linda Kinnahan. <em>Humanities<\/em>\u00a011, no. 1: 19 (2022). https:\/\/doi.org\/10.3390\/h11010019<\/li>\n\n\n\n<li>&#8220;Queen Bees: Edith Sitwell, Sylvia Plath, and Cross-<em>Atlantic<\/em> Affiliations.&#8221; <em>Feminist Modernist Studies <\/em>(June 5, 2019)<em>. <\/em>doi:\u00a0<a href=\"https:\/\/doi.org\/10.1080\/24692921.2019.1621690\">10.1080\/24692921.2019.1621690<\/a><\/li>\n\n\n\n<li>\u201cModernist Migrations, Pedagogical Arenas: Translating Modernist Reception in the Classroom and Gallery\u201d (coauthored with Mary Ann Eaverly). <em>The Classics in Modernist\u00a0Translation,\u00a0<\/em>ed. Lynn Kozak and Miranda Hickman. London: Bloomsbury, 2019.<br><br>Featured in Meryl Altman&#8217;s review &#8220;Classical Reception for Modernists: An Update,&#8221; Modernism\/Modernity 29.4 (November 2022).<\/li>\n\n\n\n<li>&#8220;Sitwell Beyond the Semiotic&#8221; (reprint with Coda).\u00a0<em>The Many Facades of Edith Sitwell,\u00a0<\/em>ed. Allan Pero and Gyllian Phillips. University Press of Florida. June 2017. 94-120. (Rev.\u00a0<em>TLS<\/em>\u00a0Jan. 16, 2018.)<\/li>\n\n\n\n<li>&#8220;<em>Gentry<\/em> Modernism: Cultural Connoisseurship and Midcentury Masculinity, 1951-1957,&#8221;\u00a0<em>Popular Modernism and Its Legacies: From Pop Literature to Video Games,\u00a0<\/em>ed. Scott Ortolano. Bloomsbury, Dec. 2017. 19-44.<\/li>\n\n\n\n<li><a href=\"http:\/\/www.mezzocammin.com\/iambic.php?vol=2017&amp;iss=1&amp;cat=featured_poet&amp;page=bryanteaverly\">&#8220;Crisis Modes: Ancient Egyptian Forms and Modern Women Poets<\/a>,&#8221; co-authored with Mary Ann Eaverly. <em>Mezzo Cammin\u00a0<\/em>12.1 (July 2017).<\/li>\n\n\n\n<li>&#8220;The WP Network: Anthologies &amp; Affiliations in Contemporary American Women&#8217;s Poetry,&#8221; <em style=\"background-color: transparent\">A\u00a0History of Twentieth-Century American Women&#8217;s Poetry<\/em><span style=\"background-color: transparent\">, ed. Linda Kinnahan. Cambridge U. Press, 2016. 186-201.<\/span><\/li>\n\n\n\n<li>&#8220;Camp Modernism Forum,&#8221; co-edited with Douglas Mao, <em>Modernism\/modernity\u00a0<\/em>23.1 (January 2016), 1-36.<\/li>\n\n\n\n<li>&#8220;Parody as Pedagogy, Plath as Style&#8221; (features student work),\u00a0<a href=\"http:\/\/scholarworks.iu.edu\/journals\/index.php\/plath\/article\/view\/13230\/19540\"><em>Plath Profiles<\/em> 7<\/a> (2014). 13-21.<\/li>\n\n\n\n<li><span style=\"background-color: transparent\">&#8220;Epic Encounters: The Modernist Long Poem Goes to the Movies,&#8221; <\/span><em style=\"background-color: transparent\">Journal of Modern Literature <\/em><span style=\"background-color: transparent\">37.4 (Summer 2014), 70-90.<\/span><\/li>\n\n\n\n<li>&#8220;The Confessional Other: Identity, Form, and Origins in Confessional Poetry,&#8221; <em>Identity and Form in Contemporary Literature<\/em>, ed. Ana Maria Sanchez-Arce. Routledge, 2013. 177-94.<\/li>\n\n\n\n<li>\u201cExcavating H.D.\u2019s Egypt,\u201d co-authored with Mary Ann Eaverly, <em>Approaches to Teaching H.D.\u2019s Poetry and Prose<\/em>. Modern Language Association, 2011. 77-83.<\/li>\n\n\n\n<li>\u201cCounter-Intuitive Innovation,\u201d in the forum \u201cMaking It New: Innovative Approaches to Teaching Modernism,\u201d <em>Modernism\/modernity<\/em> 16.3. (September 2009): 482-84.<\/li>\n\n\n\n<li>\u201cGraduate Student Mentoring: A Poetics,\u201d in <em>Poetry, Politics, and the Profession: Cary Nelson and the Struggle for the University<\/em>, ed. Michael Rothberg and Peter K. Garrett. State U. of New York Press, 2009. 187-92.<\/li>\n\n\n\n<li>\u201cEgypto-modernism: James Henry Breasted, H.D., and the New Past,\u201d co-authored with Mary Ann Eaverly,\u00a0<em>Modernism\/modernity 14.3<\/em>\u00a0(September 2007): 435-53.<\/li>\n\n\n\n<li>\u201cAriel\u2019s Kitchen: Plath, Ladies\u2019 Home Journal, and the Domestic Surreal,\u201d in\u00a0<em>The Unraveling Archive: Essays on Sylvia Plath<\/em>, ed. Anita Helle, U. of Michigan Press, 2007. 211-35.<\/li>\n\n\n\n<li>\u201cDisplaced Artist Statements, Reluctant Artist-Researchers: Poet-Editors of Women\u2019s Poetry Anthologies,\u201d\u00a0<em>Open Letter<\/em> 13.4 (Fall 2007): 45-63. (special issue:\u00a0<em>Artist Statements and the Nature of Artistic Inquiry<\/em>, ed. Rachel Nash and W. F. Garrett-Petts).<\/li>\n\n\n\n<li>\u201cBrooks,\u00a0<em>Ebony<\/em>, and Postwar Race Relations,\u201d\u00a0<em>American Literature<\/em>\u00a079.1 (March 2007): 113-141.<\/li>\n\n\n\n<li>\u201cSitwell Beyond the Semiotic: Gender, Race &amp; Empire in<em>\u00a0Fa\u00e7ade<\/em>,\u201d\u00a0<em>Tulsa Studies in Women\u2019s Literature<\/em>, 26.2 (Fall 2007): 243-67.<\/li>\n\n\n\n<li>\u201cClassical Tourism in Debora Greger\u2019s Poetry,\u201d co-authored with Mary Ann Eaverly.\u00a0<em>Mosaic<\/em>\u00a037.3 (September, 2004): 67-91.<\/li>\n\n\n\n<li>\u201cIMAX Authorship: Teaching Plath and Her\u00a0<em>Unabridged Journals<\/em>,\u201d\u00a0<em>Pedagogy<\/em>\u00a04.2 (Spring 2004): 241-61.<\/li>\n\n\n\n<li>\u201cPlath, Domesticity, and the Art of Advertising,\u201d\u00a0<em>College Literature<\/em>\u00a029.3 (Summer 2002 special issue on Literature &amp; Art): 17-34.<br><br>Reprinted in\u00a0<em>The Bell Jar: Critical Insights<\/em>. Salem Press. Ipswich, MA: 2011. 180-200.<\/li>\n\n\n\n<li>\u201cW. H. Auden and the Homoerotics of the 1930s Documentary,\u201d\u00a0<em>Mosaic<\/em>\u00a030.2 (June 1997): 69-92.<\/li>\n\n\n\n<li>\u201cPhoto-Graphic Pedagogies: Bringing Photography into the English Department Classroom,\u201d in\u00a0<em>Integrating Visual and Verbal Literacies<\/em>, Ed. W. F. Garrett-Petts and Donald Lawrence. Winnipeg, Manitoba: Inkshed Publications, 1996. 76-100.<\/li>\n\n\n\n<li>\u201cAuden and the \u2018Arctic Stare\u2019: Documentary as Public Collage in<em>\u00a0Letters from Iceland<\/em>,\u201d\u00a0<em>Journal of Modern Literature<\/em>\u00a017.4 (1991; published 1994), 537-65.<\/li>\n\n\n\n<li>&#8220;The Films of Paul Strand&#8221; (curator&#8217;s essay).\u00a0<em>New American Film and Video Series<\/em>, 63. Whitney Museum of American Art. March, 1992.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">Reviews (Humanities)<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rev. of C. D. Blanton&#8217;s\u00a0<em>Epic Negation: The Dialectical Poetics of Late Modernism.<\/em>\u00a0<em>Modernism\/modernity\u00a0<\/em>24.3 (September 2017): 649-51.<\/li>\n\n\n\n<li>Rev. of <em>This Business of Words: Reassessing Anne Sexton,\u00a0<\/em>ed. Amanda Golden. \u00a0<em><a href=\"https:\/\/people.clas.ufl.edu\/mbryant\/content-removed\/\">American Literary History Online Review, Series XII<\/a>.<\/em>\u00a0August 2017.<em>\u00a0<\/em><\/li>\n\n\n\n<li>Rev. of Stan Smith, ed,\u00a0<em>The Cambridge Companion to W. H. Auden<\/em>. Auden Society Newsletter 26 (December 2005): 25-28.<\/li>\n\n\n\n<li>Rev. of Albert Gelpi\u2019s\u00a0<em>Living in Time: The Poetry of C. Day Lewis<\/em>. Modern Philology 99.1 (August 2001): 161-65.<\/li>\n\n\n\n<li>Response to Marjorie Perloff\u2019s review of Cary Nelson\u2019s anthology,\u00a0<em>Modern American Poetry<\/em>.\u00a0symploke\u00a09:1-2 (2001): 176-77.<\/li>\n\n\n\n<li>Rev. of John Fuller\u2019s\u00a0<em>W. H. Auden: A Commentary<\/em>. International Review of Modernism 3.1 (Fall\/Winter 1999): 20-22.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">STEM Publications<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/ufl.pb.unizin.org\/imos\/\"><em>Impact of Materials on Society<\/em><\/a>, ed. Sophia Krzys Acord, Kevin S. Jones, Marsha Bryant, Debra Dauphin-Jones, and Pamela Hupp. Library Press @UF, September 2021.<\/li>\n\n\n\n<li>&#8220;<a href=\"https:\/\/ufl.pb.unizin.org\/imos\/chapter\/polymers\/\">Fantastic Plastics in Postwar America: Earl Tupper, Brownie Wise, and Materials Marketing<\/a>,&#8221;\u00a0 In <em>Impact of Materials on Society<\/em>, ed. Acord, Bryant, et al. Library Press @UF, September 2021.<\/li>\n\n\n\n<li>Alexandra Lucas, Dara Wakefield, Marsha Bryant et al. &#8220;<a href=\"https:\/\/www.omicsonline.org\/open-access\/glycosaminoglycans-gags-in-cardiovascular-disease-searching-for-thesweet-spot-2155-9880-1000e141.php?aid=67109\">Glycosaminoglycans (GAGs) in Cardiovascular Disease<\/a>: Searching for the Sweet Spot.&#8221;\u00a0<em>Journal of\u00a0<\/em><em>Clinical &amp; Experimental Cardiology\u00a0<\/em>7.1 (2016). doi:\u00a010.4172\/2155-9880.1000e141.<\/li>\n\n\n\n<li>Marsha Bryant, Alexandra Lucas et al. \u201c<a href=\"https:\/\/www.omicsonline.org\/open-access\/takotsubo-stress-cardiomyopathya-quantum-event-of-the-heart-2155-9880-1000e140.php?aid=63331\">Tako-Tsubo Stress Cardiomyopathy\u2014A Quantum Event of the Heart?\u201d<\/a> <em>Journal of\u00a0<\/em><em>Clinical &amp; Experimental Cardiology<\/em> 6.10 (2015). doi: 0.4172\/2155-9880.1000e140.<\/li>\n\n\n\n<li>Alexandra Lucas, Andrea Krafft, Gail Ellison, Sally Ryden, Grant McFadden, Jen H. Lucas, Seana O&#8217;Regan, and Marsha Bryant.<a href=\"https:\/\/www.omicsonline.org\/open-access\/i-to-i-women-in-the-heart-of-medicine-ii-2155-9880-6-e139.php?aid=40526\"> \u201cI to I: Women in the Heart of Medicine 2.\u201d<\/a> <em>Journal of Clinical and Experimental Cardiology<\/em> 6.2 (2015). doi: 10.4172\/2155-9880.1000e139.<\/li>\n\n\n\n<li>Alexandra Lucas, Sriram Ambadapadi, Donghang Zheng, Hao Chen, Andrea Krafft, Marsha Bryant, et al. <a href=\"https:\/\/www.omicsonline.org\/open-access\/the-virome-viral-ghost-companion-virus-wars-2155-9880-5-e136.php?aid=30301\">\u201cThe Virome \u2013 Viral Ghost Companion, Virus Wars.\u201d<\/a> <em>Journal of Clinical and Experimental Cardiology<\/em>. 5.8(2014): doi: 10.4172\/2155.9880.1000e136.<\/li>\n\n\n\n<li>Alexandra Lucas, Mary Ann Eaverly, Grant McFadden and Marsha Bryant. \u201c<a href=\"https:\/\/www.omicsonline.org\/open-access\/women-in-cardiology-the-x-factor-and-the-heart-of-medicine-2155-9880-5-e134.php?aid=23887\">Women in Cardiology: The X Factor and the Heart of Medicine<\/a>\u201d (editorial),\u00a0\u00a0 <em>Journal of Clinical &amp; Experimental Cardiology <\/em>5.2 (2014): doi: 10.4172\/2155-9880.1000e134.<\/li>\n\n\n\n<li>Alexandra Lucas and Marsha Bryant. <a href=\"https:\/\/people.clas.ufl.edu\/mbryant\/content-removed\/\">&#8220;Disseminated Intravascular Coagulation<\/a> &#8211; The Hemorrhagic Hurricane and the Cytokine Storm&#8221; (editorial).\u00a0<em>Clinical &amp; Experimental Cardiology<\/em>. 4:e127 (June 2013): doi: 10.4172\/2155-9880.10003127.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Alexandra Lucas, Jennifer Davids, Marsha Bryant, et al. \u00a0<a href=\"https:\/\/people.clas.ufl.edu\/mbryant\/content-removed\/\">\u201cInflammatory Vascular Disease:\u00a0 A Unifying Hypothesis<\/a>: (editorial).\u00a0\u00a0<em>Clinical &amp; Experimental Cardiology<\/em>.\u00a0 3:e111 (August 2012):\u00a0 doi:10.4172\/2155-9880.1000e111.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Exhibitions &amp; Media<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mornings with Simi Show guest for <a href=\"https:\/\/podcasts.apple.com\/kg\/podcast\/full-show-the-hunt-for-sober-october-bcs-birthrate\/id700326444?i=1000671446684\">The Hunt for a Sober October<\/a> segment. Global News Radio, 980 CKNW, Vancouver, Canada. October 1, 2024.<\/li>\n\n\n\n<li>Mornings with Simi Show guest for <a href=\"https:\/\/podcasts.apple.com\/kg\/podcast\/the-rise-and-fall-of-tupperware\/id1569632011?i=1000670173379\">The Rise and Fall of Tupperware<\/a> segment. Global News Radio, 980 CKNW, Vancouver, Canada. September 20, 2024.<\/li>\n\n\n\n<li><a href=\"https:\/\/universityarchives.uflib.ufl.edu\/explore-our-projects\/672-2\/?fbclid=IwAR2xtp0AZ6ImaPKHxSAoJmaWJplIzP-jXZUXRNmRbk5J9RbQgyhCXWb8v-A\">UF Yearbook Highlights: UF in the 1950s<\/a>. Undergraduate class project from Desperate Domesticity: The American 1950s. UF Libraries Special Collections (University Archives). October 2021.<\/li>\n\n\n\n<li>Ed., <a href=\"https:\/\/harn.ufl.edu\/resources\/thinking-about-modernity\/\">Thinking about Modernity<\/a> (Instructional Resources for the Harn Museum of Art). Collaborators: (from the Harn) Eric Segal, Carol McCusker, Dulce Roman; (from my 2019 seminar Modernist Studies &amp; Pedagogy) Lauren Burrell Cox, S. R. Graham, Nicole Green, remus jackson, Claire Beth Karnap, Burcu Kuheylan, Elizabeth Lambert, Jacqueline Schnieber, Cassidy Sheehan, Deepthi Siriwardena, Allen Thomas, Vincent Wing. March 2021.<\/li>\n\n\n\n<li><a href=\"http:\/\/craghi.libsyn.com\/website\/dr-marsha-bryant-on-sylvia-plaths-dream-kitchen\">&#8220;Marsha Bryant on Sylvia Plath and the Dream Kitchen<\/a>.&#8221; <em>Theory to No End<\/em> podcast by Camelia Raghinaru. May 4, 2020.<\/li>\n\n\n\n<li>&#8220;<a href=\"https:\/\/www.wpr.org\/decades-past-its-birth-tupperware-still-has-spot-our-kitchens\">Decades Past Its Birth, Tupperware Still Has a Place in Our Kitchens<\/a>&#8221; (interview). Wisconsin Public Radio. Oct. 1, 2018.<\/li>\n\n\n\n<li><a href=\"https:\/\/mina-loy.com\/endehorsgarde\/3832\/\">En Dehors Garde Limericks for Stevie Smith.<\/a> (collage with limericks, drawing, buttons, puzzle pieces). Mina Loy: Navigating the Avant-Garde\u00a0posted September 2018.\n<ul class=\"wp-block-list\">\n<li>Featured in &#8220;<a href=\"https:\/\/modernismmodernity.org\/forums\/posts\/handiwork\">Handiwork: Mina Loy, Collage, and the En Dehors Garde<\/a>&#8221; (Suzanne W. Churchill, Linda Kinnahan, and Susan Rosenbaum). Modernism\/modernity Print+ Visualities blog. October 21, 2020.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li><em><a href=\"https:\/\/youtu.be\/rqURhLnn9yA\">Impact of Materials on Society: Polymers<\/a>\u00a0<\/em>(educational video). Commentator. Materials Research Society. March 2016.<\/li>\n\n\n\n<li>&#8220;Women Poets, Modernism, and Classical Myth.&#8221; <a href=\"https:\/\/www.coursera.org\/learn\/modern-american-poetry\/?utm_source=Illinois&amp;utm_medium=Institutions&amp;utm_campaign=IllinoisMoocModernAmericanPoetry\">Modern American Poetry MOOC<\/a>, U. of Illinois\/Coursera. 2016.<\/li>\n\n\n\n<li><em>Classical Convergences: Traditions &amp; Inventions<\/em>. (with Mary Ann Eaverly and Carol McCusker). Harn Museum of Art, Gainesville FL. December 2014 &#8211; May 2015.<\/li>\n\n\n\n<li><em style=\"line-height: 1.5;background-color: transparent\">failure<\/em><span style=\"line-height: 1.5;background-color: transparent\">. (with Arts &amp; Humanities Research Group). UF Libraries exhibit, Gainesville FL. Spring 2014.<\/span><\/li>\n\n\n\n<li><em>The Films of Paul Strand\u00a0<\/em>(curator).\u00a0Whitney Museum of American Art, New York. 1992.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Workshops<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Organizer and Moderator, &#8220;Job Tips from Recent Alums&#8221; panel. For Department&#8217;s MarketWise session for Graduate Students. September 4, 2025.<\/li>\n\n\n\n<li>Co-Leader and Presenter. &#8220;Material Modernisms Teaching Workshop.&#8221;\u00a0 Teaching Modernisms International Online Conference. (Modernist Studies Association session), July 29, 2024. (attendees from 7 countries)<\/li>\n\n\n\n<li>Co-leader. &#8220;Team Teaching from Classroom to Gallery.&#8221; Office of Faculty Development &amp; Teaching Excellence. Harn Museum of Art, November 2018. (with Eric Segal, Alexa Bitton-Braddy, Carol McCusker, Mary Ann Eaverly Nina Stoyan-Rosenzweig)<\/li>\n\n\n\n<li>TA Workshops for UF English: &#8220;Projecting Our Classroom Voices&#8221; (April 2019), &#8220;Teaching Toni Morrison&#8221; (Marsh 2019), &#8220;Spotlight on CRW 1101 &amp; 2100: Fiction Writing&#8221; (Sep. 2018), &#8220;Teaching\u00a0<em>Hamilton<\/em>&#8221; (April 2018),\u00a0&#8220;Teaching\u00a0<em>Macbeth<\/em>\u00a0and Performance\u201c (January 2018), Spotlight on ENG 2300: Film Analysis\u201d (Oct. 2017), &#8220;Teaching\u00a0<em>Gulliver\u2019s Travels&#8221;\u00a0<\/em>(Sep. 2017),\u00a0\u201cSpotlight on ENG 1131: Writing through Media\u201d (April 2017)<\/li>\n\n\n\n<li>Co-leader.\u00a0<a href=\"https:\/\/youtu.be\/xl-tR2a-Q08\">Teaching with Archives<\/a>. Campus-wide workshop co-sponsored by The Academy of Distinguished Teaching Scholars, Office of Faculty Development &amp; Teaching Excellence, and Smathers Libraries&#8217; Department of Special Collections. March 2017.<\/li>\n\n\n\n<li>Co-leader. &#8220;Teaching with the Harn: A TA Workshop.&#8221; Harn Museum of Art, University of Florida. December 2016.<\/li>\n\n\n\n<li>Pedagogy workshop co-leader for Impact of Materials on Society project (Materials Research Society meeting, Boston), funded by National Science Foundation, 2014.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Consulting<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Grant Review Consultant for State University System of Louisiana, ATLAS program (Creative Arts, Humanities, Social Sciences), 2024.<\/li>\n\n\n\n<li>Humanities Adviser for educational video (<a href=\"https:\/\/youtu.be\/rqURhLnn9yA\"><em>Polymers<\/em><\/a>). Impact of Materials on Society (IMOS) project, funded by Department of Defense. University of Florida, 2015.<\/li>\n\n\n\n<li>Grant review panelist for Fellowships (Comparative Literature and Critical Theory), National Endowment for the Humanities, 2010, 2012.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Invited Talks<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;Teaching with <em>Kalliope<\/em>.&#8221; Featured webinar speaker and co-organizer. The Muse Still Speaks: <em>Kalliope<\/em> Literary Magazine and Pedagogy. Florida State College at Jacksonville, September 25, 2025. <a href=\"https:\/\/youtu.be\/Vc5rvzEc4OA?si=x77gElShRd-WJvTt\">Link<\/a>.<\/li>\n\n\n\n<li>&#8220;Teaching with Trash.&#8221; Research in Teaching and Learning Spring Symposium. UF Center for Teaching Excellence. Forthcoming. (April 25, 2024).<\/li>\n\n\n\n<li>Book Launch for <em>The Bloomsbury Handbook to Sylvia Plath,\u00a0<\/em>led by editors Anita Helle, Amanda Golden, and Maeve O&#8217;Brien. May 25, 2022<\/li>\n\n\n\n<li>&#8220;Teaching with Perusall.&#8221; UFIT TechBytes faculty panel on Pandemic Learning. May 12, 2021.<\/li>\n\n\n\n<li>&#8220;Beelines: Reading Sylvia Plath through Edith Sitwell and Carol Ann Duffy.&#8221; Plath Zoomposium III, August 25, 2020. (Talk begins at 16:44 <a href=\"https:\/\/youtu.be\/35v0Lu5_Jok\">here<\/a>).<\/li>\n\n\n\n<li>&#8220;Beyond Isis: Women&#8217;s Poetry, Social Crisis, and Ancient Egypt&#8221; (with Mary Ann Eaverly). Poetry by the Sea: A Global Conference. (Madison, CT), May 2015.<\/li>\n\n\n\n<li>&#8220;The Power of Polymers: Tupperware and Domestic Design in Postwar America.&#8221; Impact of Materials on Society teaching workshop. Materials Research Society (Boston, MA), December 2014.<\/li>\n\n\n\n<li>\u201cModernism\u2019s Child: Stevie Smith and Children&#8217;s Culture.\u201d Shannon-Clark Seminar. Washington and Lee University (Lexington, VA), March 2010.<\/li>\n\n\n\n<li>\u201cEpic Gender Makeovers: H.D.\u2019s\u00a0<em>Helen in Egypt<\/em>\u00a0and Warner Brothers\u2019\u00a0<em>Helen of Troy<\/em>,\u201d plenary talk for \u201cFemininities and Masculinities in a Global Context,\u201d Florida Consortium for Women\u2019s and Gender Studies (Tampa FL), February 2008.<\/li>\n\n\n\n<li>\u201cGraduate Student Mentoring.\u201d Poetry, Politics &amp; The Profession: A Tribute to Cary Nelson. University of Illinois (Urbana-Champaign), October 2006.<\/li>\n\n\n\n<li>\u201cRacing Modern Poetry: A Triptych,\u201d English Department, University of Georgia, December 2005.<\/li>\n\n\n\n<li>\u201cDisplaced Artist Statements in Women\u2019s Poetry Anthologies.\u201d Workshop on Artist Statements and Artistic Inquiry. Thompson Rivers University, British Columbia, Canada, November 2005.<\/li>\n\n\n\n<li>\u201cRaising the Dead: Teaching Seamus Heaney and Photography.\u201d Session sponsored by the MLA at the NCTE Convention (Orlando, FL), November 1994.<\/li>\n\n\n\n<li>\u201cPaul Strand and Documentary.\u201d The Whitney Museum of American Art (New York, NY), March 1992.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Public Humanities Writing &amp; Creative Work<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dog Days Beers (limericks). <em>Massachusetts Review<\/em>, July 21, 2025.<\/li>\n\n\n\n<li>Malternatives: Tasting the Malty Beer Spectrum (limericks). <em>Massachusetts Review,<\/em> May 27, 2025<\/li>\n\n\n\n<li>Valentine Sweet-Tart Beers (limericks). <em>Massachusetts Review,<\/em> February 14, 2025.<\/li>\n\n\n\n<li>New Beers Resolutions (limericks). <em>Massachusetts Review<\/em>, January 10, 2025.<\/li>\n\n\n\n<li>Wheat Beers for a Fulsome Fall (limericks).\u00a0<em>Massachusetts Review,<\/em> November 22, 2024<\/li>\n\n\n\n<li>Beers for a Sober October (limericks). <em>Massachusetts Review,<\/em> October 30, 2024<\/li>\n\n\n\n<li>Three for the Fourth (limericks). Massachusetts Review, July 3, 2024.<\/li>\n\n\n\n<li>Tripelicious Trio (limericks). <em>Massachusetts Review<\/em>, May 28, 2024.<\/li>\n\n\n\n<li class=\"has-medium-font-size\">Beers for Brrr!\u00a0(limericks). <em>Massachusetts Review<\/em>, January 24, 2024.<\/li>\n\n\n\n<li>More Beers for a Sober October (limericks). <em>Massachusetts Review<\/em>, October 3, 2024.<\/li>\n\n\n\n<li>In Defense of IPAs: A Limerick Manifesto (limericks). <em>Massachusetts Review,<\/em> August 3, 2023.<\/li>\n\n\n\n<li>Buoyant Beers &amp; Light Limericks: A Summer Sip-Along.\u00a0<em>Massachusetts Review<\/em>, June 16, 2023.<\/li>\n\n\n\n<li>Limericks for St. Patrick&#8217;s Day. <em>Massachusetts Review<\/em>, March 17, 2023.<\/li>\n\n\n\n<li>Beers for Burns Night (poem parody). <em>Massachusetts Review<\/em>, January 25, 2023.<\/li>\n\n\n\n<li>Double-Digit 6-Pack: A Holiday Brew Review (limericks). Massachusetts Review, December 21, 2022.<\/li>\n\n\n\n<li>More than M\u00e4rzen: Limericks on German Beers (limericks). <em>Massachusetts Review<\/em>, October 26, 2022.<\/li>\n\n\n\n<li>Back2School Brews (limericks). <em>Massachusetts Review<\/em>, September 6, 2022.<\/li>\n\n\n\n<li>Florida Beach 4-Pack #2 (limericks). <em>Massachusetts Review<\/em>,\u00a0 July 8, 2022.<\/li>\n\n\n\n<li>Florida Beach 4-Pack #1 (limericks). <em>Massachusetts Review,<\/em> April 10, 2022.<\/li>\n\n\n\n<li>A Valentine&#8217;s Brewquet (limericks). <em>Massachusetts Review<\/em>, February 14, 2022.<\/li>\n\n\n\n<li>The Beers Before New Year&#8217;s (poem parody).\u00a0<em>Massachusetts Review<\/em>.\u00a0December 16, 2021.<\/li>\n\n\n\n<li>M\u00e4rzen Madness and Florida Festbier (limericks).\u00a0<em>Massachusetts Review<\/em>.\u00a0October 19, 2021.<\/li>\n\n\n\n<li>Limericks for the Beers of Summer. <em>Massachusetts Review<\/em>. May 31, 2021.<\/li>\n\n\n\n<li>Op-Ed, (The Spring HyFlex Plan Limericks).\u00a0<em>Independent Florida Alligator<\/em>. Nov. 16, 2020.<\/li>\n\n\n\n<li><a href=\"https:\/\/mina-loy.com\/endehorsgarde\/3832\/\">En Dehors Garde Limericks for Stevie Smith.<\/a> (collage with limericks, drawing, buttons, puzzle pieces). Mina Loy: Navigating the Avant-Garde\u00a0posted September 2018.\n<ul class=\"wp-block-list\">\n<li>Featured in &#8220;<a href=\"https:\/\/modernismmodernity.org\/forums\/posts\/handiwork\">Handiwork: Mina Loy, Collage, and the En Dehors Garde<\/a>&#8221; (Suzanne W. Churchill, Linda Kinnahan, and Susan Rosenbaum). Modernism\/modernity Print+ Visualities blog. October 21, 2020.<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Back to Basics: Whitman&#8217;s Brew du Monde (prose). <em>Massachusetts Review<\/em>. July 2, 2020.<\/li>\n\n\n\n<li>Homebound on Whitman&#8217;s Open Road (prose). <em>Massachusetts Review<\/em> online. April 20, 2020.<\/li>\n\n\n\n<li>Brew the Locomotion for Whitman&#8217;s Marvelous Machine (prose).\u00a0<em>Massachusetts Review<\/em>. January 2, 2020.<\/li>\n\n\n\n<li>Bells for Whitman&#8217;s Captain (prose).\u00a0<em>Massachusetts Review<\/em>. October 29, 2019.<\/li>\n\n\n\n<li>Liquid Whitman (prose). <em>Massachusetts Review<\/em>. July 4, 2019.<\/li>\n\n\n\n<li>&#8220;<a href=\"https:\/\/theconversation.com\/from-slag-to-swag-the-story-of-earl-tuppers-fantastic-plastics-100564\">From Slag to Swag:<\/a> The Story of Earl Tupper&#8217;s Fantastic Plastics.&#8221; <em>The Conversation<\/em>. August 14, 2018.<\/li>\n\n\n\n<li>(with PostPunk Collective) &#8220;inFESTation,&#8221; <a href=\"https:\/\/www.punknews.org\/article\/62381\/editorial-infestation-part-1\">Parts 1<\/a> &amp; <a href=\"https:\/\/www.punknews.org\/article\/62383\/editorial-infestation-part-2\">2<\/a>\u00a0(Editorials). punknews.org. November 11 &amp; 12, 2016.<\/li>\n\n\n\n<li>Marsha Bryant and Mary Ann Eaverly. <a href=\"https:\/\/modernismmodernity.org\/forums\/posts\/collaboration-or-she-do-blog-different-voices\">&#8220;The BFF Guide to Interdisciplinary Collaboration&#8221;<\/a> in <em>Modernism\/modernity Print+<\/em> blog &#8220;On Collaboration&#8221; by Lesley Wheeler. July 2016.<\/li>\n\n\n\n<li><a href=\"http:\/\/mikechasar.blogspot.com\/2014\/02\/poems-exploding-like-bombs-casagrande.html\">Poems Exploding Like Bombs<\/a>: Casagrande and Poetry&#8217;s Public Spheres.&#8221; <em>Poetry &amp; Popular Culture<\/em> blog. February 21, 2014.<\/li>\n\n\n\n<li>Rev. of <em>The Oxford Companion to Beer<\/em>: &#8220;<a href=\"https:\/\/www.massreview.org\/blog\/oktoberfest-library\">Oktoberfest Library: A Review-in-Limericks<\/a>.&#8221;<em> Massachusetts Review<\/em>\u00a0(October 2013):\u00a0<a href=\"http:\/\/www.massreview.org\/blog\/oktoberfest-library\">http:\/\/www.massreview.org\/blog\/oktoberfest-library<\/a>.<\/li>\n\n\n\n<li>&#8220;How the New NHL Looks to a Soccer Mom (And Why You Should Care).&#8221;\u00a0<em>The Hockey News<\/em>\u00a0(February 2007), online edition.<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\">MB Blog Posts<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/people.clas.ufl.edu\/mbryant\/category\/blog\/\">https:\/\/people.clas.ufl.edu\/mbryant\/category\/blog\/<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Refereed Conference Papers<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li><span style=\"background-color: transparent;font-size: 13px\">\u201cFlora Fl\u00e2neuse:<\/span><em style=\"background-color: transparent;font-family: sans-serif;font-size: 13px;font-weight: 400\">Tanka<\/em><span style=\"background-color: transparent;font-family: sans-serif;font-size: 13px;font-style: normal;font-weight: 400\">\u00a0Trekking in Harryette Mullen\u2019s\u00a0<\/span><em style=\"background-color: transparent;font-family: sans-serif;font-size: 13px;font-weight: 400\">Urban Tumbleweed.&#8221; <\/em>Traces &amp; Places: Climactic Spaces, Changing Environments. International Association for the Study of Environment, Space, and Place (Jacksonville, Florida), April 2025. (Organizer for Edge Spaces panel).<\/li>\n\n\n\n<li>&#8220;Midcentury Crossings in the Anglo-American Long Poem.&#8221; 1940s Seminar. Modernist Studies Association (Chicago, IL), November 2024.<\/li>\n\n\n\n<li><span style=\"background-color: transparent;font-size: 13px\">&#8220;Modernist Streets, Personal Trash Piles &amp; American Poetry.&#8221;\u00a0 Modernist Studies Association (Brooklyn NY), October 2023.<\/span><\/li>\n\n\n\n<li>Plastic Modernisms roundtable leader. Modernist Studies Association (Toronto, Canada), October 2019.<\/li>\n\n\n\n<li>&#8220;#SSF&#8221; &#8211; The Legacies of Susan Stanford Friedman Roundtable.\u00a0Modernist Studies Association (Toronto, Canada), October 2019.<\/li>\n\n\n\n<li>&#8220;Architextures: New Pedagogies for Modernist Studies.&#8221; Modern Architecture and Narrative seminar. Modernist Studies Association (Columbus, OH), November 2018.<\/li>\n\n\n\n<li><a href=\"https:\/\/osf.io\/saf39\/\">&#8220;The Cultures of Materials Science Engineering: Bridging Literacies in the STEM Classroom<\/a>&#8221; (with Mary Ann Eaverly). Humanities for STEM: Using Archives to Bridge the Two Cultures Divide (NYU MetroTech Center). April 6, 2018.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cCinepoetic Spaces of Conflict: Staging Myth through Visual Culture.\u201d The Politics of Space and the Humanities International Conference. Aristotle University (Thessaloniki, Greece) 15-17 December, 2017.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Organizer and roundtable chair, &#8220;Multimodal Texts and Collaborative Pedagogy: Teaching <em>Persepolis<\/em>.&#8221; LIT 2.0 Collective. &#8220;UWP Conference: Pedagogy, Practice and Philosophy&#8221; (Gainesville, FL), January 2018.<\/li>\n\n\n\n<li>Organizer and roundtable chair, &#8220;Oh, the Places Modernist Studies Will Go!&#8221; Modernist Studies Association (Pasadena, CA). November 2016.<\/li>\n\n\n\n<li>&#8220;Mythic Migrations: Ange Mlinko and the Modernist Imagination&#8221; (with Mary Ann Eaverly). Portals, Gates: The Classics in Modernist Translation.\u00a0McGill University (Montr\u00e9al, Canada). April 29-May 1, 2016.<\/li>\n\n\n\n<li>&#8220;The Fabrics of the Man: Cleanth Brooks,\u00a0<em>Gentry\u00a0<\/em>Magazine, and Postwar Style.&#8221; Modernist Studies Association (Boston, MA), November 2015.<\/li>\n\n\n\n<li>&#8220;Why Women&#8217;s Poetry Now: The View from 1973.&#8221; Modernist Studies Association (Pittsburgh, PA), November 2014.<\/li>\n\n\n\n<li>\u201c<em>Gentry<\/em>, the New Criticism, and the Aesthetics of Postwar American Masculinity.\u201d Marxist Reading Group Conference (Gainesville, FL), March 2014.<\/li>\n\n\n\n<li>&#8220;Queen Bees: Edith Sitwell and Sylvia Plath.&#8221; Modernist Studies Association (Brighton, UK), August 2013.<\/li>\n\n\n\n<li>&#8220;Camp Modernism&#8221; (Roundtable organizer\/co-moderator). Modernist Studies Association (Las Vegas, NV), November 2012.<\/li>\n\n\n\n<li>\u00a0\u201cExcavating H.D.\u2019s Egypt in the Classroom.\u201d Modern Language Association (Seattle, WA), January 2012.<\/li>\n\n\n\n<li>Panelist and Organizer of Roundtable \u201cRethinking Poetic Innovation.\u201d Modernist Studies Association (Buffalo, NY), October 2011.<\/li>\n\n\n\n<li>\u201cThe American Sitwell.\u201d Sitwelliana Symposium (Birmingham, U.K.), September 2011.<\/li>\n\n\n\n<li>\u201cCinemaScope Poetics: H.D., Helen, and Epic Film.\u201d Louisville Conference on Literature and Culture since 1900 (Louisville KY), March 2011.<\/li>\n\n\n\n<li>\u201cH.D. in CinemaScope.\u201d Modernist Studies Association (Victoria, Canada), November 2010.<br><br>Invited seminar participant, \u201cModernism and the Scene of the Archive,\u201d Modernist Studies Association (Victoria, Canada), November 2010.<\/li>\n\n\n\n<li>\u201cEveryday\u00a0<em>Ariel,<\/em>\u00a0Household Mythologies.\u201d Lifting Belly High: Women&#8217;s Poetry since 1900. (Pittsburgh PA), September 2008.<\/li>\n\n\n\n<li>Seminar Co-Leader, \u201cModernisms in the 1950s,\u201d and Panelist for Forum on Teaching Innovation, Modernist Studies Association (Long Beach CA), November 2007.<\/li>\n\n\n\n<li>\u201cLyric Killers: Ai\u2019s Monologues of Male Violence.\u201d Black Cultural Interventions into Gender and Sexuality Conference, University of Florida, March 2007.<\/li>\n\n\n\n<li>\u201cSounding Sitwell, Sounding Modernism.\u201d Modernist Studies Association (Tulsa OK), October 2006.<\/li>\n\n\n\n<li>\u201cH.D.&#8217;s Egypto-Modernism and James Henry Breasted&#8217;s New Past,\u201d co-authored with Mary Ann Eaverly. Modernist Studies Association (Chicago, IL), November 2005.<\/li>\n\n\n\n<li>\u201cThe I&#8217;s Have It? The Problem of Dramatic Monologue in Contemporary Women&#8217;s Poetry.\u201d Modernist Studies Association (Chicago, IL), November 2005.<\/li>\n\n\n\n<li>\u201cReading Stevie Smith\u2019s Image-Text ,\u201d Society for Textual Scholarship conference (New York, NY), March 2005.<\/li>\n\n\n\n<li>\u201cEdith Sitwell as Modernist Icon: The Beaton Photographs.\u201d Modernist Studies Association (Vancouver, Canada), October 2004.<\/li>\n\n\n\n<li>\u201cClassical Tourism in Debora Greger\u2019s Poetry,\u201d with Mary Ann Eaverly and Debora Greger. Center for Women\u2019s Studies and Gender Research, U. of Florida, October 2004.<\/li>\n\n\n\n<li>Respondent, \u201cModernism\u2019s Traffic in Urban Women.\u201d Cities of Women: The Filmic Portrayal of Urban Female Struggles. U. of Florida, December 2003.<\/li>\n\n\n\n<li>Cross-Atlantic Roundtable Participant. \u201cThe Auden Generation, Reconfigured.\u201d Modernist Studies Association (Birmingham, U.K.), Oct. 2003.<\/li>\n\n\n\n<li>\u201cStevie Smith and the Children\u2019s Culture Concept.\u201d Modernist Studies Association (Birmingham, U.K.), Oct. 2003.<\/li>\n\n\n\n<li>\u201cUneasy Alliances: Brooks,\u00a0<em>Ebony<\/em>, and Postwar Race Relations.\u201d Modernist Studies Association (Madison, WI), \u00a0Nov. 2002.<\/li>\n\n\n\n<li>\u201cEdith Sitwell: Emblem of Modernism.\u201d Modernist Studies Association (Houston, TX), Oct. 2001<\/li>\n\n\n\n<li>\u201cModernist\u00a0<em>mise en page<\/em>: Stevie Smith and Children\u2019s Literature.\u201d Modernist Studies Association (Houston, TX), Oct. 2001<\/li>\n\n\n\n<li>\u201cPlath, Advertising, and the Domestic Surreal.\u201d Marxist Reading Group Conference (Gainesville, FL), March 2001.<\/li>\n\n\n\n<li>\u201cEdith Sitwell\u2019s Facades of Empire: Performance, Race, Nation.\u201d Modernist Studies Association (Philadelphia, PA), Oct. 2000.<\/li>\n\n\n\n<li>\u201cPersephone in Florida: Greek Myth in Debora Greger\u2019s Poems\u201d (with Mary Ann Eaverly). 20th Anniversary Symposium of the Center for Greek Studies at the University of Florida. (Gainesville, FL), February 2000.<\/li>\n\n\n\n<li>\u201cTeaching Myth through Modern Poetry\u201d (With Mary Ann Eaverly, Helen Sword, and Cynthia Bannon). American Women and Classical Myths (College Park, MD), Sept. 1999.<\/li>\n\n\n\n<li>\u201cExcavating H.D.\u2019s Egypt in\u00a0<em>Palimpsest<\/em>\u00a0and\u00a0<em>The Walls Do Not Fall<\/em>\u201d (with Mary Ann Eaverly). American Literature Association (San Diego, CA), May 1998.<\/li>\n\n\n\n<li>\u201cAfro-Centric Archaeology in H.D.\u2019s The Walls Do Not Fall\u201d (with Mary Ann Eaverly). Southeast Women\u2019s Studies Association (Gainesville, FL), March 1998.<\/li>\n\n\n\n<li>\u201cAlternative Masculinities in 1930s Industrial Britain.\u201d Modern Language Association (Washington, D.C.), December 1996.<\/li>\n\n\n\n<li>\u201cInterpretive Fictions: Reading Photographs and Literature.\u201d Modern Language Association (San Diego, CA), December 1994.<\/li>\n\n\n\n<li>\u201c\u2018Splendid Men\u2019 of the Black Country: Documentary, Masculinity, and Industrial Britain in the 1930s.\u201d 19th Conference on Literature and Film. Florida State University, January 1994.<\/li>\n\n\n\n<li>\u201cCasting Shadows: Auden, Photography, and Documentary.\u201d Cultural Studies in the 1990s Conference, University of Oklahoma, October 1990.<\/li>\n\n\n\n<li>\u201cNotes Toward a Supreme War Poem: Auden&#8217;s\u00a0<em>Spain<\/em>\u00a0and Cultural Memory.\u201d Modern Language Association (Washington, D.C.), December 1989.<\/li>\n\n\n\n<li>\u201c\u2018Selected Images\u2019 and \u2018Gardened Words.\u2019\u201d Midwest Modern Language Association (Minneapolis, MN), November 1989.<\/li>\n\n\n\n<li>\u201cFantasy as Counter-Narrative: The Subversive Text of Joyce&#8217;s<em>\u00a0Dubliners<\/em>.\u201d James Joyce Conference (Philadelphia, PA), June 1989.<\/li>\n\n\n\n<li>\u201cA War of One&#8217;s Own: Auden&#8217;s Photographic Vision in\u00a0<em>Journey to a War<\/em>.\u201d Modern Language Association (New Orleans, LA), December 1988.<\/li>\n\n\n\n<li>\u201cAuden\u2019s Reluctant \u2018I\u2019 in the Early Love Poems.\u201d Midwest Modern Language Association (Columbus, OH), November 1987.<\/li>\n\n\n\n<li>\u201c\u2018I walk among them taking photographs\u2019: Auden&#8217;s Documentary Vision in\u00a0<em>Letters from Iceland<\/em>.\u201d 12th Annual Colloquium on Literature and Film. West Virginia University, October 1987.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Public&nbsp;Talks<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>&#8220;&#8216;Broke and Healed&#8217;: An Antiphonal Meditation,&#8221; with Mitchell Stecker (spoken word and musical performance featuring poems by Gerard Manley Hopkins and Anne Sexton). Episcopal Chapel of the Incarnation on campus. Gainesville FL, March 2017.<\/li>\n\n\n\n<li>&#8220;London Calling: Poetry and Popular Music in the Modernist City.&#8221; (Gallery talk and musical performance). Harn Museum of Art, June 2015.<\/li>\n\n\n\n<li>&#8220;Mighty Aphrodites: Classical Convergences in Art and Poetry&#8221; (with Mary Ann Eaverly). Harn Museum of Art, March 2015.<\/li>\n\n\n\n<li>&#8220;Three Modes of Maya Angelou: The Groove, The Grit, The Gravitas.&#8221; Oak Hammock at the University of Florida, June 2014.<\/li>\n\n\n\n<li>&#8220;From Siouxsie Sioux to Suzie Bonebreaker: Femininity on the Edge.&#8221; Talk-back for the film <em>The Punk Singer<\/em>. Hippodrome State Theatre, January 2014.<\/li>\n\n\n\n<li>&#8220;Sylvia Plath and the Dream Kitchen.&#8221; National Poetry Month event. Alachua County Headquarters Library, April 2013.<\/li>\n\n\n\n<li>Symposium Panelist, &#8220;The Feminine Mystique\u00a0at Fifty: 1963-2013.&#8221;\u00a0 UF Center for Women&#8217;s Studies and Gender Research, \u00a0March 2013.<\/li>\n\n\n\n<li>\u201cEveryday Ariel: Sylvia Plath and Domesticity.\u201d Reinventing Domesticity Forum. UF Center for Women\u2019s Studies and Gender Research, November, 2011.<\/li>\n\n\n\n<li>\u201cPlath and the Discourse of Postwar Domesticity,\u201d UF English Majors club, February 2007.<\/li>\n\n\n\n<li>Literary Connections: Marsden Hartley, American Modern. Harn Museum of Art, November 2006.<\/li>\n\n\n\n<li>\u201cCelebrate National Poetry Month,\u201d Talbot Elementary School, April 2004.<\/li>\n\n\n\n<li>\u201cCelebrate National Poetry Month,\u201d Flowers Montessori School, April 2003.<\/li>\n\n\n\n<li>\u201cWhat is Poetry?\u201d Holy Trinity Child Caring Center. March 2000 &amp; 2001.<\/li>\n\n\n\n<li>\u201cSylvia Plath and the 1950s Kitchen,\u201d Jewish Newcomers Club, April 2000.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">UF Courses Taught<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1950s Domesticity and UF Life (GenEd Quest 1)<\/li>\n\n\n\n<li>American City Poems<\/li>\n\n\n\n<li>American Women&#8217;s Poetry<\/li>\n\n\n\n<li>CinePoetics<\/li>\n\n\n\n<li>Classical Tourism in Paris (team-taught with Mary Ann Eaverly for UF\u2019s Paris Research Center)<\/li>\n\n\n\n<li>Confessional Poetry\/Confessional Culture<\/li>\n\n\n\n<li>Desperate Domesticity: The American 1950s<\/li>\n\n\n\n<li>Documentary Books<\/li>\n\n\n\n<li>Film Analysis<\/li>\n\n\n\n<li>H.D. and Modernist Studies<\/li>\n\n\n\n<li>Introduction to Poetry<\/li>\n\n\n\n<li>Literature &amp; Photography<\/li>\n\n\n\n<li>Literature &amp; Social Consciousness\u00a0in the 1930s<\/li>\n\n\n\n<li>Modern American Poetry<\/li>\n\n\n\n<li>Modern American Poetry &amp; Design<\/li>\n\n\n\n<li>Modernist Studies &amp; Pedagogy<\/li>\n\n\n\n<li>Post-Punk Cultures: The British 1980s<\/li>\n\n\n\n<li>Sylvia Plath and Her Cultural Afterlife<\/li>\n\n\n\n<li>Supersized: Modernist Long Poems &amp; Epic Films<\/li>\n\n\n\n<li>Twentieth-Century British Poetry<\/li>\n\n\n\n<li>Women\u2019s Poetry<\/li>\n\n\n\n<li>Women Writers &amp; Classical Myths (team-taught with Mary Ann Eaverly for CHPS and Honors College)<\/li>\n\n\n\n<li>Women&#8217;s Writing &amp; Pedagogy<\/li>\n\n\n\n<li>Writing About Literature<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Professional Service<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Associate Editor, <em>Contemporary Women&#8217;s Writing<\/em>. 2002-2013.<\/li>\n\n\n\n<li>Specialist reader for the scholarly journals\u00a0<em>PMLA, Contemporary Women&#8217;s Writing, Mournal of Cultural Research, Mosaic<\/em>,\u00a0<em>Tulsa Studies in Women\u2019s Literature<\/em>,\u00a0<em>Twentieth Century Literature<\/em>, and\u00a0<em>College Literature<\/em>.<\/li>\n\n\n\n<li>Specialist reader for Ashgate Press, University Press of Florida, University of Minnesota Press, Palgrave Macmillan, Routledge Press, University of Toronto Press.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Ph.D. Candidate Dissertations &amp; Positions<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Elizabeth Lambert, &#8220;Marcel Proust, Architecture, and the Modernist Spatial Imaginary.&#8221; 2023.\u00a0 Institute of Contemporary Art, Boston. Marketing Communications Specialist, Tulane University.<\/li>\n\n\n\n<li>Jacqueline Schnieber. &#8220;The Modernist (Con) Artist and the Hoaxes that Transformed German and American Novels.&#8221; 2023. Lecturer, University of Hildesheim, Germany.<\/li>\n\n\n\n<li>Carolyn Bradley, \u201cJohn O\u2019Brien\u2019s <em style=\"background-color: transparent\">The Review of Contemporary Fiction<\/em><span style=\"background-color: transparent\">: A Love Letter,\u201d 2018. Proposal Development and Funding Specialist. Office of Research Development, Florida State University.<\/span><\/li>\n\n\n\n<li>Rob Short, &#8220;Big Books: Addiction and Recovery in the Novels of David Foster Wallace,&#8221; co-directed with Trysh Travis. 2017. IT Consultant and President of the International David Foster Wallace Society.<\/li>\n\n\n\n<li>Andrea Krafft, &#8220;The Domestic Fantastic: Postwar American Fiction from Bradbury to Plath,&#8221; 2015. Instructional Designer and Trainer,\u00a0Tokio\u00a0Marine Stop Loss Group.\u00a0(Formerly Assistant Professor of Writing &amp; Communication, Abraham Baldwin Agricultural College, GA.)<\/li>\n\n\n\n<li>Emily McCann, \u201cGothic Futures: Modernist Gothic, Women\u2019s Modernism,\u201d 2014. Northern Regional Bargaining and Advocacy Specialist, Florida Education Association. UniServ Consultant, Oregon Education Association.<\/li>\n\n\n\n<li>Megan Leroy, \u201cRedefining Domesticity: Women&#8217;s Poetry in Twentieth-Century America,\u201d 2014.\u00a0 Director of Teaching &amp; Learning Center, Warrington College of Business,\u00a0UF.<\/li>\n\n\n\n<li>Cortney Grubbs McLeod, \u201cConfessing Captivity: Queer Narratives of Trauma by American Women Writers,\u201d 2010.\u00a0 \u00a0Assistant Professor of English at Gordon State College, GA.<\/li>\n\n\n\n<li>James McDougall, \u201cThe Incorporation of Chinese Literature into Modern American Poetry,\u201d 2007.\u00a0 Associate Professor at Sichuan University, China.<\/li>\n\n\n\n<li>Jill Pruett, \u201cAutobiography and the Business of Being Modern: Gertrude Stein, Josephine Baker, Sylvia Beach, and Elsa Schiaparelli in Paris,\u201d 2007.\u00a0 Assistant Teaching Professor at the U. of Massachusetts-Lowell.<\/li>\n\n\n\n<li>Kirsten Bartholomew Ortega, \u201cThe Poet Fl\u00e2neuse in the American City: Gwendolyn Brooks, Adrienne Rich, Diane DiPrima, Audre Lorde,\u201d 2006.\u00a0 Associate Professor &amp; Chair of English at the University of Colorado at Colorado Springs.<\/li>\n\n\n\n<li>Glenn Freeman, \u201cLyric Voice and American Individualism,\u201d 2005.\u00a0 Professor of English &amp; Director of MFA Program at Cornell College, Iowa.<\/li>\n\n\n\n<li>John Smith, \u201cMen of the Cold War: Warrior Ethos and Domesticity in 1950s America,\u201d 2002.\u00a0 Ret. faculty of the U.S. Military Academy at West Point.<\/li>\n\n\n\n<li>Steve Spence, \u201cPhotographic Culture and the American Thirties,\u201d 1999.\u00a0 Professor of Media Studies at Clayton State University,\u00a0Georgia\u00a0.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Department &amp; University Service<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Harn Museum Director Search Committee, 2018.<\/li>\n\n\n\n<li>Academy of Distinguished Teaching Scholars, 2014 &#8211;<\/li>\n\n\n\n<li>University Cultural Plaza Advisory Committee, 2011-<\/li>\n\n\n\n<li>Judge, Words on Canvas student writing competition (Harn Museum), 2023.<\/li>\n\n\n\n<li>CLAS Humanities Scholarship Enhancement Grant Selection Committee, 2013, 2008.<\/li>\n\n\n\n<li>Department Graduate Studies Committee (Placement), 2012 &#8211;<\/li>\n\n\n\n<li>Department Council (elected), 2014-, 2003-2005, 2000-2001.<\/li>\n\n\n\n<li>Department Merit Pay Committee, 2011-13.<\/li>\n\n\n\n<li>Grant Workshop presenter and reader, UF Center for Humanities and the Public Sphere, 2011.<\/li>\n\n\n\n<li>Department Curriculum Committee, 2009-2010.<\/li>\n\n\n\n<li>Judge, UF Woman Leader of the Year (Women\u2019s Leadership Council), 2009, 2007.<\/li>\n\n\n\n<li>Department Tenure &amp; Promotion Committee (elected): 2005-2007.<\/li>\n\n\n\n<li>Department Graduate Studies Committee (Admissions): 1998-2000, 2003-2006.<\/li>\n\n\n\n<li>CLAS Research Advisory Committee, 2003.<\/li>\n\n\n\n<li>CLAS Assembly Steering Committee, 2003-2004.<\/li>\n\n\n\n<li>Chair, Department Speakers Committee, 2000-2002.<\/li>\n\n\n\n<li>Department Hiring Committee, 2004, 1999, 1997.<\/li>\n\n\n\n<li>Phi Beta Kappa Selection Committee, 2000-2002.<\/li>\n\n\n\n<li>University Committee on Teacher Education, 1999-2002.<\/li>\n\n\n\n<li>Department General Education Committee, 1994-97.<\/li>\n\n\n\n<li>Department Chair Search Committee for English (elected), 1994.<\/li>\n\n\n\n<li>University Teaching Improvement Program (TIP) Advisory Committee, 1994.<\/li>\n\n\n\n<li>University Teaching Improvement Design Committee, 1992.<\/li>\n\n\n\n<li>CLAS Teaching Awards Selection Committee, 1992.<\/li>\n\n\n\n<li>Department Merit Pay Committee (elected), 1990-91, 1991-92, 1993-94, 2024-2025.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Professional Memberships<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Modernist Studies Association<\/li>\n\n\n\n<li>Modern Language Association<\/li>\n\n\n\n<li>H.D. International Society<\/li>\n\n\n\n<li>W. H. Auden Society<\/li>\n<\/ul>\n<\/div><\/div><\/div><\/section>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":273,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-25","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/pages\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/users\/273"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":10,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":4314,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/pages\/25\/revisions\/4314"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}