{"id":985,"date":"2015-10-16T16:59:01","date_gmt":"2015-10-16T20:59:01","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/mbryant\/?p=985"},"modified":"2026-03-19T08:14:30","modified_gmt":"2026-03-19T12:14:30","slug":"how-the-west-was-wilde","status":"publish","type":"post","link":"https:\/\/people.clas.ufl.edu\/mbryant\/2015\/10\/16\/how-the-west-was-wilde\/","title":{"rendered":"How the West Was Wilde"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">How the West Was Wilde<\/h1>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"207\" src=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/WildeWestPaladin-300x207.jpg\" alt=\"WildeWestPaladin\" class=\"wp-image-987\" srcset=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/WildeWestPaladin-300x207.jpg 300w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/WildeWestPaladin-305x210.jpg 305w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/WildeWestPaladin.jpg 618w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/mbryant\/files\/WildeWestPaladin.jpg&#8221; rel=&#8221;attachment wp-att-987&#8243;&gt;&lt;\/a&gt; Have Gun &#8211; Will Travel\u00a0scene: the Wilde West<\/figcaption><\/figure>\n\n\n\n<p>Today is Oscar Wilde&#8217;s birthday, and my American tribute marks the occasion by revisiting the high style Wilde brought to the frontiers\u00a0of the television Western and men&#8217;s fashion magazines in the 1950s. (I teach\u00a0a course on the American 1950s.) Wilde&#8217;s\u00a01<a href=\"http:\/\/www.oscarwildeinamerica.org\/lectures-1882\/\">882 lecture tour <\/a>of the United States made him an indelible figure in the national imagination, reappearing when and where we least expect him. This Wilde Effect highlights a\u00a0wider range\u00a0of American masculinities than the era&#8217;s suburban Breadwinner and <a href=\"http:\/\/www.upenn.edu\/pennpress\/book\/13785.html\">Organization Man<\/a>.<\/p>\n\n\n\n\n\n\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"171\" src=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/OscarPaladinSidebySide-300x171.jpg\" alt=\"OscarPaladinSidebySide\" class=\"wp-image-996\" srcset=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/OscarPaladinSidebySide-300x171.jpg 300w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/OscarPaladinSidebySide-369x210.jpg 369w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/OscarPaladinSidebySide.jpg 709w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/mbryant\/files\/OscarPaladinSidebySide.jpg&#8221; rel=&#8221;attachment wp-att-996&#8243;&gt;&lt;\/a&gt; Oscar Wilde and Paladin in dandy dress<\/figcaption><\/figure>\n\n\n\n<p><strong>The Ballad of Oscar Wilde<br>\n<\/strong><strong><br>\n<\/strong>What&#8217;s a Dandy like Oscar Wilde doing in an American TV Western in 1958? &#8220;The Ballad of Oscar Wilde&#8221; was the 12th episode of\u00a0<em>Have Gun &#8211; Will Travel<\/em> (season 2), starring Richard Boone as the gentlemanly hired gun, Paladin. With the official closing of the American frontier in 1890, Westerns had room to roam across the Atlantic as well as the 19th century. A highly literate chess master who resides in San Francisco&#8217;s Hotel Carlton, Paladin dons fancy suits for civilized pursuits and the requisite black attire when he is working. This episode opens with a poster for Wilde&#8217;s lecture &#8220;The American Barbarian,&#8221; which Paladin notices is Sold Out. I won&#8217;t spoil the plot, but I&#8217;ll say that it involves Oscar Wilde, some crooks, a ransom, the Civic Cultural Society in San Diego, and Paladin&#8217;s recitations of Wilde witticisms (you can watch the episode <a href=\"https:\/\/youtu.be\/lXToHCfJcEE\">here<\/a>). In fact, Paladin pre-cites an aphorism the Victorian dandy hasn&#8217;t written yet: &#8220;The only way to get rid of a temptation is to yield to it.&#8221;<\/p>\n\n\n\n\n\n<p><strong>Wilde Strains and Uncommon Sense<\/strong><\/p>\n\n\n\n\n\n<p>Two years earlier,\u00a0<em><a href=\"http:\/\/tweedlandthegentlemansclub.blogspot.com\/2012\/05\/gentry-man-guide-for-civilized-male.html\">Gentry<\/a>\u00a0<\/em>(an upscale men&#8217;s style magazine) published its 20th issue. A\u00a0mash-up of literature and luxury, museums and manors, shopping and fashion, &#8220;America&#8217;s fabulous magazine for men&#8221; offered its gentleman readers essential elements of refined living. This particular issue ushers in\u00a0the Wilde West\u00a0through two pieces appearing in proximity: an excerpt from Paul Horgan&#8217;s Pulitzer prize-winning epic <em>Great River: The Rio Grande in American History<\/em> (1955), and a cleverly-designed series of excerpts from Wilde himself. The editors promise readers that Horgan&#8217;s excerpt (&#8220;A Wild Strain&#8221;) will be &#8220;wilder than Hollywood&#8217;s wildest western.&#8221; In &#8220;An Alphabet of Uncommon Sense,&#8221; the editors offer 26 witty Wilde quotations, including delicious digs at American culture and sensibility.\u00a0Like Paladin, the editors relish Wilde&#8217;s language of paradox: &#8220;The Soul is born old, but it grows young; that is the comedy of life. The Body is born young and grows old; that is Life&#8217;s tragedy.&#8221; There is a Wilde Strain in the issue&#8217;s\u00a0feature on Thomas Eakins and his\u00a0images of young\u00a0men. Indeed, there is a Wilde Strain\u00a0in the fashion portfolios that graced each issue, including these sumptuous suitings from the Age of Elegance issue (Fall 1955):<\/p>\n\n\n\n<figure class=\"wp-block-image size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"212\" src=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/IMG_0846-300x212.jpg\" alt=\"Formal Elegance and At-Home Elegance, 1955\" class=\"wp-image-992\" srcset=\"https:\/\/people.clas.ufl.edu\/mbryant\/files\/IMG_0846-300x212.jpg 300w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/IMG_0846-1024x724.jpg 1024w, https:\/\/people.clas.ufl.edu\/mbryant\/files\/IMG_0846-297x210.jpg 297w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">&lt;a href=&#8221;https:\/\/people.clas.ufl.edu\/mbryant\/files\/IMG_0846.jpg&#8221; rel=&#8221;attachment wp-att-992&#8243;&gt;&lt;\/a&gt; Formal Elegance and At-Home Elegance, 1955<\/figcaption><\/figure>\n\n\n\n<p>The fashion editor highlights the Host coat&#8217;s red velvet fabric with black bengaline lapels and cuffs, luxuriously complementing the black bengaline trousers with red velvet striping. Surely Oscar Wilde would have coveted such splendid\u00a0attire for hosting his dinner parties.<\/p>\n\n\n\n\n\n<p>The Wilde Effect made the American 1950s\u00a0more fabulous. It brought sartorial\u00a0splendor to popular culture, eschewing\u00a0the Western hero&#8217;s chaps and denims, embellishing Organization Man&#8217;s gray flannels suits. So why not take a walk on the Wilde side to celebrate his\u00a0161st birthday? Remember to dress as you will, and to wear it well. \u00a0&#8211;MB<\/p>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":273,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"featured_post":"off","footnotes":"","_links_to":"","_links_to_target":""},"categories":[1],"tags":[73,72,71],"class_list":["post-985","post","type-post","status-publish","format-standard","hentry","category-blog","tag-gentry-magazine","tag-have-gun-will-travel","tag-oscar-wilde"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/posts\/985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/users\/273"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/comments?post=985"}],"version-history":[{"count":10,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/posts\/985\/revisions"}],"predecessor-version":[{"id":4262,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/posts\/985\/revisions\/4262"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/media?parent=985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/categories?post=985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/mbryant\/wp-json\/wp\/v2\/tags?post=985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}