{"id":19,"date":"2012-09-05T11:22:25","date_gmt":"2012-09-05T15:22:25","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/template\/?page_id=19"},"modified":"2026-03-20T17:14:45","modified_gmt":"2026-03-20T21:14:45","slug":"publications","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n
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Books:<\/h2>\n\n\n\n

First _Chico Buarque_.<\/em> New York\/London: Bloomsbury Academic, 2022. Brazil 33 1\/3 series. 140 pp.<\/h3>\n\n\n\n
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Brazil, Lyric, and the Americas.<\/em> Gainesville: University Press of Florida, 2010. Review ellipsis 3.4 (2010). PDF<\/a><\/h3>\n\n\n\n

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Seven Faces: Brazilian Poetry Since Modernism<\/em>. Durham, NC: Duke University Press, 1996. (preface)<\/h3>\n\n\n
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Masters of Contemporary Brazilian Song: MPB 1965-1985<\/em>. Austin: University of Texas Press, 1989. [out of print, check web vendors, or UT press for e-book]<\/h3>\n\n\n
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Letras e Letras (da M\u00fasica Popular Brasileira)<\/em>. Rio de Janeiro: Elo Editora, 1988. *2nd ed. Rio: Booklink, 2008! Edi\u00e7\u00e3o Hist\u00f3rica. 20\u00ba anivers\u00e1rio! Corrigida, com orelha de Augusto de Campos e pref\u00e1cio de Amador Ribeiro Neto. Prefer this edition, discard old one. Free download at academia.edu<\/h3>\n\n\n
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Letras_e_letras_da_MPB-Academia<\/a><\/p>\n\n\n\n

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Books Edited:<\/h2>\n\n\n\n

All Poetry<\/em>, translation of Toda Poesia<\/em> by Paulo Leminski. Trans., ed. and afterword. New London, CT: New London Librarium, 2022. With Ivan Justen Santana (co-trans.) and Alice Ruiz S. (co-ed).<\/h3>\n\n\n\n
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A poesia na era da internacionaliza\u00e7\u00e3o dos saberes: circula\u00e7\u00e3o, tradu\u00e7\u00e3o, ensino e cr\u00edtica no contexto contempor\u00e2neo<\/em>. Co-ed. with Maria L\u00facia Outeiro Fernandes and Paulo Andrade. Editora Acad\u00eamica \/ Editora da UNESP (Araraquara, SP, Brazil), 2016.  Introduction 7-16.  E-book downloadable at UNESP site.<\/p>\n\n\n\n

Brazilian Popular Music and Globalization<\/em><\/a>  Click for multi-page site on this book.  \"\"<\/a><\/strong>
\nContributing co-editor with Christopher J. Dunn. Gainesville, FL:  University Press of Florida, 2001.  Paper edition by Routledge 2002.<\/p>\n\n\n\n

First World Third Class and Other Tales of the Global Mix<\/em>, ed. and co-trans. of Pau de Arara Classe Tur\u00edstica<\/em>, Arca sem No\u00e9:  Hist\u00f3rias do Edif\u00edcio Copan<\/em>, and other stories by <\/a>Regina Rheda<\/a>.  With David Coles, Adria Frizzi and REYoung.  Austin:  University of Texas Press<\/a>  2005.<\/p>\n\n\n\n

Taxi or Poem of Love in Transit<\/em>, translation of T\u00e1xi ou poema do amor passageiro<\/em> by Adriano Esp\u00ednola; edited with critical afterwords  New York: Garland Publishing, 1992.<\/p>\n\n\n\n

\"CB-3-capa\"Cr\u00f4nicas Brasileiras: a Reader<\/em>. Gainesville: University Press of Florida<\/a>, 2014.  With D\u00e1rio Borim Jr. and C\u00e9lia Bianconi. Third revised edition of  Cr\u00f4nicas Brasileiras: Nova Fase<\/em>. Gainesville: University Press of Florida, 1994.  With Richard A. Preto-Rodas and Al Hower.  Second printing 2005. First edition 1971.<\/p>\n\n\n\n

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Selected Chapters, Segments and Articles since 2000<\/h3>\n\n\n\n

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“Of Antennae, Anthems, and Anthologies: Brazilian Poetry of the Twenty-First Century.” In Routledge Companion to Twenty-First Century Latin American Poetry<\/em>, Ben Bollig and Jorge Locane, eds.  London: Routledge, March 2025.<\/p>\n\n\n\n

“Posf\u00e1cio:  Os voos da imagina\u00e7\u00e3o de um trovador ultra-moderno.” Afterword to Claudio Daniel, Cabeza de serpiente emplumada<\/em> (Curitiba: Kotter, 2025).<\/p>\n\n\n\n

“Metr\u00f4<\/em> e a peregrina\u00e7\u00e3o circular & po\u00e9tica pelo mapa-mar urbano.” Foreword to Adriano Esp\u00ednola, Metr\u00f4 ou viagem at\u00e9 a \u00faltima esta\u00e7\u00e3o poss\u00edvel<\/em> (Rio de Janeiro: Editora 7Letras, 2023), 7-10.<\/p>\n\n\n\n

“Jorge Amado e Imagin\u00e1rios Baianos: Uma Hist\u00f3ria Pedag\u00f3gica Inter-Americana.” In III Webin\u00e1rio Estudos Amadianos: 110 Anos de Nascimento de Jorge Amado<\/em>. Ed. Gildeci Oliveira Leite et al. Cachoeira, BA: Portu\u00e1rio Atelier, 2022.  278-86.<\/p>\n\n\n\n

“Pages, Pageants, Portraits, Prospectus: An Austin-atious Remembrance of Haroldo de Campos.” In Transpoetic Exchange:  Haroldo de Campos, Octavio Paz and Other Multiversal Dialogues<\/em>.  Ed. Marilia Librandi, Jamille Pinheiro Dias, Tom Winterbottom. Lewisburg PA: Bucknell U P, 2020.<\/p>\n\n\n\n

\u201cInsularity, Invention, and Interfaces: Brazilian Lyric and Contemporary Imperatives.\u201d In Jill S. Kuhnheim and Melanie Nicholson, eds. Teaching Contemporary Latin American Poetries<\/em> (MLA series Options for Teaching). 2019.<\/p>\n\n\n\n

\u201cPoet of Seven Facets: The Polygonal Imperatives of Carlos Drummond de Andrade.\u201d In Cambridge Companion to Latin American Poetry<\/em>. New York: Cambridge University Press,  2018. \"\"<\/a><\/p>\n\n\n\n

“Bons tons diversos versos:  Ant\u00f4nio Carlos Jobim, parceiros, e a po\u00e9tica da Bossa Nova.” In Luca Bacchini, ed. Maestro soberano. Ensaios sobre Ant\u00f4nio Carlos Jobim<\/em>. Belo Horizonte: Editora UFMG, 2017.<\/p>\n\n\n\n

“Shared Passages: Spanish-American-Brazilian Links in Contemporary Poetry.\u201d In Beyond Tordesillas: Critical Essays in Comparative Luso-Hispanic Studies<\/em>. Robert Patrick Newcomb and Richard A. Gordon, eds. Columbus: OSU Press, 2017.<\/p>\n\n\n\n

\u201cBossa Nova on Balance: Words, Lyrics, Song Texts and Other Oddities of English-language Versions.\u201d In Brazil\u2019s Northern Wave: Bossa Nova Fifty Years After Carnegie Hall<\/em>. Jason Stanyek and Frederick Moehn, eds. New York and Oxford: Oxford University Press, in press.<\/p>\n\n\n\n

\u201cBackland Bards: from Fine Folk Verse to Lofty Lapidary Lyric.\u201d Review: Literature and Arts of the Americas<\/em> 49. 1-2. (2017), 35-42. Plus translations of Marcus Accioly and Patativa do Assar\u00e9.<\/p>\n\n\n\n

\u201cFred Ellison and the State of Luso-Brazilian Studies in the Twenty-first Century.\u201d With Margo Milleret. Introduction to State of the Art cluster in Hispania 99.4 (2016), 524-25.<\/p>\n\n\n\n

\u201cFred Ellison and Inter-American Imperatives.\u201d Hispania<\/em> 99.4 (2016), 526-29.<\/p>\n\n\n\n

\u201cDa titula\u00e7\u00e3o \u00e0 a\u00e7\u00e3o dos t\u00edtulos: o novo livro de Salgado Maranh\u00e3o.\u201d Preface to Salgado Maranh\u00e3o, \u00d3pera de n\u00e3o<\/em>s. Rio de Janeiro: 7Letras, 2015. 7-11.<\/p>\n\n\n\n

“N\u00e3o olhe para tr\u00e1s: mitos, concep\u00e7\u00f5es e recep\u00e7\u00f5es de Orfeu Negro.\u201d In Andr\u00e9 Rocha Haudenschild and Claudio Alano da Cruz, ed. Orfeu do Vinicius & Cia<\/em>. Florian\u00f3polis: Editora da UFSC, 2015, 61-95.<\/p>\n\n\n\n

\u201cO Professor Borges, eu, e estreia(s) vinculada(s).\u201d In Pedro Meira Monteiro, ed. A primeira aula<\/em>. S\u00e3o Paulo: Itau Cultural, 2014. 202-15.  English and Spanish translations on line at Itau Cultural.<\/p>\n\n\n\n

\u201cA for\u00e7a dos elos da \u2018Corrente\u2019.\u201d In Rinaldo Fernandes, ed. Chico Buarque: o Poeta das Mulheres, dos Desvalidos e dos Perseguidos: Ensaios sobre a mulher, o pobre e a repress\u00e3o militar nas can\u00e7\u00f5es de Chico<\/em>.  S\u00e3o Paulo: LeYa, 2013. 91-98.<\/p>\n\n\n\n

\u201cLaudas, Lances, Lendas e Lembran\u00e7as: Haroldo na Austineia Desvairada.\u201d Transluminura<\/em> [e-journal S\u00e3o Paulo] 1 (2013), 41-64.<\/p>\n\n\n\n

\u201cCP-CV-DP: CINCO VARIA\u00c7\u00d5ES SOBRE O TEMA DECIOPIGNATARIANO.\u201d Revista Zun\u00e1i<\/em> 8:26 (March 2013). www.revistazunai.com.<\/p>\n\n\n\n

\u201cDiversidad, determinaci\u00f3n y dedicaci\u00f3n en la poes\u00eda de las peque\u00f1as editoriales de Brasil.\u201d Nerter<\/em> 19-20 (2012), 50-54.<\/p>\n\n\n\n

“Brazil, Poetry of,” “Antropofagia,” in 4th ed. Princeton Encyclopedia of Poetry and Poetics<\/em>. Princeton: Princeton U P, 2012. 160-64, 59-60.<\/p>\n\n\n\n

\u201cCapital Lyric: Poetry and Song in Contemporary Rio de Janeiro and Salvador, Bahia.\u201d Review- Literature and Arts of the Americas<\/em> 83 (2011), 212-22.<\/p>\n\n\n\n

“Paulo Leminski sob a \u00f3tica da po\u00e9tica transamericana.” In A pau a pedra a fogo a pique: dez estudos sobre a obra de Paulo<\/em>
\nLeminski<\/em>. Marcelo Sandmann, ed.  Curitiba: Secretaria de Estado da Cultura do Paran\u00e1. 2010. 32-49.<\/p>\n\n\n\n

“4 x 3 x 2 = Quadrangulating Triangular Pairs: Simultaneous Versions of a Vital Concrete Poem.”  Tradu\u00e7\u00e3o em revista<\/em> [PUC-Rio] On-line. Special issue on Brazilian poetry in translation, 2009.<\/p>\n\n\n\n

“Famished for Form: Haroldo de Campos and the Foundations of Concrete Poetry.”  In Haroldo de Campos: In conversation<\/em>. Ed. Bernard McGuirk & Else R.P. Vieira. London: Zoilus Press, 2009. 34-45.<\/p>\n\n\n\n

“Sorpresas sin fin: revistas de poes\u00eda brasile\u00f1as y l\u00f3gicas culturales 60\/00.” Nerter<\/em> [Islas Canarias] 13-14 (2009), 24-28.<\/p>\n\n\n\n

“Versatile Vanguard Vectors:  from Visible Voices to Virtual Vortices in the Vamps, Versions, and Voyages of Brazilian Concrete Poetry.” and “Harpas farpadas: casos singulares de interlocu\u00e7\u00e3o interamericana.” Graphos<\/em> [UFPB] 10.2-11.1 (2008\/2009).  Pdfs can be downloaded at the site. See the FIGURES here:  VVVimages<\/a>  Also at ubuweb. com (search my name).<\/p>\n\n\n\n

“Bons tons diversos versos:  Ant\u00f4nio Carlos Jobim, parceiros, e a po\u00e9tica da Bossa Nova.” Letterature d’America<\/em> 29.119 (2009), 5-25.<\/p>\n\n\n\n

“Tr\u00eas s\u00e9culos, tr\u00eas Am\u00e9ricas:  irmandades \u00e9picas e imperativos hemisf\u00e9ricos.”  Revista Via Atl\u00e2ntica<\/em> 11 (2009), 153-63.<\/p>\n\n\n\n

“Notas para facilitar a leitura de ‘Meu tio o iauaret\u00ea’.” Hispania<\/em> 91.4 (2008), 766-74.<\/p>\n\n\n\n

“De coYote a oroboro:  las revistas brasile\u00f1as de invenci\u00f3n.” Nerter<\/em> [Islas Canarias]  (2007). E-version at revistazunai.<\/a><\/p>\n\n\n\n

“Do bebop e o Kaos ao Chaos e o triphop:  dois fios ecum\u00eanicos no escopo semimilenar do tropicalismo.” in Nelson Barros da Costa, ed.  O charme dessa na\u00e7\u00e3o (D<\/em>iscurso, cotidiano e pr\u00e1ticas culturais da M\u00fasica Popular Brasileira<\/em>).  Fortaleza:  UFEC-SECULT, 2007. 283-301.<\/p>\n\n\n\n

“ABC of AdeC:  Reading Augusto de Campos.”  Review:  Latin American Literature and Arts 73, Brazilian Writing and Arts (Dec. 2006), 236-44.<\/em><\/p>\n\n\n\n

“A po\u00e9tica da cria\u00e7\u00e3o novo-mundista em Toda a Am\u00e9rica.”  ArtCultura<\/em> [UFMG-Uberl\u00e2ndia] 8.12 (Fall 2006),117-29.<\/p>\n\n\n\n

“O sopro do jazz, o lamento do blues, e a eletricidade do rock na atual poesia brasileira.” Revista iberoamericana<\/em> 173 (2006), 919-32.<\/p>\n\n\n\n

“Dolce Vita:  Sono-graphic Figuration, Tension and Resolution in Onde andar\u00e1 Dulce Veiga?”  Brasil Brazil<\/em> 17.32 (2004), 51-70.<\/p>\n\n\n\n

“Estruturando aprecia\u00e7\u00f5es e leituras transamericanas.”  Foreword to Carlos Alberto Bessa, Poesia ef\u00eamera-Estruturas<\/em>.  Rio de Janeiro:  Especial, 2006.<\/p>\n\n\n\n

“VIVAVAIA Para entender Augusto de Campos VIA EUA.”  In Sobre Augusto de Campos<\/em>.  Ed. Flora Sussekind and J\u00falio Casta\u00f1\u00f3n Guimar\u00e3es.  Rio de Janeiro:  Funda\u00e7\u00e3o Casa de Rui Barbosa \/ 7letras, 2004.  209-18.<\/p>\n\n\n\n

“A travessia da linguagem.” Prosa e verso<\/em> (Jo\u00e3o Guimar\u00e3es Rosa Special), O globo. March 11, 2006. p. 6.<\/p>\n\n\n\n

Review of Haroldo de Campos<\/em>:  A Dialogue with the Brazilian Concrete Poet. Luso Brazilian Review<\/em> 43.1 (Summer 2006). 133-36.<\/p>\n\n\n\n

“Poetry, Brazil. ” In Iberia and the Americas<\/em>:  culture, politics, and history : a multidisciplinary encyclopedia<\/em>.  Ed. J. Michael Francis. (Transatlantic Relations Series).  Santa Barbara: ABC-CLIO, 2006. 846-56.<\/p>\n\n\n\n

\"buarquebook\"“Chico Buarque sob a \u00f3tica internacional.”  In Chico Buarque do Brasil:  textos sobre as can\u00e7\u00f5es, o teatro, e a fic\u00e7\u00e3o de um artista brasileiro<\/em>.  Rio de Janeiro:  Editora Garamond, 2004.  211-28.  With Elizabeth Ginway and Ataide Tartari.<\/p>\n\n\n\n

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“Insular Outreach Moveable Outlook:  Transamerican Currents in Brazilian Lyric.” Ch\u00e1squi<\/em> vol. 33, no. 1 (2004), 66-94.<\/p>\n\n\n\n

“Signs of Intercourse:  Material Poetry and Erotic Imperatives.” Gragoat\u00e1<\/em> [UFF, RJ] 14 (2003), 197-218.  (illustrations: <\/a>signs of intercourse<\/a>)<\/a><\/p>\n\n\n\n

“Que se danem ou n\u00e3o:  Interrogations of Luso-Brazilian Culture \/ Civilization and Interrelations of Literature.”  Luso-Brazilian Review<\/em> 40. 2 ( 2003), 89-110.<\/p>\n\n\n\n

“Para apreciar Paulo R\u00f3nai, ‘Notas para facilitar a leitura de J. Guimar\u00e3es Rosa.'” Matraga<\/em> [UERJ]13 (2002).<\/p>\n\n\n\n

“Presentation and Representation of Self and City in Paulic\u00e9ia Desvairada<\/em>.”  Ch\u00e1squi<\/em> vol. 31, no. 1 (2002), 18-27.<\/p>\n\n\n\n

“Performing S\u00e3o Paulo:  Vanguard Representations of a Brazilian Cosmopolis.”  Latin American Music Review<\/em> vol. 23, no. 1 (2002), 60-78.  See on line<\/a><\/p>\n\n\n\n

“Nationalism, Dissension, and the Politics of Contemporary Popular Music.” Luso-Brazilian Review<\/em>  vol. 39, no. 1 (2002), 65-78.<\/p>\n\n\n\n

“Resource and Resonance: A Story of Transamerican Poetics & Brazilian Song in Global and Cultural Perspective.” Luso-Brazilian Review<\/em> 38. 2 (2001), 75-85.<\/p>\n\n\n\n

Preface<\/a> to Adriano Esp\u00ednola, 2nd. ed. O lote clandestino<\/em>.  Rio de Janeiro:  Topbooks, 2002.<\/p>\n\n\n\n

“From Lundu and Modinha to Samba de enredo and MPB:  Popular Music in the Fiction of Jorge Amado.”  In K. Brower, E. Fitz, and E. Mart\u00ednez-Vidal, eds. Jorge Amado:  New Critical Essays<\/em>.  New York:  Garland, 2001. 173-89.<\/p>\n\n\n\n

“Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music,” in Brazilian Popular Music and Globalization<\/em>.  Gainesville: Univ. Press of Florida, 2001. 46-71.<\/p>\n\n\n\n

“A recep\u00e7\u00e3o da obra rosiana na Am\u00e9rica do Norte:  tradu\u00e7\u00e3o, cr\u00edtica e ensino.” In Veredas de Rosa.<\/em> Belo Horizonte, MG: CESPUC, 2000. 126-30.<\/p>\n\n\n\n

“Topos and Topicalities:  the Tropes of Tropic\u00e1lia and Tropicalismo.” Studies in Latin American Popular Culture<\/em> 19 (2000), 1-20. At www.tropicalia.com<\/a> original and translation<\/p>\n\n\n\n

“The Imperative of Invention: Brazilian Concrete Poetry and ‘Intersemiotic Creation<\/a>‘.” Harvard Library Bulletin<\/em> New Series 3: 2 (1992). Search.<\/small><\/small><\/small>Pre-2000 on line:<\/p>\n\n\n\n

“Poesia Concreta e Tropicalismo.” Revista USP<\/em> 4 (Jan. 1990) [may still be on line…]<\/p>\n\n\n\n

“From Noigandres to ‘Milagre da Alegria’: The Concrete Poets and Contemporary Brazilian Popular Music.” Latin American Music Review <\/em> 6:1 (1985).  If you are subscribed to LAMR via a library.<\/p>\n\n\n\n

“Cam\u00f5es contra a natureza: das impossibilia po\u00e9ticas ao fim do mundo.” Luso Brazilian Review<\/em> 21:1 (1984). Subscribers.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Based on Orfeu Negro<\/em> \/ Black Orpheus [film] <\/em>papers, special edition: link<\/a>.  Internet special 2008 retrospection on Orfeu Negro<\/em> requested by Universal Music.<\/p>\n\n\n\n

***<\/p>\n\n\n\n

Co-editor and contributor, “Concrete Poetry-Poesia Concreta: Brazil and Beyond.” Brazilian Concrete and Visual Poetry from the Ruth and Marvin Sackner Archive<\/em>. University of Florida: Grinter Galleries. March 1989. Rpt. for Brazilian Visual Poetry, MexicArte Museum, Austin TX, March 2002.<\/p>\n\n\n\n

Keynote Addresses<\/h3>\n\n\n\n

\u201cRecep\u00e7\u00e3o e circula\u00e7\u00e3o de poesia(s) brasileira(s) na Am\u00e9rica do Norte.\u201d XV Semin\u00e1rio de Pesquisa do Programa de P\u00f3s-Gradua\u00e7\u00e3o em Estudos Liter\u00e1rios + II Semin\u00e1rio Internacional de Estudos Liter\u00e1rios: A Poesia na Era da Internacionaliza\u00e7\u00e3o dos Saberes. UNESP Araraquara, Brazil. September 16, 2014.<\/p>\n\n\n\n

“Triangular Diasporic Modes in Luso-Afro-Brazilian Studies (Migration, Literature, Music).”  Diaspora in the Hispanic & Luso-Brazilian World. Miami Univ., Ohio. 11-13-2010.   POWER POINT: Miami Luso Diaspora<\/a><\/p>\n\n\n\n

“Letra, Letras, Am\u00e9rica, Am\u00e9ricas: Inter-rela\u00e7\u00f5es de espa\u00e7os e g\u00eaneros discursivos.” Closing day of VII SALIPI (Sal\u00e3o Liter\u00e1rio do Piaui), Teresina, PI. June 14, 2009.  Power Point (Data Show): SALIPI<\/a><\/p>\n\n\n\n

“Insularity, Invention, and Interface: Brazil & Lyric In the Americas.” 12th Annual Carolina Conference on Romance Literatures. University of North Carolina, Chapel Hill. March 25, 2006.<\/p>\n\n\n\n

“Beholding a ‘Towering Giant’: Culture, Civilization, and Hemispheric Links in Latin America’s Largest Nation.” 11th Annual Latin American Studies Symposium. Birmingham Southern College. Birmingham, Ala. April 5, 2003.<\/p>\n\n\n\n

Especial: 12-08, entrevista em v\u00eddeo no Itau Cultural S\u00e3o Paulo, projeto Conex\u00f5es. (May have to search by name). Clique aqui<\/a>.<\/p>\n\n\n\n

Fall 2011 special, Convidado Internacional da II BIP (bienal internacional de poesia) na Biblioteca Nacional de Bras\u00edlia. Cancelada!<\/p>\n\n\n\n

InvitedLectures and Seminars (since 2008)<\/h3>\n\n\n\n

\u201cBossa Nova USA: Balan\u00e7o de Valores e Vers\u00f5es.\u201d Casa de Guilherme Almeida, S\u00e3o Paulo, SP, Brazil. July 18, 2016.<\/p>\n\n\n\n

\u201cOUTRO: Another Arc of the Inter-Art Poetics of Augusto de Campos.\u201d Global Studies Distinguished Lecture. Temple University, Philadelphia. March 18, 2016.<\/p>\n\n\n\n

\u201cLiteratura Brasileira no Exterior: Mercado, Ensino e M\u00eddia.\u201d Statement and Debate. Conex\u00f5es Colloquium. Instituto Ita\u00fa Cultural. 21 November, 2014.<\/p>\n\n\n\n

\u201cACT Up: Intersecting Imperatives and the Reach of Brazilian Modernism.\u201d UCLA. November 7, 2014.<\/p>\n\n\n\n

\u201cBossa Nova USA On Balance: Inception, Reception, Evolution.\u201d Symposium \u201cConstruing Brazil in the United States.\u201d October 17, 2014. University of Iowa.<\/p>\n\n\n\n

\u201cBossa Nova On Balance: Jazz, Pop, and Beyond.\u201d Jazz Samba Symposium. Strathmore Foundation (Bethesda, Md.). June 7, 2014.<\/p>\n\n\n\n

\u201cDe antologias, antenas, tr\u00e2nsito e tradu\u00e7\u00e3o: a poesia do Brasil e sua veicula\u00e7\u00e3o nos Estados Unidos.\u201d Casa de Guilherme Almeida, S\u00e3o Paulo, SP, Brazil. July 23, 2013.<\/p>\n\n\n\n

\u201cLaudas, Lances, Lendas e Lembran\u00e7as: o Professor Haroldo na Austineia Desvairada.\u201d Casa das Rosas, S\u00e3o Paulo, SP, Brazil. July 24, 2013.<\/p>\n\n\n\n

\u201cBossa Nova On Balance: Vetting Versions and Values.\u201d University of Illinois. February 19, 2013. Power Point: cUIUC BN<\/a><\/p>\n\n\n\n

\u201cMapeando a Maravilhosa Megal\u00f3polis: S\u00e3o Paulo e Imagin\u00e1rios Modernistas.\u201d Casa de Guilherme Almeida, S\u00e3o Paulo, SP, Brazil. July 19, 2012.   Power Point :  Data Show: SaoPauloCidade<\/a><\/p>\n\n\n\n

\u201cBossa Nova on Balance: ACJobim, Bridges, and BN-USA.\u201d University of Massachusetts, Dartmouth. December 13, 2011.<\/p>\n\n\n\n

“Writing Rio de Janeiro.” Panel participation in the symposium Cityscapes of Rio and Bahia. Americas Society. New York, NY. November 14, 2011.<\/p>\n\n\n\n

\u201cExperi\u00eancias interamericanas: l\u00edricas narrativas geoculturais.\u201d Simp\u00f3sio Internacional Literatura, Cr\u00edtica, Cultura IV: Interdisciplinaridade. Universidade Federal de Juiz de Fora, Minas Gerais, Brazil. May 25, 2010.<\/p>\n\n\n\n

\u201cTransamerican Motives in Cec\u00edlia Meireles.\u201d First Conference on Brazilian Women Writers in New York. Brazilian Endowment for the Arts. New York, NY. Oct. 15, 2009.<\/p>\n\n\n\n

“Interfaces: Invention, Insularity, Brazilian Lyric In\/and the Americas. \u201d Symposium on Brazilian Literature in Inter-American Context. Brown University. May 2, 2009.<\/p>\n\n\n\n

“Icons and Scions: Transamerican Aesthetics Across Three Centuries.” Georgetown University. January 12, 2009.<\/p>\n\n\n\n

Power Points<\/strong> of previous events involving Antropofagia<\/em> and OSWALD DE ANDRADE:<\/p>\n\n\n\n

“Difus\u00e3o e recep\u00e7\u00e3o de OA nos EUA, ou Os as do \u00e1s e ode a O de A:  abordagens e ades\u00f5es de artistas e acad\u00eamicos americanos \u00e0 antropofagia de Oswald de Andrade.”  Encontro Internacional de Antropofagia. SESC Pomp\u00e9ia. S\u00e3o Paulo, Brazil. December 15, 2005.  EUAEIA<\/a><\/p>\n\n\n\n

BRASA IX NOLA: “Counting Anthropophagic Scripts: Textual Navigations and Oswaldian Prescience.” Brazilian Studies Association IX. March 30, 2008. Tulane University. OABrasaNolaBA copy<\/a><\/p>\n\n\n\n

Selected Translations and Poetry<\/h3>\n\n\n\n

Poems by Waly Salom\u00e3o in Review: Literature and Arts of the Americas<\/em> 99 [ 52:2 ] (2019). Arab Latin America special.<\/p>\n\n\n\n

\u201cCardioviscera\u201d by Adriana Zapparolli. Alba<\/em> (London) 8 (2017). 18-28.<\/p>\n\n\n\n

Seven Material Poems by Augusto de Campos. Co-trans. with the author and Marco Oliveira, plus commentary. Delos: A Journal of Translation and World Literature (New Series) 32 (2017).<\/p>\n\n\n\n

Seven Brazilian Poets. Text and Commentary. Delos: A Journal of Translation and World Literature<\/em> (New Series) 31 (2016). 85-95.<\/p>\n\n\n\n

Translation of poems by Antonio Carlos Secchin in Malpa\u00eds Review 4.1 (2013) 124-25 and in Antologias ABL<\/em>. Rio de Janeiro: Academia Brasileira de Letras, 2013. 24-47.<\/p>\n\n\n\n

27 poems by Geraldo Carneiro. Machado de Assis Magazine: Brazilian Literature in Translation 2<\/em> [Centro Internacional do Livro da Funda\u00e7\u00e3o Biblioteca Nacional, Rio de Janeiro] (2013), 104-21.<\/p>\n\n\n\n

Humana Festa, A Novel<\/em>, translation of Humana festa: romance by Regina Rheda (2008), Columbus, Ohio: Educational Publishers, 2012.<\/p>\n\n\n\n

Co-editor of Tigertail: A South Florida Poetry Annual<\/em> (2008). Tigertail Productions of Miami. 15 poets, bilingual.
\nwww.tigertail.org<\/a> (navigate to on line sales).  Photos (authors<\/a> and friends<\/a>) of Launch in April 2007.<\/p>\n\n\n\n

“Other Shores, Chores, and Lores,” afterword<\/a> to Outras praias: 13 poetas brasileiros emergentes \/ Other Shores: 13 Emerging Brazilian Poets<\/em><\/a> (S\u00e3o Paulo: Iluminuras,  1998), 262-71.<\/p>\n\n\n\n

Translations of poetry by Paulo Leminski (Google for latest locations), Hor\u00e1cio Costa, R\u00e9gis Bonvicino, D\u00e9cio Pignatari, Augusto <\/a> de<\/a> Campos<\/a> (three links to originals); see also Big Bridge Special Spring 2007) Ant\u00f4nio C\u00edcero<\/a>, Ademir Assun\u00e7\u00e3o, Alexander Horner, Adriano Esp\u00ednola, Carlito Azevedo, Ricardo Corona, Claudia Roquette-Pinto, Neuza Pinheiro, Rodrigo Garcia Lopes, Marcos Prado, Simone Homem de Mello, Diego Vinhas, Franklin Alves Dassi\u00ea, e o saudoso Waly Salom\u00e3o.<\/a><\/p>\n\n\n\n

“Inestante,” “Second Squad,” “Limit,” and “Pulsar” by Augusto de Campos. Review: Latin American Literature and Arts 73, special issue:  Brazilian Writing and Arts (2006), 245-48.  Examples of translations of the poet from a New York show: Augusto New York 2008<\/a><\/p>\n\n\n\n

Co-translator of First World Third Class<\/em> (Pau de Arara Classe Tur\u00edstica<\/em>) by Regina Rheda, see link above<\/p>\n\n\n\n

Some Poetry (“Alguma poesia”):<\/h3>\n\n\n\n

<\/p>\n\n\n\n

See my non-UF home page: sites.google.com\/site\/caplandsite<\/a>  as well as the cute little  “boutique site”<\/a><\/p>\n\n\n\n

Designs: (Blueprints of Floorplans of a Provisional Residence).<\/em> Cyberwit. 2022. 82 pp.
\n\"\"<\/a><\/p>\n\n\n\n

\u201cMemorandada (two for the price of one), Re: \u00c9TUDES.\u2019\u201d in Textshop Experiments #1, Textshop (T)issues, (2016). On-line.<\/p>\n\n\n\n

\u201cYear-End Review (ditty and duty)\u201d in OccuPoetry 5 (2016), 33.<\/p>\n\n\n\n

Yearly poems in Moss Trill [UNI]  (since 2014, click links at bottom of page). http:\/\/mosstrill.wordpress.com\/2014\/05\/08\/charles-perrone<\/a><\/p>\n\n\n\n

\u201chalves and have nots.\u201d p.o.w.<\/em> 19 (Series 4) Edinburgh, Scotland: Unit4art, 2014). Glossy broadside. 8 p.<\/p>\n\n\n\n

Poem in entasis 4 (UC Irvine) Spring 2013. http:\/\/www.entasisjournal.com\/four_poetry\/her-new-word-understood-w-american-spacing\/<\/p>\n\n\n\n

deliranjo<\/em> (Florian\u00f3polis, SC: Editora Kartonera, 2013), 23 pp.<\/p>\n\n\n\n

SIX SEVEN, OUT OF ALPHABETICAL ORDER, A CAPacious Act, chapbooks<\/em> at  www.moriapoetry.com.<\/a>  e-books link.<\/p>\n\n\n\n

in Autumn harvest<\/i>,<\/a> Moria<\/i><\/a>, Moria<\/i>,<\/a> Mandorla: Nueva escritura de las Am\u00e9ricas \/ New Writing from the Americas,<\/a> Literatura de express\u00e3o portuguesa nos Estados Unidos<\/i>;<\/u> Suplemento Liter\u00e1rio Minas Gerais<\/a>, Dirty Goat<\/a>, Vortex \/  Affinities<\/a>,Esprit<\/a><\/i>, Dactylus<\/i><\/a>,O Globo, F\u00e9nix, Rom\u00e1nica
\n** ATT NB  visuals  **:  Dimens\u00e3o<\/a><\/i> .  Inspirations:  PESSOA<\/a> and a house plan<\/a>.<\/p>\n\n\n\n

\"dance\"
\nDrawing by Patricia R. Perrone, Women’s Art Collective<\/p>\n\n\n\n

(other images by the artist<\/a>)<\/p>\n\n\n\n

Official CLAS photo!<\/p>\n\n\n

\n
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