{"id":193,"date":"2020-12-10T12:48:30","date_gmt":"2020-12-10T17:48:30","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/perrone\/?page_id=193"},"modified":"2026-03-19T08:58:53","modified_gmt":"2026-03-19T12:58:53","slug":"welcome-aboard-bem-vindos-a-bordo","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/welcome-aboard-bem-vindos-a-bordo\/","title":{"rendered":"Welcome aboard. Bem-vindos a bordo."},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">Welcome aboard. Bem-vindos a bordo.<\/h1>\n\n\n\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/CBcover72.jpeg\" width=\"340\" height=\"434\"><strong>\u00a0(a.k.a\u00a0<span style=\"font-family: Arial,Helvetica;\"><span style=\"font-size: small;\">Chiclete com Banana: Internationalization in Brazilian Popular Music)<\/span><\/span><\/strong><\/p>\n\n\n\n\n\n<p><a href=\"http:\/\/www.upf.com\/\" target=\"_blank\" rel=\"noopener\">Released in\u00a0hardback in February 2001 by the University Press of Florida<\/a><\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/ecommerce.tandf.co.uk\/catalogue\/PerformSearch.asp?ResourceCentre=ROUTLEDGE&amp;book=&amp;isbn=nobuy&amp;curPage=1\" target=\"_blank\" rel=\"noopener\">PAPERBACK edition released in January 2002 by Routledge Publishing<\/a><\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/\">Featuring an essay by Caetano Veloso on Carmen Miranda<\/a><\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/a-prospectus-of-the-volume\/\">Read a prospectus of the volume<\/a><\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/brazilian-popular-music-and-globalization-contents\/\">Table of Contents<\/a><\/p>\n\n\n\n\n\n<p><strong>Historical introduction and fifteen essays on a broad range of topics.\u00a0 Each title in the table of\u00a0 contents links to a page about\u00a0 the segment and its author, complete with unique photos, related links and individual surprises.<\/strong><\/p>\n\n\n\n\n\n<p>Production assistance from <a href=\"http:\/\/www.latam.ufl.edu\/\" target=\"_blank\" rel=\"noopener\">Center for Latin American Studies<\/a>, University of Florida and <a href=\"http:\/\/www.tulane.edu\/~clas\/\" target=\"_blank\" rel=\"noopener\">Center for Latin American Studies<\/a>,Tulane University<\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/leia-entrevista-com-os-organizadores-no-estado-de-sao-paulo\/\">Leia entrevista com os organizadores n&#8217;O Estado de S\u00e3o Paulo<\/a><\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/ver-versao-completa-de-perguntas-e-respostas\/\">Leia vers\u00e3o completa da entrevista<\/a><\/p>\n\n\n\n\n\n\n\n\n\n\n\n<p>Alguns trechos das p\u00e1ginas internas s\u00e3o em portugu\u00eas.<\/p>\n\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/brazilflag_cg29.gif\" alt=\"flag\"><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/universal.jpg\" alt=\"universal\"><\/figure>\n<\/div>\n\n\n\n\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/crowd.jpg\" alt=\"crowd\"><br>\nSee the selection of Brazilian compilations: Brazil Classics Series<\/p>\n\n\n\n\n\n<p>General link: <a href=\"http:\/\/thebraziliansound.com\/index.html\" target=\"_blank\" rel=\"noopener\">thebraziliansound<\/a><br>\nfor hundreds of pertinent links in US, Brazil, and elsewhere,<br>\nas well as sound-recording information, articles, and references<\/p>\n\n\n\n\n\n<p>page by charles a. perrone<\/p>\n\n\n\n\n\n<p>(<a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/dois-fios-tropicalistas\/\">doisfiostalk<\/a>)<\/p>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":19,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-193","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/comments?post=193"}],"version-history":[{"count":7,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/193\/revisions"}],"predecessor-version":[{"id":635,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/193\/revisions\/635"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/19"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/media?parent=193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}