{"id":202,"date":"2020-12-10T12:51:38","date_gmt":"2020-12-10T17:51:38","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/perrone\/?page_id=202"},"modified":"2026-03-19T08:58:53","modified_gmt":"2026-03-19T12:58:53","slug":"brazilian-popular-music-and-globalization-contents","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/brazilian-popular-music-and-globalization-contents\/","title":{"rendered":"Brazilian Popular Music and Globalization Contents"},"content":{"rendered":"\r\n
\r\n\t
\r\n\t\t
\r\n\t\t\t
\r\n\t\t\t\t\n

Brazilian Popular Music and Globalization Contents<\/h1>\n\n\n\n

Contents (each segment has a synopsis, web images,* and links)<\/strong><\/p>\n\n\n\n\n\n

Chiclete com Banana: Internationalization in Brazilian Popular Music<\/a>
\nCharles A. Perrone and Christopher Dunn<\/p>\n\n\n\n\n\n

CARMEN MIRANDADADA<\/a>
\nCaetano Veloso<\/p>\n\n\n\n\n\n

Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music<\/a>
\nCharles A. Perrone<\/p>\n\n\n\n\n\n

Tropic\u00e1lia, Counterculture, and the Diasporic Imagination in Brazil<\/a>
\nChristopher Dunn<\/p>\n\n\n\n\n\n

Globalizing Caetano Veloso<\/a>
\nLiv Sovik<\/p>\n\n\n\n\n\n

Cannibals, Mutants, and Hipsters: The Tropicalist Revival<\/a>
\nJohn Harvey<\/p>\n\n\n\n\n\n

Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal<\/a>
\nIdelber Avelar<\/p>\n\n\n\n\n\n

The Localization of Global Funk in Bahia and in Rio<\/a>
\nL\u00edvio Sansone<\/p>\n\n\n\n\n\n

World of Fantasy Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia<\/a>
\nMilton Ara\u00fajo Moura<\/p>\n\n\n\n\n\n

Songs of Olodum: Ethnicity, Activism, and Art in a Globalized Carnival Community<\/a>
\nPiers Armstrong<\/p>\n\n\n\n\n\n

Fogo na Babil\u00f4nia : Reggae, Black Counterculture and Globalization in Brazil<\/a>
\nOsmundo de Ara\u00fajo Pinho<\/p>\n\n\n\n\n\n

Reggae in Bahia: A Case of Long-distance Belonging<\/a>
\nAnt\u00f4nio J.V. dos Santos Godi<\/p>\n\n\n\n\n\n

Black or Brau: Music and Subjectivity in a Global Context<\/a>
\nAri Lima<\/p>\n\n\n\n\n\n

Turned-Around Beat: Maracatu de baque virado and Chico Science<\/a>
\nLarry Crook<\/p>\n\n\n\n\n\n

Self-Discovery in Brazilian Popular Music: Mestre Ambr\u00f3sio<\/a>
\nJohn Murphy<\/p>\n\n\n\n\n\n

“Good Blood in the Veins of this Brazilian Rio” or a Cannibalist Transnationalism<\/a>
\nFrederick Moehn<\/p>\n\n\n\n\n\n

back to home page<\/a><\/p>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":195,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-202","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/202","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/comments?post=202"}],"version-history":[{"count":7,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/202\/revisions"}],"predecessor-version":[{"id":633,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/202\/revisions\/633"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/195"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/media?parent=202"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}