{"id":209,"date":"2020-12-10T13:05:55","date_gmt":"2020-12-10T18:05:55","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/perrone\/?page_id=209"},"modified":"2026-03-19T08:58:53","modified_gmt":"2026-03-19T12:58:53","slug":"chiclete-com-banana-internationalization-in-brazilian-popular-music","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/chiclete-com-banana-internationalization-in-brazilian-popular-music\/","title":{"rendered":"&#8220;Chiclete com Banana: Internationalization in Brazilian Popular Music&#8221;"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">&#8220;Chiclete com Banana: Internationalization in Brazilian Popular Music&#8221;<\/h1>\n\n\n\n<h4 class=\"wp-block-heading\">Brazilian Popular Music and Globalization<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\">&#8220;Chiclete com Banana: Internationalization in Brazilian Popular Music&#8221;<\/h3>\n\n\n\n<p>See synopsis and links below<\/p>\n\n\n\n\n\n<p><strong>Charles A. Perrone and Christopher Dunn<\/strong><\/p>\n\n\n\n\n\n<p>Jackson do Pandeiro (1919-1982): the wizard from the Northeast of Brazil who launched &#8220;Chiclete com Banana&#8221; (1959), a transnational &#8220;song for all seasons&#8221;<\/p>\n\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft is-resized\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/jdopnhmpb.jpg\" alt=\"\" style=\"width:248px;height:auto\"><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/jackson.gif\" alt=\"\"><\/figure>\n\n\n\n\n\n\n\n\n\n\n\n<p>The historical introduction is the longest segment in the volume.\u00a0 After contextualizing Brazilian popular music globally, different senses of the term &#8220;internationalization&#8221; are explored.\u00a0 The overview of genres, styles, key artists, and movements spans the late nineteenth century to the turn of the twenty-first century.\u00a0 Highlights include samba in the 1920s-30s, Carmen Miranda at home and abroad, US\/ Disney representations (<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/sambaus.jpg\">see a samba curiosity<\/a>; see\u00a0<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/3cabsba.gif\">Gone to Bahia<\/a>\u00a0and\u00a0<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/3cabsus.jpg\">a famous trio<\/a>), bossa nova, (<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/hollywood.gif\">see Jobim and Gal<\/a>),<span style=\"font-family: Arial,Helvetica;\">\u00a0MPB, Tropicalia, BRock and Minas metal, neo-Afro-Bahian marvels [especially samba-reggae]\u00a0<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/ileaye.jpg\">(see an afro trio eletrico<\/a>\u00a0and\u00a0<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/gandhi.jpg\">an afox\u00e9<\/a>\u00a0), soul-funk-rap, and 90s&#8217; innovations (<a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/alceu.gif\">including tropical rock<\/a>) in the ever-surprising region of the illuminated Jackson do Pandeiro himself.<\/span><\/p>\n\n\n\n\n\n<figure class=\"wp-block-image is-resized\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/jdopsampled.jpg\" alt=\"jdopsampled\" style=\"width:494px;height:auto\"><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Links:<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><span style=\"font-family: Verdana,Helvetica;\"><a href=\"http:\/\/www.chicletecombanana.com.br\/\" target=\"_blank\" rel=\"noopener\">The Bahian band named Chiclete com Banana<\/a><\/span><\/li>\n<li><span style=\"font-family: Verdana,Helvetica;\"><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/\">Home page of Charles A. Perrone<\/a><\/span><\/li>\n<li><span style=\"font-family: Verdana,Helvetica;\"><a href=\"http:\/\/www.tulane.edu\/~cjdunn\" target=\"_blank\" rel=\"noopener\">Home page of Christopher Dunn<\/a><\/span><\/li>\n<li><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/brazilian-popular-music-and-globalization-contents\/\">Contents<\/a><\/li>\n<li><a href=\"http:\/\/people.clas.ufl.edu\/perrone\/publications\/welcome-aboard-bem-vindos-a-bordo\/\">Main page<\/a><\/li><\/ul>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":195,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-209","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/comments?post=209"}],"version-history":[{"count":2,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/209\/revisions"}],"predecessor-version":[{"id":632,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/209\/revisions\/632"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/195"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/media?parent=209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}