{"id":260,"date":"2020-12-10T13:40:01","date_gmt":"2020-12-10T18:40:01","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/perrone\/?page_id=260"},"modified":"2026-03-19T08:58:53","modified_gmt":"2026-03-19T12:58:53","slug":"world-of-fantasy","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/world-of-fantasy\/","title":{"rendered":"World of Fantasy Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">World of Fantasy Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia<\/h1>\n\n\n\n<h4 class=\"wp-block-heading\">Brazilian Popular Music and Globalization<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\">World of Fantasy Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia<\/h3>\n\n\n\n<p><strong>Milton Ara\u00fajo Moura<\/strong><\/p>\n\n\n\n\n\n<p>The Bahian carnival from samba, to <span style=\"text-decoration: underline;\">trio el\u00e9trico<\/span>, Indians, and the Afro-centric aesthetic revolution with its <span style=\"text-decoration: underline;\">blocos afro<\/span> to <span style=\"text-decoration: underline;\">ax\u00e9 music<\/span>.<\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/abstrato-do-artigo-em-portugues\/\">abstrato do artigo em portugu\u00eas<\/a><\/p>\n\n\n\n\n\n<p><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/milton-moura\/\">Milton Moura<\/a> teaches sociology and has a doctorate in Communication at UFBA, the Federal University of Bahia, Salvador, Brazil.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Related Links<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/miltonfoto.jpg\">Photo of the author<\/a><\/li>\n<li><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/brazilian-popular-music-and-globalization-contents\/\">Contents<\/a><\/li>\n<li><a href=\"http:\/\/people.clas.ufl.edu\/perrone\/publications\/welcome-aboard-bem-vindos-a-bordo\/\">Main page<\/a><\/li><\/ul>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":195,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-260","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/comments?post=260"}],"version-history":[{"count":2,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/260\/revisions"}],"predecessor-version":[{"id":623,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/260\/revisions\/623"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/195"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/media?parent=260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}