{"id":276,"date":"2020-12-10T13:51:23","date_gmt":"2020-12-10T18:51:23","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/perrone\/?page_id=276"},"modified":"2026-03-19T08:58:53","modified_gmt":"2026-03-19T12:58:53","slug":"reggae-in-bahia-a-case-of-long-distance-belonging","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/reggae-in-bahia-a-case-of-long-distance-belonging\/","title":{"rendered":"Reggae in Bahia: A Case of Long-distance Belonging"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">Reggae in Bahia: A Case of Long-distance Belonging<\/h1>\n\n\n\n<h4 class=\"wp-block-heading\">Brazilian Popular Music and Globalization<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\">Reggae in Bahia: A Case of Long-distance Belonging<\/h3>\n\n\n\n<p><strong>Ant\u00f4nio J.V. dos Santos God<\/strong><\/p>\n\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/brbahia.jpg\" alt=\"brbahia\"><\/figure>\n<\/div>\n\n\n\n\n<p><img decoding=\"async\" class=\"aligncenter\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/minisalvador.jpg\" alt=\"minisalvador\"><br>\nTamb\u00e9m terra do reggae<\/p>\n\n\n\n\n\n<p><strong>About the author<\/strong>: Antonio J.V.dos Santos Godi teaches at the state university of Bahia, Feira de Santana, Brazil.<\/p>\n\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/reggae1.gif\" alt=\"reggae1\"><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/reggae2.gif\" alt=\"reggae2\"><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Related Links<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/brazilian-popular-music-and-globalization-contents\/\">Contents<\/a><\/li>\n<li><a href=\"http:\/\/people.clas.ufl.edu\/perrone\/publications\/welcome-aboard-bem-vindos-a-bordo\/\">Main page<\/a><\/li><\/ul>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":195,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-276","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/276","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/comments?post=276"}],"version-history":[{"count":2,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/276\/revisions"}],"predecessor-version":[{"id":620,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/276\/revisions\/620"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/195"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/media?parent=276"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}