{"id":298,"date":"2020-12-10T14:07:00","date_gmt":"2020-12-10T19:07:00","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/perrone\/?page_id=298"},"modified":"2026-03-19T08:58:53","modified_gmt":"2026-03-19T12:58:53","slug":"good-blood-in-the-veins-of-this-brazilian-rio-or-a-cannibalist-transnationalism","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/good-blood-in-the-veins-of-this-brazilian-rio-or-a-cannibalist-transnationalism\/","title":{"rendered":"&#8216;Good Blood in the Veins of this Brazilian Rio&#8217; or a Cannibalist Transnationalism"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">&#8216;Good Blood in the Veins of this Brazilian Rio&#8217; or a Cannibalist Transnationalism<\/h1>\n\n\n\n<h4 class=\"wp-block-heading\">Brazilian Popular Music and Globalization<\/h4>\n\n\n\n<h3 class=\"wp-block-heading\">&#8216;Good Blood in the Veins of this Brazilian Rio&#8217; or a Cannibalist Transnationalism<\/h3>\n\n\n\n<p><strong>Frederick Moehn<\/strong><\/p>\n\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/Screen-Shot-2020-12-10-at-2.04.42-PM.png\" alt=\"moehn\"><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter\"><img decoding=\"async\" src=\"http:\/\/people.clas.ufl.edu\/perrone\/files\/Screen-Shot-2020-12-10-at-2.04.53-PM.png\" alt=\"moehn2\"><\/figure>\n<\/div>\n\n\n\n\n<p><strong>About the author<\/strong>: Frederick Moehn has a Ph. D in Ethnomusicology from NYU; in 2020 he teaches at KCL, King&#8217;s College London.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Related Links<\/h4>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"http:\/\/www.abreu.com\" target=\"_blank\" rel=\"noopener\">www.abreu.com<\/a><\/li>\n<li><a href=\"https:\/\/people.clas.ufl.edu\/perrone\/publications\/brazilian-popular-music-and-globalization\/brazilian-popular-music-and-globalization-contents\/\">Contents<\/a><\/li>\n<li><a href=\"http:\/\/people.clas.ufl.edu\/perrone\/publications\/welcome-aboard-bem-vindos-a-bordo\/\">Main page<\/a><\/li><\/ul>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":195,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-298","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":3,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/298\/revisions"}],"predecessor-version":[{"id":615,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/298\/revisions\/615"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/pages\/195"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/perrone\/wp-json\/wp\/v2\/media?parent=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}