{"id":208,"date":"2021-10-26T12:47:43","date_gmt":"2021-10-26T16:47:43","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/snod\/?page_id=208"},"modified":"2026-03-19T09:03:06","modified_gmt":"2026-03-19T13:03:06","slug":"20th-century-texts","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/snod\/texts-images\/20th-century-texts\/","title":{"rendered":"20th Century Texts"},"content":{"rendered":"\r\n
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20th Century Texts<\/h1>\n\n\n\n

(Categories & entries within categories, after any introductions, listed alphabetically)<\/p>\n\n\n\n

Background<\/h3>\n\n\n\n

Chronicle of Some 19th<\/sup>– & 20th<\/sup>-Century Historical Events<\/a><\/p>\n\n\n\n\n\n

Sander L. Gilman and J. Edward Chamberlin, Preface, Degeneration: An Introduction,<\/a>\u00a0from\u00a0Degeneration: The Dark Side of Progress<\/em>\u00a0(New York: Columbia UP, 1985), vii-xiv<\/p>\n\n\n\n\n\n

Holbrook Jackson, Fin de Sicle 1890-1900, Personalities and Tendencies, The Decadence,<\/a>\u00a0The Eighteen-Nineties<\/em>\u00a0(London: Richards, 1913), 13-71<\/p>\n\n\n\n\n\n

Sandra Siegel, Literature and Degeneration: The Representation of Decadence,<\/a>\u00a0Degeneration: The Dark Side of Progress<\/em>, eds.\u00a0J.\u00a0Edward Chamberlin and Sander L.\u00a0Gilman (New York: Columbia UP, 1985: 199-219<\/p>\n\n\n\n\n\n

Ian Small, Introduction,<\/a>\u00a0from\u00a0The Aesthetes: A Sourcebook<\/em>\u00a0(London: Routledge, 1979), ix-xxix<\/p>\n\n\n\n\n\n

Some Reasons Why Americans Value the British<\/a><\/p>\n\n\n\n

Rupert Brooke<\/h3>\n\n\n\n

Introduction: Rupert Brooke (1887\u20121915)<\/p>\n\n\n\n

Keith Douglas<\/h3>\n\n\n\n

Introduction: Keith Douglas (1920\u201244)<\/a><\/p>\n\n\n\n\n\n

Vergissmeinnicht<\/a><\/p>\n\n\n\n

Thomas Hardy<\/h3>\n\n\n\n

Introduction: Thomas Hardy (1840\u20121928)<\/a><\/p>\n\n\n\n\n\n

The Convergence of the Twain<\/a><\/p>\n\n\n\n\n\n

Hap<\/a><\/p>\n\n\n\n

Henry James<\/h3>\n\n\n\n

Introduction: Henry James (1843\u20121916)<\/a><\/p>\n\n\n\n\n\n

The Beast in the Jungle<\/a><\/p>\n\n\n\n

James Joyce<\/h3>\n\n\n\n

Introduction: James Joyce (1882\u20121941)<\/a><\/p>\n\n\n\n

Charlotte Mew<\/h3>\n\n\n\n

Introduction: Charlotte Mew (1869\u20121928)<\/a><\/p>\n\n\n\n\n\n

All Assigned Poems<\/a><\/strong><\/p>\n\n\n\n\n\n

Selected poems from THE FARMERS BRIDE<\/em>\u00a0<\/em>(1916; 1921):<\/strong><\/p>\n\n\n\n\n\n

A Quoi Bon Dire<\/em><\/a><\/p>\n\n\n\n\n\n

The\u00a0Changeling<\/a><\/p>\n\n\n\n\n\n

Fame<\/a><\/p>\n\n\n\n\n\n

The Farmers Bride<\/a><\/p>\n\n\n\n\n\n

The Fte<\/a><\/p>\n\n\n\n\n\n

The Forest Road<\/a><\/p>\n\n\n\n\n\n

In\u00a0Nunhead\u00a0Cemetery<\/a><\/p>\n\n\n\n\n\n

Ken<\/a><\/p>\n\n\n\n\n\n

On the Asylum Road<\/a><\/p>\n\n\n\n\n\n

The Quiet House<\/a><\/p>\n\n\n\n\n\n

Pcheresse<\/em><\/a><\/p>\n\n\n\n\n\n

The\u00a0Pedlar<\/a><\/p>\n\n\n\n\n\n

Sea Love<\/a><\/p>\n\n\n\n\n\n

Selected poems from\u00a0THE RAMBLING SAILOR<\/em>\u00a0(1929)<\/strong><\/p>\n\n\n\n\n\n

At the Convent Gate<\/a><\/p>\n\n\n\n\n\n

I So Liked Spring<\/a><\/p>\n\n\n\n\n\n

In the Fields<\/a><\/p>\n\n\n\n\n\n

Ne<\/em>\u00a0Me\u00a0Tangito<\/em><\/a><\/p>\n\n\n\n\n\n

Requiescat<\/a><\/p>\n\n\n\n\n\n

The Trees Are Down
\n<\/a><\/p>\n\n\n\n

New Woman Texts of Criticism<\/h3>\n\n\n\n

Introductory Note on The Angel in the House<\/a><\/p>\n\n\n\n\n\n

Introduction:\u00a0George Romanes (1848-94)<\/a><\/p>\n\n\n\n\n\n

George John Romanes Mental Differences\u00a0Between\u00a0Men and Women,<\/a>\u00a0Nineteenth Century<\/em>\u00a021 (May 1887): 654-72<\/p>\n\n\n\n\n\n

Introduction: Grant Allen (1848-1899)<\/a><\/p>\n\n\n\n\n\n

Grant Allen\u00a0<\/strong>(1848-1899)\u00a0Some Plain Words on the Woman Question,<\/a>\u00a0Fortnightly Review<\/em>, ns. 46 (1889): 448-58<\/p>\n\n\n\n\n\n

Introductory Note on The New Woman<\/a><\/p>\n\n\n\n\n\n

Sally Ledger, Introduction and Who Was the New Woman,\u00a0The New Woman: Fiction and feminism at the\u00a0<\/em>fin de sicle<\/a>\u00a0(Manchester and New York: 1997), 1-34<\/p>\n\n\n\n\n\n

Introduction: Eliza Lynn Linton (1822-1898)<\/a><\/p>\n\n\n\n\n\n

Eliza Lynn Linton The Girl of the Period,<\/a>\u00a0Saturday Review<\/em>\u00a0(14 March 1868): 356-60;\u00a0The Wild Women\u00a0As\u00a0Social Insurgents,<\/a>\u00a0Nineteenth Century<\/em>\u00a030 (October 1891): 596-605<\/p>\n\n\n\n\n\n

Introduction: Sarah Grand [Frances Elizabeth Bellenden Clarke] (1854-1943)<\/a><\/p>\n\n\n\n\n\n

GrandThe New Aspect of the Woman Question,<\/a>\u00a0North American Review<\/em>\u00a0158 (1894): 270-76<\/p>\n\n\n\n\n\n

GrandThe New Woman and the Old,<\/a>\u00a0Ladys Realm<\/em>\u00a0(1898)<\/p>\n\n\n\n\n\n

Introduction\u00a0:\u00a0Ouida\u00a0[Marie Louise de la Rame] (1839-1908)<\/a><\/p>\n\n\n\n\n\n

Ouida\u00a0<\/strong>The New Woman,<\/a>\u00a0North American Review<\/em>\u00a0158 (1894): 610-19 [a response to Grands The New Aspects of the Woman Question]<\/p>\n\n\n\n\n\n

Hugh E. M.\u00a0Stutfield, Tommyrotics.\u00a0<\/em><\/a>Blackwoods Edinburgh Magazine<\/em>\u00a0157.956 (June 1895): 833-45<\/p>\n\n\n\n

Wilfred Owen<\/h3>\n\n\n\n

Introduction: Wilfred Owen (1893\u20121918)<\/a><\/p>\n\n\n\n

Isaac Rosenberg<\/h3>\n\n\n\n

Introduction: Isaac Rosenberg (1890\u20121918)<\/a><\/p>\n\n\n\n

Siegfried Sassoon<\/h3>\n\n\n\n

Introduction: Siegfried Sassoon (1886\u20121967)<\/a><\/p>\n\n\n\n\n\n

Glory of Women<\/a><\/p>\n\n\n\n

Dylan Thomas<\/h3>\n\n\n\n

Introduction: Dylan Thomas (1914\u201253)<\/a><\/p>\n\n\n\n\n\n

All Assigned Poems<\/a><\/strong><\/p>\n\n\n\n

Edward Thomas<\/h3>\n\n\n\n

Introduction: Edward Thomas (1878\u20121917)<\/a><\/p>\n\n\n\n

GRAHAM R. TOMSON<\/u><\/strong>\u00a0<\/strong>[ROSAMUND MARRIOTT WATSON]<\/h3>\n\n\n\n

Introduction: Graham R. Tomson [Rosamund Marriott Watson] (1860-1911)<\/a><\/p>\n\n\n\n\n\n

Virginia Blain, Rosamund Marriott Watson (1860-1911)<\/a><\/p>\n\n\n\n\n\n

All Assigned Poems<\/a><\/strong><\/p>\n\n\n\n\n\n

Ballad of the Bird-Bride<\/a><\/p>\n\n\n\n\n\n

A Ballad of the Were-Wolf<\/a><\/p>\n\n\n\n\n\n

The Cage<\/a><\/p>\n\n\n\n\n\n

Children of the Mist<\/a><\/p>\n\n\n\n\n\n

Epitaph<\/a><\/p>\n\n\n\n\n\n

Hic Jacet<\/a><\/p>\n\n\n\n\n\n

The Moor Girls\u00a0Well<\/a><\/p>\n\n\n\n\n\n

Nirvana<\/a><\/p>\n\n\n\n\n\n

Old Pauline<\/a><\/p>\n\n\n\n\n\n

A Ruined Altar<\/a><\/p>\n\n\n\n\n\n

Vespertilia<\/a><\/p>\n\n\n\n

VICTORIA CROSS<\/u><\/strong>\u00a0<\/strong>[ANNIE SOPHIE CORY]<\/h3>\n\n\n\n

Introduction: Victoria Cross [Annie Sophie Cory] (1 October 1868-2 August 1952)<\/a><\/p>\n\n\n\n\n\n

Theodora, A Fragment,<\/a>\u00a0The Yellow Book<\/em>\u00a04 (January 1895): [156]-188<\/p>\n\n\n\n

VIRGINIA WOOLF<\/u><\/strong><\/h3>\n\n\n\n

Introduction: Virginia Woolf (1882\u20121941)<\/a><\/p>\n\n\n\n

WILLIAM BUTLER YEATS<\/u><\/strong><\/h3>\n\n\n\n

Introduction: William Butler Yeats (1865\u20121939)<\/a><\/p>\n\n\n\n\n\n

All Assigned Poems<\/a><\/strong><\/p>\n\n\n\n\n\n\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":184,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-208","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/208","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/comments?post=208"}],"version-history":[{"count":7,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/208\/revisions"}],"predecessor-version":[{"id":955,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/208\/revisions\/955"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/184"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/media?parent=208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}