{"id":210,"date":"2021-10-26T12:47:47","date_gmt":"2021-10-26T16:47:47","guid":{"rendered":"http:\/\/people.clas.ufl.edu\/snod\/?page_id=210"},"modified":"2026-03-19T09:03:05","modified_gmt":"2026-03-19T13:03:05","slug":"other-images","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/snod\/texts-images\/other-images\/","title":{"rendered":"Other Images"},"content":{"rendered":"\r\n<section class=\"fullwidth-text-block\">\r\n\t<div class=\"container px-0 pt-5\">\r\n\t\t<div class=\"row align-items-start\">\r\n\t\t\t<div class=\"col-12\">\r\n\t\t\t\t\n<h1 class=\"wp-block-heading\">Other Images<\/h1>\n\n\n\n<p>[Note to students: Most images can be much enlarged by finding them on Mark Hardens Artchive (http:\/\/wwhttp:\/\/artchive.com\/welcome.htm) or, in some cases, the Web Gallery of Art (http:\/\/sunserv.kfki.hu\/~arthp\/art\/)]<\/p>\n\n\n\n\n\n<p><strong><em>Hieronymus [Van Aeken] Bosch<\/em> (c. 1450-1516)<\/strong><br>\nThe Conjurer<br>\nDeath and the Miser (c. 1485-90)<br>\nThe Eye Of God Which Sees The Commiting of The Seven Deadly Sins (c. 1475-80)<br>\nThe Garden of Earthly Delights (c. 1503-04)<br>\nHell (<em>inner-right wing of the triptych The Garden of Earthly Delights<\/em>) (c. 1503-04)<br>\nHell (<em>inner-right wing of the Last Judgement triptych<\/em>) (c. 1504-08)<br>\nJohn the Baptist in the Wilderness<br>\nThe Last Judgement (central panel of the Last Judgement triptych) (c. 1504-08)<br>\nThe Ship of Fools (1490-1500)<br>\nThe Temptation of Saint Anthony (c. 1500)<\/p>\n\n\n\n\n\n<p><em><strong>Sandro Botticelli<\/strong> <\/em><strong>(1445-1510)<\/strong><br>\nThe Annunciation (1489-90)<br>\nThe Birth of Venus (c. 1485)<br>\nCalumny (detail of Truth and Remorse) (1490-95)<br>\nCalumny (1490-95)<br>\nPiet\u00e0 (1495-1500)<br>\nThe Return of Judith (c. 1470)<br>\nVenus and Mars (1482-83)<\/p>\n\n\n\n\n\n<p><em><strong>Fran\u00e7ois Boucher<\/strong><\/em> <strong>(1703-70)<\/strong><br>\nThe Bath of Diana (1742)<br>\nLeda and the Swan (1741)<br>\nPygmalion and Galatea (1767)<br>\nReclining Nude (\u201cMademoiselle O\u2019Murphy\u201d) (c. 1755)<br>\n<em>La Toilette<\/em> (1742)<br>\n<em>La Toilette de Venus<\/em> (1751)<\/p>\n\n\n\n\n\n<p><strong><em>Agnolo Bronzino<\/em> (1503-72)<\/strong><br>\nCosimo I de\u2019 Medici (undated)<br>\nPortrait of a Young Man (c. 1535-40)<br>\nPortrait of a Young Man (c. 1550-55)<br>\nAn Allegory with Venus and Cupid (c. 1545)<\/p>\n\n\n\n\n\n<p><strong><em>The Brygos Painter<\/em> [Greek Vase Painter] (5th Century B.C.]<\/strong><br>\nAccompanied Youth with Castanets [Illustration of Boston 00.339]<br>\nAlcaeus and Sappho [Munich 2416]<br>\nApollo Running [Boston 10.197]<br>\nDancing Maenad [Munich 2645]<br>\nInterior: <em>komast<\/em> vomiting [Boston 10.200]<br>\nRed-Figure Cup (c. 490 BC)<br>\n<em>Symposium<\/em> (drinking party) scene (c. 490-480 BC)<br>\nZeus Pursuing Ganymede; Impending Rape [Boston 95.36]<\/p>\n\n\n\n\n\n<p><strong><em>Francesco del Cairo<\/em> (1598-1674)<\/strong><br>\nHerodias with the Head of St. John the Baptist (1625-30)<br>\nJudith<\/p>\n\n\n\n\n\n<p><strong><em>Caravaggio<\/em> [Michelangelo Merisi] (1573-1610)<\/strong><br>\nThe Annunciation (c. 1609)<br>\nAmor Victorious (1602-03)<br>\nBacchus (c. 1596)<br>\nDavid Victorious Over Goliath (1606-07)<br>\nThe Doubting of St. Thomas (1601-02)<br>\nJudith &amp; Holofernes (c.1598)<br>\nHead of Medusa 1 (after 1590)<br>\nHead of Medusa 2 (after 1590)<br>\nSalome receives the Head of Saint John the Baptist (1607-10)<br>\nSupper at Emmaus (c. 1600-02)<\/p>\n\n\n\n\n\n<p><strong><em>Charles-Nicolas Cochin the Younger<\/em> (1715-1790)<\/strong><br>\n<em>L \u2019Allegresse, le Chagrin<\/em> (1774\/1781)<br>\n<em>Belle n&#8217;ecoutez rien, Arlequin est un traitre, &#8230; etc.<\/em><br>\n<em>Le Conteur<\/em><br>\n<em>Frontispiece de l&#8217;Encyclopdie<\/em><br>\n<em>Le statuaire et la statue de Jupiter, illustration for Jean de La Fontaine \u2019s Fables choisies<\/em> , Book IX, Fable 175<br>\n<em>Les souhaits, illustration for Jean de La Fontaine \u2019s Fables choisies<\/em>, Book VII, Fable 130<\/p>\n\n\n\n\n\n<p><strong><em>Carlo Crivelli<\/em> (c. 1430-95)<\/strong><br>\nAnnunciation with St Emidius (1486)<br>\nLamentation over the Dead Christ (1485)<\/p>\n\n\n\n\n\n<p><strong>Jacques-Louis David (1748-1825)<\/strong><br>\nAndromache Mourning Hector (1783)<br>\nThe Battle of the Romans and Sabines (1799)<br>\nCupid and Psyche (1817)<br>\nThe Death of Marat (1793)<br>\nThe Death of Socrates (1787)<br>\nMars Disarmed by Venus and the Three Graces (1824)<br>\nNude Study of Hector (1778)<br>\nParis and Helen (1788)<br>\nPortrait of Countess Daru (1810)<br>\nPortrait of Madame R\u00e9camier (1800)<\/p>\n\n\n\n\n\n<p><strong><em>Louis-Philibert Debucourt<\/em> (1755-1832)<\/strong><br>\n<em>Les Deux Baisers<\/em> (1786)<br>\n<em>La Marchande d&#8217;Eau de vie<\/em> (1817)<br>\n<em>La Promenade Publique<\/em> (1792)<br>\n<em>La Rose mal defendue<\/em> (1791)<\/p>\n\n\n\n\n\n<p><strong><em>Douris<\/em> [Greek Vase Painter] (c. 500 B.C.]<\/strong><br>\nBlack figure, including one in a state of arousal; so-called \u201cAffected Painter\u201d (c. 540 B. C.)<br>\nDancing Satyr [Boston 00.499, Side A]<br>\nDancing Satyr [Boston 00.499, Side B]<br>\nDancing Satyrs and Maenads [Boston 00.499, Side A]<br>\nDancing Satyrs and Maenads [Boston 00.499, Side B]<br>\nHeterosexual Intercourse [Boston 1970.233]<br>\nHeterosexual Intercourse [Boston MFA]<br>\nHomosexual Courtship [Boston 10.193, Side A]<br>\nHomosexual Courtship [Boston 10.193, Side B]<br>\nAroused Satyr and Maenad [Cleveland 508.15, Side B, scene at right]<br>\nSatyrs and Maenad [Boston 00.343]<br>\n<em>A Troupe of Satyrs<\/em> [Red-figured <em>psykter<\/em> (wine-cooler), signed by Douris as painter] (c. 500-490 BC)<\/p>\n\n\n\n\n\n<p><strong><em>Albrecht D\u00fcrer<\/em> (1471-1528)<\/strong><br>\nAdam and Eve (1504)<br>\nAngel with the Key to the Bottomless Pit (1498)<br>\nThe Annunciation (1503)<br>\nCoat of Arms of Death (1503)<br>\nThe Death of Orpheus (1494)<br>\nThe Flagellation , from <em>The Large Passion<\/em> (c. 1497)<br>\nThe Four Avenging Angels (1498)<br>\nThe Four Horsemen of the Apocalypse (1498)<br>\nFour Witches (1497)<br>\nJealousy (1499)<br>\nThe Knight, Death, and the Devil (1513-14)<br>\nLucretia (1518)<br>\nMelancholia I (1514)<br>\nSt. Jerome in the Wilderness (1494)<br>\nSt. Michael Fighting the Dragon (1496-98)<br>\nThe Sea Monster and the Beast with the Lamb\u2019 s Horns (1496-98)<br>\nThe Seven-Headed Dragon (1496-98)<\/p>\n\n\n\n\n\n<p><strong><em>John Henry Fuseli<\/em> (1741-1825)<\/strong><br>\nLady Macbeth (1784)<br>\nNight Hag and Lapland Witches (1796)<br>\nThe Nightmare , or The Incubus (1781)<br>\nThe Nightmare , or The Incubus (1781-82)<br>\nThor in the Boat of Hymir (1790)<\/p>\n\n\n\n\n\n<p><strong><em>Artemisia Gentileschi<\/em> (c. 1593-c. 1651): introduction<\/strong><br>\nAllegory of Inclination (1615-16)<br>\nCleopatra (1621-22)<br>\nCleopatra (c. early 1630s)<br>\nDana\u00eb (c.1612)<br>\nJudith Slaying Holofernes (c. 1611-12)<br>\nJudith Slaying Holofernes (c. 1612-13); enlarged<br>\nJudith Slaying Holofernes (c. 1620)<br>\nLucretia (c. 1621)<br>\nLucretia (1642-43)<br>\nMary Magdalen, or the Penitent Magdalen (1613-20)<br>\nSusanna and the Elders (1610)<\/p>\n\n\n\n\n\n<p><strong><em>Giorgione<\/em> (c. 1476\/8-1510)<\/strong><br>\nJudith (1504)<br>\nNymphs and Children in a Landscape with Shepherds (c. 1575-1625)<br>\nSleeping Venus (c. 1510)<br>\nVenus and Cupid in a Landscape (c. 1505-15)<\/p>\n\n\n\n\n\n<p><strong><em>Francisco<\/em> [<em>Jos\u00e9<\/em>] <em>de Goya<\/em> [<em>y Lucientes<\/em> ] (1746-1828)<\/strong><br>\nDon Manuel Osorio Manrique de Zu\u00f1iga (1784-92)<br>\nDo\u00f1a Isabel de Porcel (before 1805)<br>\nMaja Clothed (1800-03); enlarged<br>\nMaja Nude (before Nov 1800); enlarged<br>\nMajas on a Balcony (c. 1810-15)<br>\nSaturn Devouring His Son (c. 1819)<br>\nWitches Sabbath (1798)<\/p>\n\n\n\n\n\n<p><strong><em>El Greco<\/em> [<em>Domenikos Theotokopoulos<\/em>] (1541-1614)<\/strong><br>\nThe Disrobing of Christ (1583-84)<br>\nLaoco\u00f6n (1610-14)<br>\nThe Magdalen (1576-78)<br>\nPortrait of a Cardinal (c. 1600)<br>\nSaint Jerome as a Cardinal (1590-1600)<br>\nSaint Sebastian (c. 1580)<br>\nSaint Sebastian (1610-14)<\/p>\n\n\n\n\n\n<p><strong>Greek Red Figure Vase [Still Under Construction]<\/strong><br>\nOrgy scene (c. 5th Century)<br>\nRevelling Seileni (c. 5th Century)<\/p>\n\n\n\n\n\n<p><strong>Frans Hals (c. 1580-1666)<\/strong><br>\nRegents of the Old Men\u2019s Almshouse (1664)<br>\nThe Women Regents of the Haarlem Almshouse (1664)<\/p>\n\n\n\n\n\n<p><strong><em>Hokusai Katsushika<\/em> (1760-1849) [Still Under Construction]<\/strong><br>\nGirl Diver and Octopuses<br>\nThe Great Wave at Kanagawa (c. 1831-33)<\/p>\n\n\n\n\n\n<p><strong><em>William Hogarth<\/em> (1697-1764)<\/strong><br>\nThe Harlot\u2019s Progress, plate 1 of 6 (1732)<br>\nThe Harlot\u2019s Progress, plate 2 of 6 (1732)<br>\nThe Harlot\u2019s Progress, plate 3 of 6 (1732)<br>\nThe Harlot\u2019s Progress, plate 4 of 6 (1732)<br>\nThe Harlot\u2019s Progress, plate 5 of 6 (1732)<br>\nThe Harlot\u2019s Progress, plate 6 of 6 (1732)<br>\nMarriage A-la-Mode: Scene 1, The Marriage Settlement (c. 1743)<br>\nMarriage A-la-Mode: Scene 2, The T\u00eate \u00e0 T\u00eate (c. 1743)<br>\nMarriage A-la-Mode: Scene 3, The Inspection (c. 1743)<br>\nMarriage A-la-Mode: Scene 4, The Toilette (c. 1743)<br>\nMarriage A-la-Mode: Scene 5, The Bagnio (c. 1743)<br>\nMarriage A-la-Mode: Scene 6, The Lady \u2019 s Death (c. 1743)<br>\nA Rake \u2019s Progress: Surrounded by Artists and Professors (1732-1734)<br>\nA Rake \u2019s Progress: The Tavern Scene (1732-1734)<br>\nA Rake \u2019s Progress: Scene in a Gaming House (1732-1734)<br>\nSatan, Sin, and Death (1735-40)<br>\nThe Shrimp Girl (c. 1740-43)<\/p>\n\n\n\n\n\n<p><strong><em>Hans Holbein the Younger<\/em> (c. 1497\/8-1543)<\/strong><br>\n\u201cThe Ambassadors\u201d (1533)<br>\nDeath and the Miser , from <em>The Dance of Death<\/em> (1523-26)<br>\nErasmus of Rotterdam (c. 15??)<br>\nHenry Howard, the Earl of Surrey (1541-43)<br>\nPortrait of Anne of Cleves (c. 1539)<br>\nPortrait of Jane Seymour (1536-37)<br>\nPortrait of Henry VIII (1536)<br>\nPortrait of Henry VIII (1540)<br>\nPortrait of Sir Thomas More (1527)<br>\nPortrait of an Unknown Lady (Catherine Howard?) (c. 1541)<\/p>\n\n\n\n\n\n<p><strong><em>Gustav Klimt<\/em> (1862-1918)<\/strong><br>\nAllegory of Sculpture (1889)<br>\nDanae (1907-08)<br>\nExpectation (1905-09)<br>\nGirl-friends (1916-17)<br>\nHope I (1903)<br>\nJudith I (1901)<br>\nJudith I [another version] (1901)<br>\nJudith II (1909)<br>\nJudith II [another version] (1909)<br>\nLove (1895)<br>\nMoving Water (1898)<br>\nPortrait of Adele Block-Bauer (1907)<br>\nWater Serpents (1904-07)<\/p>\n\n\n\n\n\n<p><strong><em>Leonardo Da Vinci<\/em> (1452-1519)<\/strong><br>\nThe Annunciation (1472-75)<br>\nLa Gioconda [The Mona Lisa] (1503-06)<br>\nThe Last Supper (c. 1495-98)<br>\nLeda (c. 1510-15)<br>\nSt. John the Baptist (1513-16)<br>\nVirgin and Child with St. Anne (c. 1508) [Louvre]<br>\nVirgin and Child with St. Anne and St. John the Baptist (c. 1499-1500) [National Gallery, London]<br>\nThe Virgin of the Rocks (c. 1485) [Louvre]<br>\nVirgin of the Rocks (c. 1508) [National Gallery, London]<\/p>\n\n\n\n\n\n<p><strong><em>Pietro Longhi<\/em> (1702-85)<\/strong><br>\nThe Soothsayer (c. 1750)<br>\nThe Spice-vender \u2019s Shop (c. 1752)<br>\nThe Tooth Puller (1746)<\/p>\n\n\n\n\n\n<p><strong><em>Claude Lorrain<\/em> (c. 1602-82)<\/strong><br>\nAeneas \u2019s Farewell to Dido in Carthage (1675-76)<br>\nThe Disembarkation of Cleopatra at Tarsus (1642)<br>\nThe Judgement of Paris (1645-46)<br>\nLandscape with Acis and Galathe (1657)<br>\nLandscape with Cephalus and Procris reunited by Diana (1645)<br>\nThe Rape of Europa<br>\nThe Return of Odysseus (1644)<\/p>\n\n\n\n\n\n<p><strong><em>Ren\u00e9<\/em> [<em>Francois Ghislain<\/em>] <em>Magritte<\/em> (1898-1967)<\/strong><br>\nAttempting the Impossible (1928)<br>\nThe Forbidden Universe (1943)<br>\nThe Great War (1964)<br>\nThe Ignorant Fairy (1950)<br>\nRape (1934)<br>\nThe Sea of Flames (1945-46)<\/p>\n\n\n\n\n\n<p><strong><em>Andrea Mantegna<\/em> (1431-1506)<\/strong><br>\nThe Agony in the Garden (c. 1459-60)<br>\nBattle of the Sea Gods 1 (c. 1485-88)<br>\nBattle of the Sea Gods 2 (c. 1485-88)<br>\nJudith and Holofernes (1495)<br>\nJudith and Holofernes (1495-1500) [grisaille]<br>\nMadonna and Child with Cherubs<br>\nThe Meeting (detail) (1474)<br>\nSamson and Delilah (c. after 1490) [grisaille]<br>\nSt. George (c. 1460)<br>\nSt. Sebastian (c. 1457-59)<br>\nSt. Sebastian (c. 1480)<\/p>\n\n\n\n\n\n<p><strong><em>Michelangelo Buonarroti<\/em> (1475-1564)<\/strong><br>\nBacchus (1497)<br>\nThe Creation of Man (1508-12)<br>\nDavid (front view) (1504)<br>\nDavid (rear view) (1504)<br>\nThe Dying Slave (unfinished) (c. 1513)<br>\nThe Fall from Grace (1508-12)<br>\nPiet\u00e0 (1499)<br>\nVictory (1532-34)<\/p>\n\n\n\n\n\n<p><strong><em>After Giulio Romano<\/em> (c. 1492 or 1499-1546) [Still Under Construction]<\/strong><br>\n<em>Sedici Modi<\/em> engraving, No. 3 (c. 1524)<br>\n<em>Sedici Modi<\/em> engraving, No. 13 (c. 1524)<\/p>\n\n\n\n\n\n<p><strong><em>Peter Paul Rubens<\/em> (1577-1640)<\/strong><br>\nThe Abduction of Ganymede (<br>\nAngelica and the Hermit (c. early 1630s)<br>\nBacchus (1638-40)<br>\nThe Battle of the Amazons (1618)<br>\nCrocodile and Hippopotamus Hunt (1615-16)<br>\nDaniel in the Lions \u2019 Den (detail) (1613)<br>\nDiana and her Nymphs Surprised by the Fauns (1638-40)<br>\nDiana Returning from the Hunt (c. 1615)<br>\nThe Fall of Phaeton (1605)<br>\nThe Garden of Love (1630)<br>\nJudith with the Head of Holofernes (c. 1616)<br>\nJudith with the Head of Holofernes (c. 1620-22)<br>\nThe Judgement of Paris (1635-38)<br>\nThe Judgement of Paris (1639)<br>\nThe Little Fur (wife H\u00e9l\u00e8ne Fourment) (c. after 1635)<br>\nPerseus Liberating Andromeda (c. early 1620s)<br>\nThe Rape of the Daughters of Leucippus (1618)<br>\nSt. George and the Dragon (1606-07)<br>\n<em>Le Chapeau de Paille<\/em> (The Straw Hat) (c. 1622-26)<br>\nThe Three Graces (c. 1836-39)<br>\nVenus and Adonis (c. 1610)<br>\nVenus and Adonis (c. mid-to-late 1630s)<br>\nVenus and Adonis (detail) (c. mid-to-late 1630s)<br>\nVenus at the Mirror (1615)<\/p>\n\n\n\n\n\n<p><strong><em>Sugimura Jihei<\/em> (active 1680-1698) [Still Under Construction]<\/strong><br>\nCouple Making Love (1680-90)<br>\nCouple by a Screen<br>\nWoman Sitting in Man\u2019s Lap (1680)<\/p>\n\n\n\n\n\n<p><strong><em>Jacopo Tintoretto<\/em> (1518-94)<\/strong><br>\nAdam and Eve (c. 1550)<br>\nAriadne, Venus, and Bacchus (1576)<br>\nSaint George and the Dragon (c. 1555-60)<br>\nVenus, Vulcan, and Mars (detail) (c. 1550)<\/p>\n\n\n\n\n\n<p><strong><em>Titian<\/em> (c. 1485-1576)<\/strong><br>\nAllegory of Time Governed by Prudence (1565-70)<br>\nAnnunciation (1559-62)<br>\nBacchus and Ariadne (1523-24)<br>\nDana\u00eb (1544)<br>\nDana\u00eb (1553-54)<br>\nDana\u00eb (c. 1554)<br>\nDeath of Actaeon (1562)<br>\nDiana and Actaeon (1559)<br>\nEntombment (Piet\u00e0) 1576)<br>\nMary Magdalen (1533)<br>\nPenitent Mary Magdalen (1560s)<br>\nProfane Love (Vanity) (1514-15)<br>\nSacred and Profane Love (1514)<br>\nSt. John the Baptist (1540)<br>\nSaint Sebastian (1570)<br>\nVenus and Adonis (1553-54)<br>\nVenus at her Toilet (1554-55)<br>\nVenus with a Mirror (1555)<br>\nThe Venus of Urbino (1538)<\/p>\n\n\n\n\n\n<p><strong><em>Kitagawa Utamaro<\/em> (1754-1806) [Still Under Construction]<\/strong><\/p>\n\n\n\n\n\n<p><strong><em>Jan Van Eyck<\/em> (b. before 1395, d. 1441)<\/strong><br>\nThe Annunciation (c. 1435) [National Gallery, Washington]<br>\nThe Annunciation (c. 1425-30) [Metropolitan, NY]<br>\nArnolfini Marriage (1434)<\/p>\n\n\n\n\n\n<p><strong><em>Diego Vel\u00e1zquez<\/em> (1599-1660)<\/strong><br>\nThe Coronation of the Virgin (1641-44)<br>\nThe Feast of Bacchus (1628-29)<br>\nThe Immaculate Conception (c. 1618)<br>\nThe Supper at Emmaus (1620)<br>\nThe Three Musicians (c. 1618)<br>\nThe Toilet of Venus (\u201cThe Rokeby Venus\u201d) (c. 1644-51)<\/p>\n\n\n\n\n\n<p><strong><em>Jean-Antoine Watteau<\/em> (1684-1721)<\/strong><br>\nThe Embarkation for Cythea (1717)<br>\nGilles as Pierrot (1718)<br>\nJupiter and Antiope (1713)<br>\nMezzetin (1718-20)<br>\nPierrot Content<br>\nA Pilgrimage to Cythera (1717)<br>\nA Pilgrimage to Cythera (detail) (1717)<br>\nPlaisirs d\u2019amour [The Pleasures of Love] (c. 1715)<\/p>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1075,"featured_media":0,"parent":184,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-210","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/users\/1075"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/comments?post=210"}],"version-history":[{"count":4,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/210\/revisions"}],"predecessor-version":[{"id":932,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/210\/revisions\/932"}],"up":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/184"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/media?parent=210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}