{"id":25,"date":"2012-09-05T11:22:45","date_gmt":"2012-09-05T15:22:45","guid":{"rendered":"https:\/\/people.clas.ufl.edu\/template\/?page_id=25"},"modified":"2026-03-19T09:03:05","modified_gmt":"2026-03-19T13:03:05","slug":"curriculum-vitae","status":"publish","type":"page","link":"https:\/\/people.clas.ufl.edu\/snod\/curriculum-vitae\/","title":{"rendered":"Curriculum Vitae"},"content":{"rendered":"\r\n
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Curriculum Vitae<\/h1>\n\n\n\n

Abridged Vita<\/h3>\n\n\n\n

Chris Snodgrass
\nDepartment of English
\nUniversity of Florida<\/h4>\n\n\n\n

Personal<\/strong>
\nHome Address: 2405 NW 59th Terrace, Gainesville, Florida 32606-6481
\nTelephone: (352) 376-8362 (home); 392-6650, ext. 262 (office)
\nE-mail: snod@english.ufl.edu
\nAcademic Rank: Professor (member of the Graduate Faculty)<\/p>\n\n\n\n\n\n

Degrees<\/strong>
\nWabash College (Crawfordsville, Indiana), B.A. English\/History (summa cum laude<\/em>)
\nState University of New York at Buffalo, M.A. English; Ph.D. English (Literature and Philosophy Program)<\/p>\n\n\n\n\n\n

Selected Academic Honors, Awards, Recognition<\/strong>
\nGraduated summa cum laude<\/em>
\nMargaret Farber Award in English, Wabash College
\nPsi Chi Psychology Honorary (local Chapter President)
\nPhi Beta Kappa, Wabash College
\nFirst Ranking on Comprehensive Examinations, Wabash College
\nBlue Key Service Honorary
\nWoodrow Wilson Fellow, Woodrow Wilson Foundation
\nHenry M. Woodburn Fellow, SUNYAB Foundation
\nUF Outstanding Achievement and Performance Award, 1990
\nCompetitive, Full-pay, One-semester Sabbatical Grant, 1991
\nDivision of Sponsored Research Summer Research Grant (several years)
\nSUS\/UF Teaching Incentive Program Award (TIP) for teaching excellence, 1994
\nAubrey Beardsley, Dandy of the Grotesque<\/em> selected by CHOICE as one of the “Outstanding Academic Books of 1995”
\nAubrey Beardsley, Dandy of the Grotesque<\/em> nominated by Oxford UP for the MLA First Book Prize, 1996
\nAubrey Beardsley, Dandy of the Grotesque<\/em> nominated for Woodrow Wilson Foundation Hans Rosenhaupt Book Prize, 1996
\nLiberal Arts & Sciences Research Initiation Project Summer Research Grant, 1997
\nLiberal Arts & Sciences Teacher of the Year Award, 1997
\nUF Outstanding Achievement and Performance Award, 1997
\nUF Faculty Distinction Award, 2000
\nUF SPP Award for Professors, 2004<\/p>\n\n\n\n\n\n

Professional Memberships<\/strong>
\nModern Language Association
\nUnited Faculty of Florida
\nFlorida Education Association
\nNational Education Association
\nNineteenth-Century Studies Association
\nEighteen-Nineties Society
\nVictorian Institute
\nOscar Wilde Society
\nELCS-L (English Literature, Culture, & Society international E-mail group)
\nHistsex-L (History of Sexuality E-mail group)
\nVictoria-L (Victorians international E-mail group)
\nWilde-L (Oscar Wilde international E-mail group)<\/p>\n\n\n\n\n\n

Selected Publications<\/strong><\/p>\n\n\n\n\n\n

Books<\/span>
\nAubrey Beardsley: Dandy of the Grotesque<\/em><\/a> . New York and London: Oxford UP, 1995. 338 pp.; 125 illustrations. (Selected by CHOICE as one of the \u201cOutstanding Academic Books of 1995\u201d).<\/p>\n\n\n\n\n\n

Current book project: Elegant Monsters: Aubrey Beardsley and the Crisis in Late-Victorian Narratives of Sexuality<\/em>, a study of Beardsley’s art in the context of fin-de-si\u00e8cle representations of sexuality.<\/p>\n\n\n\n\n\n

Co-Author Books<\/span>
\nCollective Bargaining Agreement Between the Florida Board of Regents and the United Faculty of Florida<\/em>, 1981\u201384<\/em>, principal author with Caesar Naples, with assistance from several other members of the BOR & UFF bargaining teams (Tallahassee, FL: State of Florida, 1981; revised 1982, 1983). [i\u2013iv] + 69 pp.<\/p>\n\n\n\n\n\n

Collective Bargaining Agreement Between the Florida Board of Regents and the United Faculty of Florida, 1995\u201398<\/em>, principal author with James J. Parry, with assistance from several other members of the BOR & UFF bargaining teams (Tallahassee, FL: State of Florida, 1995). i\u2013ii + 101 pp.<\/p>\n\n\n\n\n\n

Collective Bargaining Agreement Between the Florida State University Board of Trustees and the United Faculty of Florida<\/em>, 2004\u20132007<\/em>, contributing co-author with principal co-authors Theodore Baker and Michael Mattimore, and with assistance from several other members of the BOR & UFF bargaining teams (Tallahassee, FL: FSU, 2004). 140 pp.<\/p>\n\n\n\n\n\n

Collective Bargaining Agreement Between the University of North Florida and the United Faculty of Florida, 2006\u20132008<\/em>, principal co-author with Cheryl Frohlich, Leonard Carson, Joann Campbell, with assistance from several other members of the UNFBOT & UFF bargaining teams (Jacksonville, FL: UNF, 2006). 144 pp.<\/p>\n\n\n\n\n\n

Selected Articles<\/span>
\n\u201cWilde\u2019s Art-Life Dialectic,\u201d essay-review of Christopher S. Nassaar\u2019s Into the Demon Universe: A Literary Exploration of Oscar Wilde<\/em> (Yale, 1974) for Criticism<\/em> 17 (Spring 1975): 102-109.<\/p>\n\n\n\n\n\n

\u201cOscar Wilde,\u201d Twentieth Century Literary Criticism<\/em>, Vol. I, eds. Dedria Bryfonski and Phyllis Carmel Mendelson (Detroit: Gale Research Co., 1978): 509-10.<\/p>\n\n\n\n\n\n

\u201cSwinburne\u2019s Circle of Desire: A Decadent Theme,\u201d Decadence and the 1890’s<\/em>, eds. Malcolm Bradbury and Ian Fletcher (London: Edward Arnold, 1979): 60-87.<\/p>\n\n\n\n\n\n

\u201cErnest Dowson\u2019s Aesthetics of Contamination,\u201d English Literature in Transition<\/em>, 1880-1920 26.3 (Fall 1983): 162-74.<\/p>\n\n\n\n\n\n

\u201cBeardsley\u2019s Oscillating Spaces: Play, Paradox, and the Grotesque,\u201d Reconsidering Aubrey Beardsley<\/em>, ed. Robert Langenfeld (UMI Research Press, 1989), 19-53.<\/p>\n\n\n\n\n\n

\u201cDecadent Mythmaking: Arthur Symons on Aubrey Beardsley and Salome,\u201d Victorian Poetry<\/em> 28.3 & 4 (Autumn-Winter 1990): 61-109.<\/p>\n\n\n\n\n\n

\u201cAesthetic Memory\u2019s Cul-de-sac: The Art of Ernest Dowson,\u201d English Literature in Transition<\/em>, 1880-1920 35.1 (1992): 26-53.<\/p>\n\n\n\n\n\n

\u201cAubrey Beardsley and the Caricature of Meaning,\u201d Fin de Si\u00e8cle \/ Fin du Globe<\/em>, ed. John Stokes (London and New York: Macmillan, 1992), 178-209.<\/p>\n\n\n\n\n\n

\u201cDecorations: In Verse and Prose<\/em> (1899),\u201d The Eighteen Nineties: An Encyclopedia of British Literature, Art and Culture<\/em>, ed. G. A. Cevasco (New York and London: Garland, 1993), 146-48 [1722 words].<\/p>\n\n\n\n\n\n

\u201cDilemmas: Stories and Studies in Sentiment<\/em> (1895),\u201d The Eighteen Nineties: An Encyclopedia of British Literature, Art and Culture<\/em>, ed. G. A. Cevasco (New York and London: Garland, 1993), 157-59 [2717 words].<\/p>\n\n\n\n\n\n

\u201cErnest Christopher Dowson (1867-1900),\u201d The Eighteen Nineties: An Encyclopedia of British Literature, Art and Culture<\/em>, ed. G. A. Cevasco (New York and London: Garland, 1993), 171-74 [2129 words].<\/p>\n\n\n\n\n\n

\u201cVerses<\/em> (1896),\u201d The Eighteen Nineties: An Encyclopedia of British Literature, Art and Culture<\/em>, ed. G. A. Cevasco (New York and London: Garland, 1993), 647-49 [2308 words].<\/p>\n\n\n\n\n\n

\u201cErnest Dowson and Schopenhauer: Life Imitating Art in the Victorian Decadence,\u201d Victorian Institute Journal<\/em> 23 (Fall 1993): 1-46.<\/p>\n\n\n\n\n\n

Review of Fin de Si\u00e8cle: The Illustrators of the Nineties<\/em> (London: Barrie and Jenkins, 1992), by Simon Houfe, for Victorian Studies 37.3 (Spring 1994): 496-98.<\/p>\n\n\n\n\n\n

\u201cSymons, Arthur William,\u201d Encyclopedia of British Humorists<\/em>, ed. Steven Gale (Garland Press, 1996), 1093-1102 [7100 words].<\/p>\n\n\n\n\n\n

Review of The Rhymers\u2019 Club: Poets of the Tragic Generation<\/em> (New York: St. Martin’s Press, 1994), by Norman Alford, for Victorian Studies<\/em> 41.2 (Winter 1998): 288-90.<\/p>\n\n\n\n\n\n

\u201cBeardsley Scholarship at his Centennial: Tethering or Untethering a Victorian Icon,\u201d essay-review of the past hundred years of scholarship of Aubrey Beardsley (including reviews of thirteen 1998 books on Beardsley), for English Literature in Transition<\/em>, 1880-1920 42:4 (Fall 1999): 363-99.<\/p>\n\n\n\n\n\n

\u201cThe Poetry of the 1890s,\u201d Companion to Victorian Poetry<\/em>, eds. Richard Cronin, Alison Chapman and Anthony H. Harrison (Oxford, et. al.: Blackwell, 2002), 321\u201341. [11,000 words]<\/p>\n\n\n\n\n\n

Review of A Pious Bacchanal: Affinities between the Lives and Works of John Flaxman and Aubrey Beardsley<\/em> (New York, et. al.: Peter Lang, 2000), by Daniel O. Bell, for Victorian Studies<\/em> 44.4 (Summer 2002): 702\u2013704.<\/p>\n\n\n\n\n\n

Review of Modernism, Mass Culture, and the Aesthetics of Obscenity<\/em> (Cambridge, UK, et. al.: Cambridge UP, 2000), by Allison Pease, for English Literature in Transition<\/em>, 1880-1920 46:1 (Spring 2003): 71\u201375.<\/p>\n\n\n\n\n\n

\u201cWilde\u2019s Salome: Turning \u2018the Monstrous Beast\u2019 into a Tragic Hero,\u201d Oscar Wilde: The Man, His Writings, and His World<\/em>, edited by Robert N. Keane (New York: AMS Press, 2003), 183\u201396.<\/p>\n\n\n\n\n\n

Selected Addresses, Papers, Panels, etc.<\/strong>
\n\u201cAubrey Beardsley and the Caricature of Signification in the Fin de Si\u00e8cle,\u201d 45-minute paper presented at “Fin de Si\u00e8cle\/ Fin du Globe” Conference, European Humanities Institute, University of Warwick, England, 8 July 1990.<\/p>\n\n\n\n\n\n

\u201cThe Art of Aubrey Beardsley: Is There a Monster in This Picture or What?\u201d One-hour address presented at Wabash College, Crawfordsville, Indiana, 18 March 1991.<\/p>\n\n\n\n\n\n

\u201cDecadence and Plato, Lessing, and Nietzsche,\u201d Guest Seminar, Wabash College, Crawfordsville, Indiana, 19 March 1991.<\/p>\n\n\n\n\n\n

\u201cTrends in Compensation,\u201d Panel Speaker, 1995 National Higher Education conference “Changing the Academic Workplace for the 21st Century,” National Education Association, Tampa, FL, 3 March 1995.<\/p>\n\n\n\n\n\n

\u201cThe State University System Collective Bargaining Experience in Florida,\u201d Forum on Collective Bargaining, Southern Illinois University, Carbondale, Illinois, 28 October 1996.<\/p>\n\n\n\n\n\n

\u201cAubrey Beardsley and the Fin-de-si\u00e8cle Narrative of Female Sexuality,\u201d International Conference on Narrative, University of Florida, Gainesville, FL, 3 April 1997.<\/p>\n\n\n\n\n\n

\u201cAubrey Beardsley\u2019s Grotesques and Fin-de-si\u00e8cle Myths of Degenerative Sexuality,\u201d 17th Annual Conference of the Nineteenth-Century Studies Association, By Body Bound<\/em>, Huntsville, Alabama, 3 April 1998.<\/p>\n\n\n\n\n\n

\u201cDecadent Spectacles: Aubrey Beardsley\u2019s Politics of Fetishism,\u201d 18th Annual Conference of the Nineteenth-Century Studies Association, Nineteenth-Century Spectacles<\/em>, Philadelphia, Pennsylvania, 20 March 1999.<\/p>\n\n\n\n\n\n

\u201cRepresenting Salome in the So-Called Decadence,\u201d The Arts of the British 1890s<\/em>, an interdisciplinary conference co-sponsored by Georgetown University English Department, The William Morris Society, the Eighteen-Nineties Society, and the Freer Gallery of Art, Washington, D. C., 11 September 1999.<\/p>\n\n\n\n\n\n

\u201cAubrey Beardsley\u2019s Decadent Spectacles: Degeneration, the Grotesque, and the Politics of Fetishism,\u201d Howe Society (Fall Event), Gainesville, FL, 21 October 1999.<\/p>\n\n\n\n\n\n

\u201cWilde\u2019s Salome<\/em>: Turning the \u2018Monstrous Beast\u2019 into a Tragic Hero,\u201d Oscar Wilde: The Man, His Writings, and His World<\/em>, a conference sponsored by Hofstra University, Hempstead, NY, 27 April 2000.<\/p>\n\n\n\n\n\n

\u201cReadings and Misreadings of Robert Louis Stevenson\u2019s The Strange Case of Dr. Jekyll and Mr. Hyde,\u201d Phillips Center for the Performing Arts, Gainesville, Florida, 27 November 2000.<\/p>\n\n\n\n\n\n

\u201cKeeping Faith: Consistency and Paradox in the World View of Michael Field,\u201d 29 February 2004, at the \u201cMichael Field and Their World\u201d international conference, University of Delaware, 27\u201329 February 2004.<\/p>\n\n\n\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n<\/section>\r\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":11,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"featured_post":"","footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-25","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/25","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/comments?post=25"}],"version-history":[{"count":5,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/25\/revisions"}],"predecessor-version":[{"id":943,"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/pages\/25\/revisions\/943"}],"wp:attachment":[{"href":"https:\/\/people.clas.ufl.edu\/snod\/wp-json\/wp\/v2\/media?parent=25"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}