Konsult: Theopraxesis, Parlor Press, Electracy and Transmedia Studies, 2019
Electracy: Gregory L. Ulmer’s Textshop Experiments, The Davies Group, Publishers, 2015, 352pp
Avatar Emergency, Parlor Press, New Media Theory Series, 2012, 293pp
Miami Virtue: Choragraphy of the Virtual City, e-book + archive (with John Craig Freeman, Barbara Jo Revelle, William Tilson) Community-University Research Alliance, Small Cities Imprint Vol 3 No 2 2012 332pp
http://smallcities.tru.ca/index.php/cura/issue/view/5
Electronic Monuments, University of Minnesota Press, Electronic Mediations Series, 2005, 273pp
Internet Invention: From Literacy to Electracy, Longman Publishers, Boston, MA, Writing and Technology Series, 2003, 335pp
Heuretics: The Logic of Invention, Johns Hopins University Press, 1994, 267pp.
Teletheory: Grammatology in the Age of Video, Routledge, 1989, 246pp. 2nd Revised Ed., Atropos Press, 2004
Applied Grammatology: Post(e)-Pedagogy from Jacques Derrida to Joseph Beuys Johns Hopkins University Press, 1985, 334pp. 3rd Printing, 1992.
Monographs
“Sounding the Unconscious,” in Glassary, Ed. John P. Leavey, Jr. University of Nebraska, 1986: pp 23-129.
The Legend of Herostratus: Existential Envy in Rousseau and Unamuno, University of Florida Presses, 1977, 79pp.
Textbooks
Text Book: An Introduction to Literary Language, New York, St. Martin’s Press, 1988. 2nd edition, 1994. 3rd edition, 2002 (Text Book: Writing Through Literature) 340pp. Co-Author, with Robert Scholes and Nancy Comley.
Chapters
“Foreword: The Apparatus of Attraction,” in Jason Helms, Rhizcomics: Rhetoric, Technology, and New Media Composition. Digital Rhetoric Collaborative, 2017.
http://www.digitalrhetoriccollaborative.org/rhizcomics/foreword.html
“Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being,” in Augmented Reality Art, Vladimir Geroimenko, Springer, 2014
“Post-Criticism: Conceptual Takes,” in The Routledge Companion to Experimental Literature, Ed. Joe Bray, Alison gibbons, Brian McHale, New York Routledge, 2012
“Quale Morphics: Strategic Wisdom,” in Ecology, Writing Theory, and New Media, Ed Sidney I. Dobrin, Routledge, 2012.
“Electrate Becoming,” Foreword, in Jan Rune Holmevik, Inter/vention, MIT Press, 2012.
“L’Objet du Post-Criticisme,” translation of “The Object of Post-Criticism,” in Images et (Re)Presentations: Les Annees 1980, Seconde Partie (bilingual ed.), Magasin: Centre National d’Art Contemporain de Grenoble, France (2008): 12-46.
“Florida Out of Sorts,” in New Media/New Methods, Eds. Jeff Rice and Marcel O’Gorman, Parlor Press, 2008: 21-46.
“Choral Consulting,” in Verstehen und Verstandigung: Interkulturelles Lehren und Lernen, Eds. Petra Bosenius, Andreas Rohde, Martina Wolff, Trier: Wissenschaftlicher Verlag, 2008: 209-24.
“Image Heuretics,” in Contemporary Poetics (Avant-Garde & Modernism Studies), Ed. Louis Armand, Northwestern University Press (2007): 233-55.
“Performance: Joseph Beuys,” in Joseph Beuys: The Reader, Eds. Claudia Mesch and Viola Michely, MIT Press (2007): 233-49 (reprinted from Applied Grammatology).
“Choramancy: A User’s Guide,” in Mind Factory, Ed. Louis Armand, Prague, Czech Republic: Litteraria Pragensia (2005): 200-259.
“Grammatology of the Future,” in Deconstructing Derrida, Eds, Peter Trifonas, Michael A. Peters, New York: Palgrave (2005): 137-164.
“A-Mail (Differential Imaging),” in Thinking Difference: Critics in Conversation, Ed. Julian Wolfreys, Fordham U.P., (2004) 124-146.
“Chora,” in Glossalalia: An Alphabet of Critical Keywords, Ed. Julian Wolfreys, Edinburgh University Press (2003) 35-49.
“The Internet and its Double: Voice in Electracy,” in Theoretical and Conceptual Innovation in Digital Domains, Eds. Gunnar Liestol, et al MIT Press (2003): 91-113.
“Reality Tables: Virtual Furniture,” in Prefiguring Cyberculture, Eds. Darren Tofts et al MIT Press, co-publish with The Power Institute, Sydney, Australia (2002): 110-129
“Traffic of the Spheres,” in Car Crash Culture, Ed. Mikita Brottman, New York: Palgrave, 2002: 327-343 (French trans. forthcoming).
“Text Culture Grammatology,” in Reimagining Textuality: Textual Studies in the Late Age of Print,” Eds. Elizabeth Bergmann Loizeaux and Neil Fraistat, Madison: Wisconsin, 2002: 241-250.
“The Upsilon Project: A Post-Tragic Testimonial,” in Psychoanalysis and Performance, Eds. Adrian Kear and Patrick Campbell, Routledge, 2001: 203-217.
“Foreword/Forward (Into Electracy),” in Literacy Theory in the Age of the Internet, Eds. Todd Taylor and Irene Ward, New York: Columbia, 1998: ix-xiii
“Kubla Honky-Tonk,” in Language Machines, Eds Vickers et al, Routledge, 1997: 252-71
“Deconstructing the Family Album,” in Class Issues: Pedagogy, Cultural Studies, and the Public Sphere, Ed. Amitava Kumar, New York University, 1997: 276-289.
“Electracy: Designing Cyber-Pidgin,” in Interface 3: Labile Ordnungen, Ed. Klaus Peter Dencker, Hamburg: Hans-Bredow-Institut, 1997: 280-290.
“The Heuretics of Odyssey,” in Pedagogy, Praxis, Ulysses, Ed. Robert Newman, U of Michigan, 1995.
“The Miranda Warnings,” in Hypertext and Theory, Ed. George Landow, Johns Hopkins, 1995: 345-377.
“One Video Theory (some assembly required),” in Critical Issues in Electronic Media, Ed. Simon Penny, Albany: SUNY, 1995: 253-274
“The Heuretics of Deconstruction,”in Deconstruction and the Visual Arts, Eds. Peter Brunette, David Wills. Cambridge U Press, 1994: 80-95.
“Grammatology (in the Stacks) of Hypermedia,” in Literature Online: the Promise and Peril of Reading and Writing with Computers, Ed. Myron C. Tuman, Pittsburgh, 1992: 139-163.
“The Spirit Hand: On the Index,” in Theory/Pedagogy/Politics, Eds. Donald Morton, Mas’ud Zavarazdeh (Illinois, 1991):136-151.
“Textshop for an Experimental Humanities,” in Reorientations: Critical Theories & Pedagogies, Eds. Bruce Henricksen, Thais E. Morgan (Illinois, 1990): 113-132.
“The Puncept in Grammatology,” in On Puns: The Foundation of Letters, ed. Jonathan Culler, Basil Blackwell, 1988: 164-189.
“Mystory: The Law of Idiom in Applied Grammatology,” in The Future of Theory, Ed. Ralph Cohen, Methuen, 1989.
“Teletheory: A Mystory,” in The Current in Criticism, eds.Clayton Koelb,Virgil Lokke, Purdue University Press, 1987: 339-371.
“Textshop for Postepedagogy,” in Writing and Reading Differently: Deconstruction and the Teaching of Composition, Eds. G. Douglas Atkins and Michael Johnson, Kansas University Press, 1985: 38-64.
“Op Writing: Derrida’s Solicitation of Theoria” in Displacement, ed. Mark Krupnick, Indiana University Press, 1983: 29-58.
“The Object of Post-Criticism,” in The Anti-Aesthetic: Essays on Postmodern Culture, ed. Hal Foster, Bay Press, 1983: 83-110. Reprinted in Collage: A Reconsideration, Ed. Katherine Hoffman, UMI Research Press, 1989. French translation in: Des Arts, Hiver 86-87, No 5: 77-84.
Articles
“The Un/Official World,” American Book Review, 38:2, 2017
“Advising the Tyrant of Syracuse: Notes on the Recommendations on the Future of MIT Education,” with Mark Goulthorpe, MIT Faculty Newsletter Vol. XXVII No. 3, 2015
“Flash Reason,” in CyberText Yearbook, Guest Editors: Cynthia Haynes & Jan Rune Holmevik, University of Jyvaskyla 2013
http://cybertext.hum.jyu.fi/index.php?browsebook=9
“Electracy: The Internet as Fifth Estate,” in Journal of Pedagogic Development, (U of Bedfordshire) Vol 3, July 2013
http://www.beds.ac.uk/learning/support/jpd
“Florida Measure (Chora),” in Journal of Florida Studies, Vol 1 (2011)
http://journaloffloridastudies.org/
“Walden Choragraphy: Frog Maintenance,” in Discourse 31 (2009) 72-85.
“Heuretic Mythography,” in Pre/Text 19 (2009): 53-71.
“The Chora Collaborations,” in Rhizomes 18 (2008)
http://www.rhizomes.net/issue18/index.html
“Derrida in Miami (Miautre),” in The European Legacy, special issue edited by Eric White, Volume 12 Issue 4, July 2007
“Text/Hypertext,” in Blackwell Encyclopedia of Sociology, Ed. George Ritzer (2007), Vol X: 4971-4.
“Archive Derrida,” POIESIS 7 (2005): 58-63.
“The Genealogy of Ascetic Ideals: A Remake,” Space and Culture 6 (Fall, 2000): 102-114.
“After the Fact: Learning Trauma,” PARALLAX 19 (1999): 62-74
“I Had No Idea: The Origin of the Asterisk,” BROADSHEET 27 (1998) (Contempoary Art Centre of Southern Australia)
“The Grammatology Of Distance Learning,” Text Technology 7 (1997):5-20.
“A Response to Michael Joyce’s ’12 Blue’ Postmodern Culture (September, 1997).
“I Untied the Camera of Tastes (Who Am I?): The Riddle of Chool,” New Literary History 28 (1997): 569-594.
“The Unheimlich Manuever,” Lusitania 8 (1996): 134-141.
“The Euretics of Alice’s Valise,” Journal of Architectural Education 45 (1991): 3-10.
“Confrontation: For a New Consultancy,” Oxford Literary Review 12 (1990): 155-171.
“Theory Hobby: how-to-theory,” Art & Text 37 (1990): 96-101.
“Interview: The Making of “Derrida at the Little Bighorn,” Strategies 2 (1989): 9-23. Reprinted in R. L. Rutsky and Bradley J. MacDonald, Eds.,Strategies for Theory (Albany: SUNY, 2003): 145-157
“Handbook for a Theory Hobby,” Visible Language 22 (1988): 399-422.
“Textshop for Psychoanalysis: On De-Programming the Student Platonist,” College English 49 (1987): 756-769 (special issue, ed. Robert Con Davis).
“Roland Barthes and the Marx Brothers,” Yale French Studies 73 (1987): 38-59.
“Of a Parodic Tone Recently Adopted in Criticism,” New Literary History 13 (1982): 543-560.
“Barthes’s Body of Knowledge,” Studies in Twentieth-Century Literature 5 (1981): 219-235.
“The Post-Age,” Diacritics 11 (1981): 39-56.
“The Discourse of the Imaginary,” Diacritics 10 (1980): 61-75.
“Jacques Derrida and Paul de Man on/in Rousseau’s Faults,” The Eighteenth Century 20 (1979): 164-181.
“Fetishism in Roland Barthes’s Nietzschean Phase, Papers on Language and Literature 14 (1978): 334-355.
“Borges and Conceptual Art,” Boundary2 5 (1977): 845-861.
“Sociocriticism,” Novel 11 (1977): 70-76.
“Roland Barthes and the Phenomenology of Reading,” French Literature Series 4 (1977): 107-116.
“D. H. Lawrence, Wilhelm Worringer, and the Aesthetics of Modernism,” The D.H. Lawrence Review 10 (1977): 165-181.
“Rousseau and D.H. Lawrence: ‘Philosophes’ of the ‘Gelded’ Age,” Canadian Review of Comparative Literature 4 (1977): 68-80.
“Crime, Violence, and the Popular Arts,” Southern Humanities Review 9 (1975): 277-288.
“Clarissa and La Nouvelle Heloise” Comparative Literature 24 (1972): 289-308.
Net Media
“Avatar Emergency,” Digital Humanities Quarterly, special issue
http://67.207.129.15:8080/dhq/vol/5/3/000100/000100.html
“Electracy as Apparatus,” Constructions of the Future, Conference, Heidelberg, Germany, July 16, 2011, Skype presentation.
“Class Portrait with Daimon, a Remix,” in Remixthebook, Mark Amerika University of Minnesota Press, 2011
http://www.remixthebook.com/the-remixes
“The Learning Screen,” Networked Book (Turbulence.org) 2009
http://ulmer.networkedbook.org/the-learning-screen-introduction-electracy/
“Design Education and Electracy,” in DESIGN PHILOSOPHY PAPERS 5 (2003)
www.desphilosophy.com
“Ackeracy in Reporting” and “After Method: The Remake” in CULTUREMACHINE 5 (2003),
culturemachine.tees.ac.uk/frm_f1.htm
“The Art of the Future,” in THE ANTHOLOGY OF ART: JOCHEN GERZ, Braunschweig School of Art, www.anthology-of-art.net/ Dec.15-Dec.31, 2001.
“Cyberpidgin,” CU-SeeMe presentation for VERVE: THE OTHER WRITING, Ngapartji Multimedia Centre, Artists Week, Telstra Adelaide Festival 2000, March 9 (2000),
http://vervewriting.org/
Invited “Speaker,” Electronic Writing Research Ensemble, In collaboration with Parallel Gallery (Adelaide, Australia) online symposium (web and email), June, 1998:
ensemble.va.com.au/enslogic/
“Hot List,” Artforum 37 (1998): 22
“Wishing Y,” with Linda Marie Walker, ALT-X ONLINE PUBLISHING NETWORK,
www.altx.com/au2/lmw.html
Host, Online Symposium: Artistic Practice in the Network, Eyebeam Atelier and the X Art Foundation, Feb 1-April 30, 1998, a sample published in Eds. Amy Scholder with Jordan Crandall, INTERACTION: ARTISTIC PRACTICE IN THE NETWORK, (New York: Eyebeam, 2001).
Co-Director, 14th Computers & Writing Conference, U of Florida, May 28-31, 1998
Panelist, “Media Race,” satellite teleconference, Scanticon Center, Penn State U, 9/29/94.
Faculty Advisor and on-camera critic (9 of 26 programs), Literary Visions, Produced by the Southern California Consortium, sponsored by the Annenberg Foundation (first broadcast, PBS, fall, 1992).
Writer, Director, Greg Ulmer on Telerevisioning Literacy (video, 28m), produced and distributed by Paper Tiger Television, New York www.papertiger.org, #160, 1989.
“The Mr. Mentality Show” (video, 7m) in Apocalypse and Utopia (video, produced by the Critical Art Ensemble), Drift Distribution, New York City.
Florida Research Ensemble
(with B. Revelle, J. C. Freeman, Jack Stenner, Will Pappenheimer)
“School Shootings eMorial,” Augmented Reality installation, exhibition with Manifest: AR, Corcoran Gallery of Art, Washington, D.C., 8-14-13 to 9-1-13
“Murphy’s Well-Being,” Installation, Computer Art Congress 3, PostDigital Art, Nov 26-29, Paris, France http://postdigital.eu/program 2012
“Murphy’s Well-Being,” Interactive Konsult installation, in “Region 4: Transformation Through Imagination,” Exhibition, Thomas Center for the Arts, March 2-April 28, 2012 (Revelle, Stenner, Ulmer)
“Imaging Kaliningrad,” (Freeman, with Ulmer), in Art Guide: Koenigsberg/Kaliningrad Now, Ed. Elena Tsvetaeva, National Centre for Contemporary Arts, Kaliningrad, Russia, 2005: 96-99.
Synthesis and Distribution: Experiments in Collaboration, exhibit curated by Will Pappenheimer, Ron Janowich, Merlin Van Der Heijden Pace University Art Galleries, New York, Nov 15-Dec 16, 2005 (Pappenheimer and Ulmer)
“Imaging Place: Boston,” Boston Cyberarts Festival, (Freeman with Ulmer), Installation, 4/27 – 5/8, 2005
www.bostoncyberarts.org/
“Imaging Place: the Broken Bridge,” (Freeman, with Ulmer) DVD-data, 2004.
“Soft Wishing Y (for 9/11),” artUS 1:1 (Nov-Dec 2003): 34-35.
“Miami Miautre: Mapping the Virtual City,” PLR (Prague Literary Review) 1:2 July 2003: 17
“Miami Miautre: Mapping the Virtual City–A Preview,” in Journal of Visual Culture, 1:3 (2002).
“Soft Wishing Why Monument” (Pappenheimer, with Ulmer), Free Biennial, New York City, April, 2002,
www.freewords.org/biennial/artist/wishwhy.html;
www.willpap-projects.com/
“Miami Choragraphy,” Lecture, Colloquium, Seminar, with William Tilson, sponsored by the Design Division, Division of Rhetoric and Composition, and the Humanities Institute, University of Texas, Austin, February 25-26, 2002.
“Imaging America,” (Freeman, with Ulmer) in Paradise in Search of a Future January 25, 2002-March 23, 2002, Curated by Lisa Fischman Atlanta Contemporary Art Center
www.nexusart.org/ (originated by Center for Exploratory and Perceptual Art, Buffalo, NY)
“Imaging Niagara,” (Freeman, with Ulmer) in Paradise in Search of a Future, September 21 – December 22, 2001, CEPA Gallery. Buffalo, NY.
“Mapping the Virtual City,” Souths: Global and Local: An Interdisciplinary Conference, University of Florida, April 5, 2001
“MIAMI MIAUTRE: A Trailer,” LEONARDO (ISAST), Artist Statement Leonardo Electronic Almanac Vol 9 No 3 (2001).
http://leoalmanac.org/journal/Vol_9/lea_v9_n03.txt
“Virtual Florida,” John Craig Freeman, with Ulmer, Revelle, Tilson, CD-Rom for MIAMI MIAUTRE.
“MIAMI/MIAUTRE: A Choragraphy of the Miami River, FL,” Revelle and Pappenheimer, with the FRE (video, 26min), included in POLYLOGUE: A VIDEO ASSEMBLAGE, Yury Gibman and Michele Shauf, Digital Arts and Culture Conference 1999, Oct 28-30, 1999, Atlanta, GA.
“Imaging Florida,” EXPOSURE 32 (1999): 35-43 (Society for Photographic Education)
“The New Consultancy,” 14th Annual Computers and Writing Conference, Gainesville, FL, May, 1998
Jacksonville Museum of Contemporary Art, Lecture-Demonstration, In conjunction with the exhibition “Between,” April 9 and 16, 1998.
“Florida Psychogeography: Halbinselneid (Peninsula Envy),” Installation, in exhibition, Florida Landscape: Revisited, Polk Museum, Lakeland, FL, 1992
Online Projects, web.nwe.ufl.edu/~gulmer
Interviews
“Theopraxesis and the Future of H’MMM in the University: An Interview with Gregory L. Ulmer,” Sergio C. Figueiredo, in Journal for Culture and Religious Theory, 16:1, 2017
http://www.jcrt.org/archives/16.1/InterviewUlmer.pdf
“Teaching in the Margins,” Interview by Jesse Miller, Full Stop
“Electronic Humanities and the FRE,” interview by Chris Carter, Electronic Book Review 11-11-03 www.electronicbookreview.com/v3
“The Future of the Humanities,” interview and Korean translation by Sung-Do KIM, in Dong-Ah Ilbo, Seoul, South Korea, 4/18/03: A18. Complete interview in CRITICA 11 (2003): 114-157
“Toward Electracy: A Conversation with Gregory Ulmer,” by Talan Memmott, BEEHIVE HYPERMEDIA LITERARY JOURNAL 3 Dec. 2000
http://beehive.temporalimage.com/
“Imaging emerAgency: A Conversation with Gregory Ulmer,” by Joel Weishaus, POSTMODERN CULTURE 9 (1998)
http://jefferson.village.virginia.edu/pmc
“The Art of Gluing: An Electronic Interview with Gregory Ulmer,” by Joseph Tabbi, Weber Studies 14 (1997): 44-55.
“Theory On TV: Gadget Goes to Florida,” by Laurence A. Rickels, Artforum, January, 1996: 68-71.
Knight-Ridder Newspapers, article by Jack Wheat, 9/94
“Crossing Tracks,” by Anne Morgan, in Hybrid 2 (UK) April/May 1993: 6-7.
“A Few Moments with Greg Ulmer,” by Charles Fishman, Florida Magazine (Orlando Sentinel, July 8, 1990.
“Interview: Greg Ulmer,” by Critical Art Ensemble, Artpapers 14 (1990): 17-22.
Catalogues/Exhibitions
“Discourse of the Imaginary,” reprint, translation in German, in Exile of the Imaginary: Politics, Aesthetics, Love, Ed. Juli Carson, Generali Foundation, Wien, 2007.
“Swamp Value,” in SWAMP: ON THE EDGE OF EDEN, Harn Museum, Gainesville, Florida 9/17/00-1/7/01
“An Ordinary Evening in Adelaide,” in WARM FILTERS/PAINTINGS FOR BUILDINGS, Curators, Linda Marie Walker and Anton Hart, Contemporary Art Centre of South Australia, Adelaide, 1999 (Adelaide Festival 2000, March 3-19).
“Patch,” in THE NOON QUILT, Eds. Teri Hoskin and Sue Thomas, Nottingham Trent University, UK, 1999.
“Ackeracy in Reporting (The Last Supper in Santa Barbara by Paolo Veronese),” TERMINALS, Eds. Connie Samaras and Victoria Vesna (Univ of California, Los Angeles, 1999).
“THEORYHOBBY (A Shorebird of Mood),” Lux: Notes for an Electronic Writing, Contemporary Art Centre of South Australia, Fall, 1999
“The X Tables: Dialogues with the Prosthetic Unconscious,” in ISEA ’94, the Fifth International Symposium on Electronic Art, Helsinki, Finland, 1994.
“Comments on Cage,” in “Not Wanting to Say Anything About John”: Hommage a John Cage,1912-1992. Ecole Regionale des Beaux-Arts de Rouen, Rouen, France, 1993.
“Metaphoric Rocks: A Psychogeography of Tourism and Monumentality,” The Florida Landscape: Revisited, Ed. Christoph Gerozissis. Lakeland: Polk Museum, 1992. Online version in POSTMODERN CULTURE Vol 4. no 3, May 1994
www.iath.virginia.edu/pmc/
Respondent, “A Psychological Test: Kandinsky’s Questionaire,” in The Bauhaus and Design Theory, Eds. Ellen Lupton & J. Abbot Miller, Cooper Union, New York: 1991.
Lectures
“Visceral Design,” Seminar on Design and Technology, MIT, 11/7-9/2016.
“Electracy: The Digital Apparatus,” Poetics of the Algorithm: Narrative, the Digital, and “Unidentified” Media, ACME Comics Research Group, University of Liège , Belgium, June 17 2016.
“Apparatus Love,” Electronic Poetry Center, SUNY at Buffalo, April, 2015
“H’MMM + STEM in the Electrate University,” CCCC Risk and Reward, Tampa FL March 20, 2015
“Electracy,” Texts and Technology Program, University of Central Florida January 26, 2015
“The Design Technology Fit,” SMArchS Colloquium, MIT Architecture, Cambridge MA, Oct 10, 2014
“Keynote,” Next Generation Learning Workshop, Clemson University, Academic Technology Council, Clemson, SC Nov 8, 2013
“Enlightened Environments (Apophatic Design),” SMArchS Colloquium, MIT Architecture, Cambridge, MA, Oct 18, 2013
“EmerAgency/Electracy,” SMArchS Colloquium, MIT Architecture, Cambridge, MA, Oct 5, 2012
“Derrida’s Passage into Electracy,” Derrida Who? or What? Conference, Gainesville, Florida, 10-10-06
“Flash Reason Against the Internet Accident,” Conceptual Studies Lecture Series, University of Wisconsin, Milwaukee, Sept. 30, 2005.
“Multimodalities in Literacy and ‘Electracy’: A Conversation with Gregory Ulmer,” featured session, Conference on College Composition and Communication, San Francisco, March 17, 2005.
“Inventing Electracy,” Keynote address, Merging Word and Image, LSU English Mardi Gras Conference, Feb. 4, 2005, Baton Rouge, LA.
“Electracy: Encounters,” Transforming Encounters: Children’s Libraries Unbound, University of Florida, Gainesville, 4/2/04
“Image Metaphysics in Electracy,” European Graduate School, Saas-Fee, Switzerland, June 9, 2004
“The Inference Gift,” Beyond/After the Screen: the Impact of Documenta X, XI on Contemporary Film and Video Practices, The Harn Museum, Gainesville, FL 4/10/03
“Beyond Black Mountain College: Innovative Approaches to Education,” panel at Under the Influence: Celebrating the Legacy of Black Mountain College, Asheville, NC, Sept. 21, 2002,
“Conduction: The Fourth Inference,” European Graduate School, Saas-Fee, Switzerland, 8/15/01
“Grammatology of Memory,” special session on Literacy and Media, Modern Language Association national meeting, Washington, D.C., 12/28/00
“Internet Heuretics,” Keynote address, Incubation, TrAce International Conference on Writing and the Internet, Nottingham Trent University, Nottingham UK
trace.ntu.ac.uk/incubation/, 7/11/00.
“What Is Electracy?” Vassar College, Poughkeepsie, NY, 5/31/00
“Critical Divination Studies,” New Literacies Project, Minneapolis, University of Minnesota, 4/28/00
“Introduction to Electracy,” Tulane University, New Orleans, 4/3/00
“The Trojan Cow of Media Studies,” Plenary Panel, Society for Cinema Studies national meeting, West Palm Beach, Florida, 4/15/99
“Electronic Monumentality,” The NSCAD Lecture Series, Nova Scotia College of Art and Design, Halifax, Nova Scotia, Canada 3/19/99
“The New Consultancy,” Carol Soucek King Lectureship, Woodbury University, Pacific Design Center, Los Angeles, CA 2/26/98
“Heuretics of Design,” Architecture College, Iowa State University, Ames IA 11/97
“Virtual Modality,” From Energy to Information, University of Texas, Austin TX 4/4/97
“Scholarship Online,” Getty Forum, American Society for 18th-Century Studies, National Meeting, Nashville, TN 4/10/97
“Computers and the Creative Mind,” School of Arts and Sciences, University of Pennsylvania (Celebration, ENIAC Anniversary), 3/19/96
“Designing in Cyber-Pidgin,” Interface 3: Labile Ordnungen, Symposium on Art and Technology, Hamburg, Germany, 11/3/95
“Kubla Honky Tonk,” Language Machines, The English Institute, Harvard University, Cambridge MA, 8/27/95
“Choragraphy and the Internet,” Power Institute of Fine Arts, University of Sydney, New South Wales, Australia, 8/15/95
“Pedagogical Policies,” Plenary Panel, International Symposium on Electronic Art, University of Art and Design, Helsinki, Finland, 8/21/94
“Technology and Postmodern Culture,” Wexner Center, Ohio State University, 11/3/93
Critical Forum Address, South Atlantic Modern Language Association, Knoxville, TN 11/92
“An Evening with Gregory Ulmer,” Image Film and Video Center, Atlanta, GA, 1/17/92
“The Southwest and Film,” Southwest Texas State University, San Marcos, TX, 7/6/91
“Teletheory,” University of Southern California, 4/6/91
“How to Teletheory,” Carnegie Mellon University, Pittsburgh, PA 3/15/91
“Video Grammatology,” Modern Language Association, Chicago, IL 12/28/90
“Electronic Taboo,” Performance Studies, Tisch School of the Arts, New York University, New York, NY 10/5/90
“The Wexner Center in Context,” Wexner Center for the Visual Arts, Ohio State University, Columbus, Ohio 10/22/90
“Libraries in the Age of Electronics,” Volusia County Public Library, Daytona Beach, FL 8/23/90
“Design Heuretics,” Department of Architecture, Cornell University, Ithaca, NY 4/26/90
“After Teletheory,” English Department, State University of New York, Buffalo, NY 4/24/90
“Inventing Heuretics,” Department of English, Emory University, Atlanta, GA 11/16 89
“The Blissense of Mystory,” Whitney Museum of American Art, New York, NY 11/12/89.
“The Grammatology of Interactivity,” 16th Annual Alabama Symposium on English and American Literature, LITERACY ONLINE, Tusacaloosa,AL 10/29/89
“The Textual Invention of Institutions,” Religion and Contemporary Interpretations, University of Southern Mississippi, 3/20/89
“Architecture, Public Space and Modernity,” First Annual North Florida Architectural Conference, University of North Florida 4/28/89
“Theory Art,” School of Art, East Carolina University, Greenville NC 2/6/89.
“Grammatology,” Graduate Seminar on Theory and Pedagogy, Johns Hopkins University, 3/10/89
“What, How, and Why a Community Communicates: A Public Forum,” Hippodrome State Theater, Gainesville FL (Florida Endowment for the Arts), 1/15/89.
“Institutional Invention,” Institutions, Normalization, and Power, Greater Philadelphia Philosophy Consortium, Villanova University 11/1/88
“The Semiotics of Representation,” Tenth International Summer Institute for Semiotic and Structural Studies, University of British Columbia, 8/7/88
“A Heuretics of Institutions,” Interpretive Studies Colloquium, University of California, Santa Barbara, 11/18/88
“Educational Television and the Academic Apparatus,” The Right to Literacy, Ohio State University, 9/18/88
“Academic Discourse in the Age of Television,” Modern Language Association national meeting, San Francisco, 12/27/87
“Contemporary Theory and the Curriculum,” Association of Departments of English, University of California, Berkeley, 6/7/87
“Media and Culture,” Colloquium, English Department, University of Washington, Seattle, 5/2/87
“Reading Mystorically,” Asolo Colloquium, New College, Sarasota FL, 1/24/87.
“Textshop for Poststructuralism,” University of South Florida, Tampa, FL, 3/6/87
“A Conversation with Michael Graves,” College of Architecture, University of Florida, Gainesville, 2/26/87
“The Three Ps: Pedagogy, Popularization, Propaganda, Postmodernism,” Modern Language Association national meeting, New York, 12/28/86
“Theory,” Faculty Symposium, Saint John’s University, Collegeville, MN, 8/29/86.
“On Being Pro Gram: Electronic Education,” Derrida Symposium, Cornell University, Ithaca NY 9/14/85